Showing posts with label Personal Adventures. Show all posts
Showing posts with label Personal Adventures. Show all posts

Sunday, April 29, 2018

TCM Classic Film Festival 2018: Recap #2



On the first full day of the TCM Classic Film Festival, I was furiously preparing for my red carpet interviews. This is the third year in a row that I've been able to greet and interview guests as they walk the carpet for the opening night premiere.

Before I headed over to the TCL Chinese Theatre courtyard, Jay of Cinema Shame and The #Bond_Age_ Project, Jessica of Comet Over Hollywood and I recorded a TCMFF themed episode of the Cinema Shame podcast. Stay tuned for that one! We'll also be reconvening post-fest for a follow-up episode. I didn't get a picture with both Jay and Jessica so here are selfies to commemorate.





Then I headed to the red carpet for probably the most hectic and energetic premiere I've attended. Between Martin Scorsese zipping down the red carpet, Paul Sorvino singing opera to the crowd, Mel Brooks cracking jokes and Norman Lloyd charming the pants off of everybody, there was much to enjoy.



I got quite a good number of interviews. Some short ones but some longer ones too. I'll be doing a full recap of my red carpet experience with lots of great photos and will be posting video interviews on my YouTube channel very soon.


I only had time for one just one of the two movies. I went to the cold war drama Fail-Safe (1964). Lillian Michelson did the research for this one! I was exhausted after red carpet so I had to bail early. Will be watching the full thing at home and will report back. Screenwriter Walter Bernstein couldn't be there but Ben Mankiewicz stepped in with a wonderfully detailed introduction and short audience Q&A.

I'll have more recaps and full in-depth posts coming your way.




Friday, April 27, 2018

TCM Classic Film Festival 2018: Recap #1



My trip to California started off at lightning speed and I'm only now just able to catch my breath. I'm here in Hollywood for the 2018 TCM Classic Film Festival. This is my sixth fest and it's always a surreal feeling when I'm actually here. I take a moment to appreciate it when I'm standing in line for a movie otherwise all the amazing moments fight for my attention and I don't stop to appreciate where I am.



First stop in Los Angeles is always In-n-Out Burger. We pick up our car rental and head straight to the one just outside the LAX.


Later that evening we headed to Burbank for a dinner with Robby of Dear Old Hollywood and his adorable family. We ate at Pinocchio's and had a great casual Italian meal.

On Wednesday we had a full day. I picked up my badge and goodie bag at the Hollywood Roosevelt hotel before the start of the festival. Here's a look at what I got!





We traveled to the Motion Picture and Television Fund home in Woodland Hills for a very special visit. When we arrived we took a gander at the Roddy McDowall rose garden and sculpture.





The reason for our visit was to have lunch with Daniel Raim, Jennifer Raim and Lillian Michelson all of the documentary Harold and Lillian: A Hollywood Love Story. All of you know how much I gush about this movie. I've reviewed it, interviewed Daniel Raim, hosted a Twitter chat (that trended!) when TCM aired the doc. So it was really gracious of Lillian to host a lunch for all of us at the MPTF home. And I'll tell you right now, this was a day I will never forget. We talked for hours and I didn't want to leave. In fact I had such a great time that if we had flown back that night and not done anything else I would have said that was an amazing trip to be remembered forever.

I'm grateful for Daniel, Jennifer and Lillian for being so gracious and welcoming Carlos and I! And a special thanks to Lillian for hosting the lunch.





After peeling myself away from that amazing experience, I headed back to Hollywood for a TCMFF press event. We mingled with lots of press and bloggers and TCM staffers and TCM general manager Jennifer Dorian kicked off the event with a speech. She spoke to some of the highlights of the festival this year and I got so excited more so than I have been which is saying a lot.


Then we headed to Kitchen 24 for a dinner with some of my blogger friends.


