Monday, November 29, 2010

God Speed Leslie Nielsen


Leslie Nielsen (1926-2010)

Oh Leslie, you broke my heart yesterday when you passed away. I don't ever think I got a chance to really express how much I appreciated you. Let me take a moment to thank you for a few things:

1. Thank you for entertaining us. You were devilishly handsome and grew up to be quite a distinguished looking older gentleman. But you were never stuck up. There was always a childish quality about you. You had a silly youthful spirit and you made so many of us laugh until our sides hurt. So thank you.

2. Thank you for being there when I got my first period. I know, it's a very strange thing to thank you for. I remember watching Naked Gun 33 1/3: The Final Insult (1994) at home and being surprised by a visit from mother nature. It's a difficult time for a young girl but I had you to entertain me for a couple of hours and you know what, that made things a lot easier for me. So thank you.

3. Thank you for Katie and Orbie. I was a teenager with a strong interest in children's entertainment. Who knew I'd end up working at a children's book publisher later in my life. That early interest of mine helped me with my career path. Kate and Orbie was such an unusual show. Canadian produced, semi-animated and with a heart of gold, you narrated the whole thing. You told the story, you did all the voices, it was all you all the time. And you know what? It was lovely. I will always remember that show. So thank you and God Speed.


Sunday, November 28, 2010

Gentleman Jim (1942) and Opportunities



Merriam-Webster provides the following two definitions for the word "opportunity":
  1. a favorable juncture of circumstances
  2. a good chance for advancement or progress

We talk about opportunities passing us by, grabbing an opportunity when we can, and scolding others for being opportunists. Opportunities are tricky things. Some we are lucky to stumble upon, others we can't take because of extenuating circumstances and other opportunities we create ourselves.

James J. Corbett (Errol Flynn) is an opportunist in the fullest meaning of the term. He finds opportunities but for the most part he makes them. He's not satisfied with a little success, he wants it all. He wants to be a gentleman, he wants the girl and he wants the fame that comes with being the best Victorian prize-fighter in San Francisco. Corbett will take any circumstance and turn it around into an opportunity. Even when the odds are against him.

Again we see Flynn in a based-on-a-true-story film which wildly exaggerates the truth in order to entertain audiences with a hot-shot opportunist character who triumphs through sheer determination. That's a real "American" story is it not? He's an Irishman from humble origins and we want to see him rise to the very top. Why? Because we want the same for ourselves. We want those opportunities. We want to be the best. We want to overcome our circumstances and triumph.

This film lavishes it's attention on the Corbett who starts at the bottom and reaches the top. Because that's the most interesting story. However, we see the downfall of another boxer, John L. Sullivan, and although we may ignore our gut feeling, Corbett's heading for the same fate. No matter how successful we are and how many opportunities we seize, we will all be replaced by someone younger. It's the sad inevitable truth of life. All we can ask for is to be remembered kindly and to hope that our triumphs inspire future ones.

Saturday, November 27, 2010

Warner Archive Black Friday Sale


(click the image above to go to the Warner Archive store)

This sale ends 11/29 (Monday) so if there are some Warner Archive DVDs you've been lusting after NOW is the time to get them. This is a really great deal. $10 each for 5 single-disc DVDs and no shipping cost. Plus, plus, plus. 

Are you going to take advantage of this sale? What are you going to get? If you've already made your purchase, what did you buy? This is what I got:


The Bachelor Mother (1939). You guys have Gone with the Wind and The Wizard of Oz but for me the crowning jewel of 1939, the Golden Year of Movies, was The Bachelor Mother (oh and The Women, I can have two jewels right?). It's by far one of my favorite films and easily takes a spot in my top 5. It's a film I love to watch at any time during the year but especially during Christmas and New Year's. I watch it alone or I share it with friends. It's just the most divine movie ever and I curse Warner Bros. for not putting it out earlier. Now I have a proper DVD but I also had it on a burned DVD thanks to a kind friend as well as a VHS version which has gotten lost twice. Now I will have a proper DVD with keepcase and everything!

Keep Your Powder Dry (1945). This is a notable film featuring one of my favorite actresses Susan Peters. I've mentioned it before in my tribute to Susan Peters and while I had a VHS recording of it I was really happy to purchase a DVD copy. I'm starting to develop a strange interest in patriotic films from the 1940s and this is one of the better ones in my opinion. And Lana Turner is not even the least bit annoying in it!




Boy's Night Out (1962). This one is a total wild card. I have a VHS recording of this but it was missing a significant chunk so I have never seen it. I was contemplating getting this because of the cast, the story and the fact that it was remastered. I wasn't fully sold until I got recommendations from Terry from A Shroud of Thoughts, Millie from ClassicForever and Casey from Noir Girl. They sold it to me!


The Easiest Way (1931). A favorite early talkie. I loved it so much I dressed up as Anita Page! I only have a VHS recording of this so I'm very glad to be able to own it on DVD.