And even more friends were waiting for us at the Hollywood Roosevelt hotel for TCM's Social Influencers Mixer. Thanks to Marya for hosting us! I got to chat with lots of friends and colleagues and got to take a ridiculous amount of selfies.

Carlos, Jessica, Matt from Warner Archive and me!

Raquel and Rachel

Joel and me!

Casey, Meg, Carlos and me

Raquel and Karen of The Dark Pages

Stay tuned as I'll have more recaps for when the festival kicks off including Thursday's red carpet!


SaveSaveSaveSaveSaveSave

Thursday, February 22, 2018

My TCM Swag


Today on my YouTube channel I'm sharing my favorite TCM swag. These are TCM branded items that I've collected over the years.

A few years ago I shared two posts about my favorite items in my classic film collection. Not only movies themselves but lots of other stuff too. Some of the TCM items I mention in the video are also in these posts.

Coolest Classic Film Stuff I Own Part One
Coolest Classic Film Stuff I Own Part Two

The item featured in the image above is TCM's Noir Alley Gardenia & Lily Candle. In the video I do a fun unboxing.

I hope you enjoy!



What's your favorite TCM branded item in your collection?

Wednesday, February 14, 2018

My Favorite Classic Movies, A Milestone and a New Look!



This post is a big deal. Why? It's my 1,000th! To celebrate I have four big announcements to make.

The FIRST is Out of the Past now has a brand new design courtesy of the super talented Kate Gabrielle. Take a look around and let me know what you think! The look also extends to my social media channels. I love the retro vibe, the animated header and the color palette. Kate is an incredible artist and I'm so grateful for all the hard work she did in creating this original design. Make sure you head over to her store to check out what she has to offer.



The SECOND is with the new designs I'm launching a Out of the Past Zazzle shop. I already have some cool merchandise for sale including workout tank-tops, iPhone cases, tote bags, magnets and buttons. I'll be adding more stuff to the shop soon.

https://www.zazzle.com/outofthepast?rf=238284996861235121&CMPN=share_dblst&lang=en&social=true


The THIRD is that I'm reviving my YouTube channel and will be adding lots of great new content. Today I'm sharing my new video where I talk about my favorite classic movies. I discuss in depth about my top five, my favorite contemporary classic and a bunch of other favorites too.




The FOURTH is my new blog! I started a sister site called Bygone Voyager which is all about historical movies and TV shows. I encourage you to go visit and let me know what you'd like me to review!

http://www.bygonevoyager.com/


A big thank you to all of you who have supported me over the years. On to the next 1,000 posts!

Friday, February 2, 2018

Musings on Easy Rider (1969)



The other night my husband Carlos and I made a deal. If he'd watch one of my movies, I'd watch one of his. He had his pick and he chose Easy Rider (1969). I recently showed interest in this movie and he immediately perked up. Really? You want to watch it? he asked enthusiastically. Sure, I guess. What was I about to get myself into?

I had avoided this film for mainly one reason: the drugs. I'm not a fan. For me it's not an interesting as a plot device in pretty much any medium: books, TV, movies, etc. However, there seemed to be more to Easy Rider than just two guys getting high. And it's hard to argue the cultural impact of the film and its continued legacy. The image of Dennis Hopper and Peter Fonda on their motorcycles cruising through the American countryside is well... a very American image.

Easy Rider (1969) is a story about outsiders. Two lone wolves who don't fit in society and exist in a counterculture, one that the mainstream culture finds threatening. Captain America/Wyatt (Peter Fonda) and Billy (Dennis Hopper) are "born to be wild". They deal drugs and travel across state lines spending time in small towns, jails, hippie communes and brothels. Because of their long hair and the way they dress and comport themselves, they are continually harassed and stared at. Motels refuse to board them. Sleeping by the side of the road is the only way they can get some rest but even that proves to be dangerous.

This film resonated with me in ways I didn't expect. I have always been an outsider. Never in my life have I ever fit in. Ever. Even in communities I helped create, I've always been a member on the fringe with one foot out the door. I don't belong anywhere. I work best on my own rather than as part of a team or duo. It's always been the way. I need and want people in my life but it's hard for me to find anyone who truly understands. I've always felt alone in any sphere of my life: family, school, work, online community, etc.

Captain America and Billy are misfits of the truest kind. They stick together because they have that in common. But in reality they're polar opposites. Captain America is mellow and easygoing and Billy is wound tight like a spring. They need the companionship of someone who understands what it is to be misunderstood. And this film is so much about being misunderstood.

**Spoiler starts**
 **************
**************

In the days since I finished the movie, the ending has haunted me. I kept trying to negotiate my way out of it. Captain America and Billy didn't really die. Someone will find them, take them to the hospital. Everything will be okay. Their story will continue.

It can't be that easy to destroy them. All it took was two mean-spirited locals with a rifle. How can they get away with this? Why did this happen? I was taken aback when Jack Nicholson's character George, the drunk lawyer, was killed. But clung on when I saw Captain America and Billy were safe. What am I to do with this ending? Is this the fate of all misfits and outsiders? We'll be destroyed by those who don't understand us?

**************
**************
**Spoiler ends**

I'm still processing this movie and what it means to be alone in a world that doesn't understand. My husband and I are two individuals who are very much the same but also very different. We can't conceive of our partnership being a union of two people to become one. We are two different people. We need time to be together and time to be apart. I often use the phrases "separate but together" and "divide and conquer" when I discuss our relationship. We're kind of like Captain America and Billy. He's the mellow to my tightly-wound spring. We get what the other needs and we understand each other. It works.

If you have that moment in your life where you truly feel misunderstood, watch Easy Rider (1969). That'll be when you are most receptive to its message. Some will say it's just a drug-fueled movie with two iconic stars and a great soundtrack. But there is something deeper there if you're willing to discover it.
SaveSave

Wednesday, January 31, 2018

My Cinema Shame Statement for 2018



In 2018 I will embrace my Cinema Shame! What exactly is Cinema Shame you ask? It's the regret you feel for not having watched that big movie everyone has seen, or the one that's won all the awards or that film you meant to get to but haven't... for years. There are numerous shades of cinema shame. I used to hide behind it but now I relish it for the new experiences it opens up.

The official Cinema Shame website and podcast called out for cinephiles to list their shame statements for 2018. These are the films we plan to take on this year. Having watched all the Rocky movies last year for the very first time, I’m ready to tackle some more. (I discussed the Rocky films on the Cinema Shame podcast. Listen to part one and part two and let me know what you think!)


A few years ago I made a list of big movies I hadn’t seen and planned to see that year. I failed miserably and watched none of them. That’s even more shameful that not having seen those films in the first place. I plan to correct that this year. This is a Cinema Shame list I shall conquer!
Instead of picking a random smattering of titles I haven’t gotten to yet, I decided to be a bit more methodical with creating my list. I picked 8 movies from 8 different sources of Cinema Shame.


A movie featuring my favorite actor – The Grass is Greener (1960)

I’ve seen a lot of Robert Mitchum movies but he had such long and varied career that I feel like I’ve only hit the tip of the iceberg. The Grass is Greener is one of the few comedies he made and I still can’t believe I haven’t seen it. In addition to Mitchum it stars Cary Grant, Deborah Kerr and Jean Simmons, all actors I enjoy watching on screen. I need to get my hands on this movie STAT.

(Watched and reviewed)



A movie featuring my favorite actress – Assignment in Brittany (1943)

I’m almost done with the full list of Susan Peters’ feature films except for one glaring exception: Assignment in Brittany (1943)! What’s holding me back? I spoke to former child actor Darryl Hickman about this very film a couple of years ago and still haven’t seen it. Shame! It’s time to find a bootleg copy and get watching.