Their Own Desire (1929). Another top favorite film which I've written about on here a couple of times. It's Art Deco at it's finest, Shearer & Montgomery's first picture together and it's just a great example of an enjoyable early talkie. I'm so glad to be able to own a proper copy of this with such a beautiful design for the keepcase!


Friday, November 26, 2010

The Elia Kazan Collection: Selected by Martin Scorsese


(watch me present the boxed set in this newest vlog!)





A Letter to Elia (2010) - Scorsese documentary
A Tree Grows in Brooklyn (1945)
Boomerang (1947)
Gentleman's Agreement (1947)
Pinky (1949
A Streetcar Named Desire (1951)
Viva Zapata! (1952)
Man on a Tightrope (1953)
East of Eden (1955)
America America (1963)












Full Disclosure: I received this boxed set as a birthday present from my beau Carlos. <3 xoxo

Thursday, November 25, 2010

Happy Thanksgiving!


(Robert Mitchum with his sons Chris and James)

I hope your Thanksgiving is filled with lots of family and friends and good home-cooked food. And classic movies of course!

Tuesday, November 23, 2010

Charlie Chaplin and a Rack of Ribs

I was at a Grill/Bar of questionable respectability on Sunday evening. I enjoy frequenting such places because I can usually get a good drink as well as indulge in some people watching. This Grill/Bar features waitresses in themed attire, that evening it was Patriots themed, a full bar, booths and other dining tables, poker tables and a variety of flat screen televisions showcasing different cable channels on mute. After some socializing, a so-so appetizer and a fantastic personal sized pitcher of grapefruit sangria, we headed out when I spotted something. Above the bar there are 8 flat screen televisions, 4 on either side of the partition. One one side I saw 4 screens, 2 showing Sunday night's football game, one showing a music video and another showing a Charlie Chaplin movie. Charlie Chaplin?! I looked over on the other side and saw another screen showing the exact Chaplin movie! Wha?! At first I thought it was a clip of a movie that was being shown on some television program. So I stood there a little while watching. Nope they were playing the film. Then I thought, it might be TCM's Silent Sundays. TCM is a cable channel, perhaps they flipped the channels to the wrong one and left it on by mistake. The next day I looked up TCM's schedule for the previous evening. Not only was TCM not featuring a Silent Sundays line-up there was no Charlie Chaplin film on the schedule either. So then I looked up the local PBS station to see if they had shown a Chaplin film during prime time. Nope. I couldn't figure it out. Why would this Grill/Bar show a Chaplin movie?

This is what I have seen at this bar:

  • a DJ playing 80s/90s dance hits
  • a bartender in a hot pink outfit that barely covered her body which made me do a double take
  • a man dunking his head into a vat of whipped cream while he fished for gum balls in the name of charity
  • a random couple groping each other in front of the men's bathroom
  • a cartoon of a woman holding up a plate of ribs while men check out her "rack"

What I don't expect to see at this bar... A Charlie Chaplin movie! For one thing, a silent film is perfect for a bar. Especially a funny one. All the TVs are on mute anyways and you don't need to hear dialogue when watching a silent movie like you would a TV show. You can guzzle your beer, nosh on your greasy hamburger AND laugh hysterically at Chaplin's hijinks. Plus plus plus.

Where is the strangest place you have seen a classic film movie or a classic film poster?

While you chew on that thought, let me leave you with a clip of the famous Chaplin dinner roll dance scene. Enjoy!



Monday, November 22, 2010

Action in the North Atlantic (1943)


A fine World War II movie, indeed.

What a superb war movie. It's got all the right elements: action, adventure, interesting characters, a couple of love stories, brains versus brawn, patriotism, etc. Plus, you have Humphrey Bogart as the effortlessly cool (I say that a lot huh?) Lt. Joe Rossi. That's delicious buttercream icing on an already fantastic cake. It does what a war movie in 1943 should do: make you hate the Germans and pump your fist in the air when the American prevail. Or in my case, make you clutch your soft blue blanket in fear when the German submarines DARE to fire off underwater torpedos at my beloved American ship. How DARE they?!




And now, a special message from Chris Rock:


(click on the image to watch the video. NSFW)

No matter what a stripper tells you, there's no Robert Mitchum in this Bogie movie.

IMDB and other sources claim that Robert Mitchum has a bit part and one line of dialogue in this movie. Mitchum? Really? I was so excited! I looked and looked and looked and looked for him. Couldn't find him. It was a big fat lie. Mitchum wasn't in the movie at all. I looked through Lee Server's bio of Robert Mitchum and Server devotes a section to 1943 when Mitchum was getting his start in Hollywood playing lots of bit parts. No mention of Action in the North Atlantic whatsoever. Again, it's a big fat lie. Unless you can show me proof, I'm calling this one's bluff. Moral of the story: don't believe everything that IMDB or Wikipedia tells you.