A movie on the AFI Top 100 list (and one my husband keeps bugging me to watch with him) – 2001: A Space Odyssey (1968)

I’m not quite ready to tackle Star Wars yet (probably my biggest Cinema Shame) but I thought I’d add another major science fiction movie to the mix. Stanley Kubrick’s masterpiece has escaped me for years possibly because I don’t tend to gravitate to Sci Fi. But this year I plan to keep an open mind and watch this one for the first time.




A rarity I own but have never watched – The Wild Party (1929)

I have a nice little collection of rareities and among them is a bootleg copy of The Wild Party. It’s Clara Bow’s talkie debut and one that I’ve had my eye on. I own it, why not watch it? I need to dust off my burned disc and pop it into the player like yesterday.






A movie on FilmStruck – Le Samourai (1967)

I’m not too familiar with Jean-Pierre Melville’s work and I haven’t seen many Alain Delon movies. I love French films and this one sounds right up my alley. So why haven’t I seen this yet? I need to get on it before I have to return my film buff card for a cone of shame

(Watched and reviewed)


.

A movie I missed at the TCM Film Festival – Fiddler on the Roof (1971)

I was saving my very first viewing of this movie for the 2014 TCM Film Festival. Director Norman Jewison was in attendance for a Q&A. Unfortunately I got sick and couldn’t make it to that screening. This is an uber classic that I’ve been reluctant to admit I haven’t seen yet. There is no time like the present to fix this.

(Watched and reviewed)





A movie from the Warner Archive – Get Carter (1971)

The very first movie I added to my watchlist when I subscribed to Warner Archive Instant was Get Carter (1971) and then I proceeded to not watch it even though I really wanted to. Film watching is funny that way. Sometimes we’re overwhelmed with choices that even a good one staring us right in the face gets looked over.





A movie that’s been languishing on my DVD Netflix queue – The Wild Bunch (1969)

In fact this was on that original shame list from a few years back that I never got to. It’s been sitting in the middle of the 300+ (almost 400) DVD Netflix Queue for years. Time to bump it up to the top!

(Watched and reviewed)







What's on your Cinema Shame list for 2018? Tell me in the comment section below!

How I'll feel after tackling this list.

Many thanks to Jay Patrick of the Cinema Shame website and podcast for the prompt!

Wednesday, November 29, 2017

Gold Star Boston Premiere



On Monday, I had the honor of introducing the film Gold Star at its Boston area premiere and moderating a Q&A after the screening. Special guests included filmmaker Victoria Negri, composer Ben Levin and casting director Judy Bowman.

A big thanks to my husband Carlos who recorded both the intro and the Q&A and helped me edit the video.



And another big thanks to Victoria Negri for inviting me to moderate!




Make sure you take an opportunity to watch Negri's fantastic feature film debut if you haven't already. Gold Star is currently available on on Amazon Video.

About the film:

After dropping out of music school, Vicki drifts aimlessly between her family’s house in Connecticut and an itinerant existence in New York. When her father suffers a debilitating stroke, she has to become his primary caretaker. Vicki resists connecting with him, and making peace with herself, but finds a way forward thanks to a new friend and a life-changing event. (Source: Gold Star Film Official Website)


Robert Vaughn in Gold Star




Wednesday, November 15, 2017

Cinema Shame: Rocky


https://cinemashame.wordpress.com/2017/10/10/episode-5-rocky-raquel-stecher/

https://cinemashame.wordpress.com/2017/11/13/episode-7-rocky-part-2-raquel-stecher/

Before this year I had never seen a single movie in the Rocky franchise. Not one.

My friend Jay hosts a Cinema Shame podcast in which he invites a cinephile to watch a big film they've never seen before and come on to the show to discuss. On Twitter Jay challenged me to watch Rocky.



And I took the bait.

The term cinema shame refers to the regret a cinephile experiences because they haven't seen a particular film. For years I suffered my cinema shame in relative obscurity, keeping the embarrassment to myself. Now I celebrate and embrace my cinema shame. It gives me an opportunity to tackle exciting new projects and to experience some great movies for the first time.

When Jay and I discussed our plans for the episode, Jay came up with the idea of a two-parter and challenged me to watch all 6 of the Rocky movies and the spin-off Creed if I felt like it. Challenge accepted! I love the satisfaction I get from tackling big projects and this challenge spoke to the completeist in me.

And this year I was ready for Rocky in a way that I hadn't been before. I started a new exercise regiment that would not only challenge my physical strength but my mental and emotional strength too. I was prepared to appreciate Rocky's struggle.

I shared my Rocky movie watching experience with my husband Carlos who insisted he be there for my inaugural viewings.

The two episodes of the Rocky Series Shame are now live. In the first episode looks at Rocky I, II and III and the second at Rocky IV, V and Rocky Balboa along with a bit about Creed. I'm very proud of these episodes and I hope you'll give them a listen.

Now having conquered the Rocky series I feel like I can accomplish anything.



If you want more podcast goodness, check out my guest appearances in the podcast tab of this blog. Also subscribe to Cinema Shame for future episodes and dive into the archive of goodness.

Many thanks to Jay for having me on the show!






Thursday, October 5, 2017

Showcase Event Cinema: The Witches of Eastwick (1987) 30th Anniversary Screening

Showcase Superlux Chestnut Hill


On Monday I had the privilege of attending an exclusive event hosted by Showcase at their Super Lux location in Chestnut Hill, MA.  Showcase Event Cinema is the theater chain's initiative to bring classic movies, documentaries, anime as well as ballet, opera, stage productions and other entertainment to a wider audience.


The event I attended was a 30th anniversary screening of The Witches of Eastwick (1987). With Halloween just around the corner and the fact that the movie was filmed in Massachusetts, this seemed like the perfect pick for a Boston area event. Attendees mingled during the cocktail reception while a violinist serenading us as we nibbled on some delicious h'orderves and sipped on our signature cocktail. There was also a mini-red carpet and photography session. I got a couple photos taken and even had one printed out as a keepsake.



Jared Bowen of WGBH was on hand to kick off the event which would be capped off by an interview with screenwriter Michael Christofer. Before the attendees were whisked away to cinema #5 for the screening, we were treated to  a live performance of Je Suis Encoure Tout Etourdie performed by soprano Carley DeFranco with Stephanie Mao accompanying on the piano.



I've never been to one of the Super Lux cinemas so this was a real treat. The cinema boasts plush reclining seats with swivel trays and a call button. Visitors can order food and cocktails to be delivered to their assigned seats. Much to my delight I was offered a plush blanket to use during the screening. I'm always cold at movie theaters so this felt ultra luxurious. I also received a complimentary tub of popcorn and a bottle of water. I felt pampered in a way I don't usually experience when going out to the movies.

Directed by George Miller, The Witches of Eastwick follows the story of three women who suddenly find themselves single. Alexandra (Cher) is widowed, Sukie (Michelle Pfeiffer) has been abandoned by her husband and left to raise her six children and Jane (Susan Sarandon) just finalized her divorce from a husband frustrated by her inability to bear them a child. The three don't realize it yet but they're witches with magical powers. On a drunken night, they come up with the idea of their ideal man who materializes as Daryl Van Horne (Jack Nicholson), AKA the devil. He invades their town and their lives. The women feel liberated until their relationships with Daryl quickly spiral into chaos. Their small town, including the outspoken Felicia (Veronica Cartwright), can't handle the chaotic developments. Will the triumvirate be able to get rid of Daryl before he ruins all of their lives?

The Witches of Eastwick (1987)

"If we're gonna have it, let's have it all." - Cher as Alexandra
"How much can you take before you snap?" - Jack Nicholson as Daryl Van Horne

The Witches of Eastwick is not your typical family Halloween movie which is why it still flies under the radar. It can be raunchy and vile and is definitely a film to be enjoyed by adults. I love it's feminist message of empowerment. It's a smart movie that lacks the cheesiness of many others in its genre. However, as someone who loves cherries I might not be able to eat my favorite fruit for quite some time after watching this. Lucky for me, cherries are currently out of season.

Michael Christofer and Jared Bowen in conversation
Michael Christofer and Jared Bowen in conversation

The story was adapted from a novel by John Updike by the same name. Screenwriter Michael Christofer was intrigued by the first half the novel but not the second which had the three female protagonists turn on the local women in spite. In conversation with Jared Bowen, Michael Christofer called the second half of the book "John Updike's very very very dark view of women. It was not a story I wanted to tell." Christofer went on to say, "this was a very pertinent and hot political, sociological issue about women in a repressed state finding their own power and then getting to use it. [And] this devil was an extraordinary character that I have never seen before. It was fun to write."


The filming of The Witches of Eastwick was anything but smooth sailing. In particular producer Jon Peters drove everyone nuts. Christofer said, "it was the '80s. There was a thing called cocaine that many people indulged in. There was a lot of strange behavior on the set."  In fact, director George Miller walked away from the movie twice and the three female leads walked away once. Who brought them back? Jack Nicholson. About Nicholson, Christofer said "He's a madman. He's completely crazy. But he was so dedicated and so disciplined. There is not a word on screen that was not right out of the script. He made it into something extraordinary. I have enormous respect for him."

The cast originally was supposed to be Bill Murray, Dianne Wiest, Barbara Hershey and Susan Sarandon, in Cher's role. According to Christofer, Wiest and Hershey were dropped because Jon Peters and other executives didn't think the three women would make for a good movie poster. Cher and Michelle Pfeiffer were brought on with Sarandon's role switched. Have you noticed the particular attention to hair in the film? The three women each have a distinct hair color and style and Sarandon's changes as her character blossoms. Nicholson sports a wild man that is as untamed as his character. Producer Jon Peters was a former hairdresser and his influence can be seen in this respect. Christofer, in his best Jack Nicholson voice, recalled the actor saying to Peters, "Jon, you know we all get nervous when you start talking about hair."

Christofer's script was to have the climax of the film in the church scene followed by a short coda. However, movies with special effects were trending and a spectacular scene with the devil coming back for the women was added. While it's quite dramatic it doesn't add anything to the film and makes the ending longer than it needs to be. It was also very expensive and in Christofer's opinion "it was boring."

The Witches of Eastwick was filmed in Massachusetts notably Cohasset, Ipswich and Marblehead. The story is set in Rhode Island and they were supposed to film in Little Compton. Christofer recalls 'The deacons of the church threw us out. The Massachusetts film board lobbied really strongly to get us to come to Massachusetts."

Could this film be made today? Christofer's answer: no. He went on to say:

"It would have to be a small art film, done by independent financing. The language alone, the sexuality, these things... I had a lot of freedom then in terms of dialogue, in terms of writing those and in terms of writing that character. Which we don't have any more... I don't know what this movie cost. I'm going to guess $25 million maybe $30 million. To make this movie now the way we made it would be over $100 million. It was championed as a huge hit. It brought in $20 million in the first two weeks. Compare that to $50 million on the first weekend which is what films are expected to do now. Money, it's all about money."

Showcase Event Cinema will be hosting screenings of The Witches of Eastwick (1987) on October 26th. They'll also be showing the following classic movies:

TCM The Princess Bride 30th Anniversary - 10/15 and 10/18
TCM Casablanca 75h Anniversary - 11/12 and 11/15
TCM Guess Who's Coming to Dinner? 50th Anniversary - 12/10 and 12/13

Many thanks to the folks at Showcase and Marlo Marketing for the opportunity to attend this event.

Popular Posts

 Twitter   Instagram   Facebook