Sunday, November 21, 2010

The Maltese Falcon (1941)


The world's best remake

We hate remakes don't we? Hollywood seems to be money hungry now, milking the last few drops out of the golden teats of brands just to make some dough. Nothing is sacred. All those classics you hold near and dear are just waiting to be butchered by some big studio wanting to make a fast buck. It's just a matter of time until classic power houses such as Casablanca (1942), The Wizard of Oz (1939) and Gone with the Wind (1939) are remade for today's contemporary audience. However, remakes aren't new. They are an old tradition in the movie business. Let's take The Maltese Falcon (1941) for example. Not only is it a remake of the 1931 version it's also preceded by another remake Satan Met a Lady (1936) with Bette Davis and Warren William. 

I often wonder what goes into the decision making process of 21st century movie studios when they decide to remake a classic. I like to envision that young upstarts at these studios, fresh out of film school but have not yet made an emotional connection to certain classics come up with these ideas only to have them robbed by the powers that be that throw money around to make it happen. Then they see who's hot, who's available, who's willing to butcher and/or remake this film to cash in on some big box office dough. Some remakes are good but the unfortunate truth is that most are really bad. But audiences will still flock to theaters because these established names are recognizable. Who wants to take a chance on an unknown when there is something safe and familiar instead?

One thing about The Maltese Falcon is that if they ever remake it again they can NOT top the cast. Humphrey Bogart was effortlessly cool as Sam Spade. Mary Astor as the dangerous, scared and alluring Brigid O'Shaunessy was simply divine. And I couldn't imagine any other team of criminals than Sydney Greenstreet, Peter Lorre and Elisha Cook Jr. Or could I? While I watched the film I looked closely at each of the actor's faces and tried to come up with the first contemporary actor that came to mind. In some cases it was physical appearance in other cases it was a random association based on essence. This new cast could either prove as a nightmare or a decent possibility to you. For me, it would only work if they did something fresh and new with it. If they do ever remake this, there is no way they will be able to find an actor like Bogie. He has no equivalent. There is no replacement. Bogie was Bogie, 'nuff said.


Humphrey Bogart


Ben Affleck
(I have this strange Bogie-Affleck thing. Don't ask)



Mary Astor



Julianne Moore
(Astor pouted in the same way Moore does)



Sydney Greenstreet



James Gandolfini
(Gandolfini can't play loveable but he can sure play a big round intimidator)




Peter Lorre



Johnny Galecki
(Hair, eyes, they sort of resemble each other. Plus some guy called Chuck Lorre produces the Big Bang Theory. I didn't even realize this until I was looking up the actor!)



Elisha Cook Jr.



Casey Affleck
(eh. They just look alike!)



Saturday, November 20, 2010

Fox 75th Anniversary Sets at Target

Carlos went to Target some weeks back and saw that they were carrying several DVD boxed sets at $9.99. These were 75th Anniversary 20th Century Fox Studio Classics sets. A great deal. You get 4 movies for $10.00. That's only $2.50 a movie. And it's much less expensive than investing in a larger boxed set with many more movies. These make great gifts! We got the following:

(Click on the image to go to the Target.com page for the item for more information. However, these DVD sets are only available in Target stores.)



--------------------------------------------------------------------------------------------------

and here are some others of note:








Full Disclosure: Carlos found these at Target and we purchased two. 
Also, don't bother with the poster codes. Fox either run out of posters or the codes don't work.

Friday, November 19, 2010

Actors Who Remind Me of My Father


If you've been following this blog for a while (or at least have read my archives), you may remember a post I did called "An Ode to my Father". In the post I said:
I find that my interest in classic films stems mostly from my constant need to understand my father. The decades from the 1920s to the 1960s intrigue me the most because these are the years my dad lived through but also the decades of his life that I know little about. Watching these films and getting a taste of what those decades were like, I feel like I can better connect with him.
Something unique about my experience with classic films is that I see my father in many actors on screen. Perhaps it's familiarity but I think my dad's look is indistinctive. I've seen many men, mostly on TV and in film, share distinct characteristics with my father. One notable figure is Dan Rather, whom I always imagined as my television father when I was growing up. Rather's eyes, hair, the shape of his face and his build were all very similar to my dad's. And even though my mother and father were right next to me as we watched Dan Rather on the news every night, I always saw another version of him on screen.

This is a post I've been meaning to do for a long time: to round up all the classic film actors that remind me of my father and list the physical and non-physical attributes that create the similarities in my mind. I'm automatically endeared to these actors because of their resemblance to my dad. I like them even more if they happened to be talented actors with excellent films.



(image from Classic Film Scans)

Edward G. Robinson
It's mostly his hair style, the hunch of his back and his shorter height. His eyes, nose and mouth are almost exaggerated versions of my father's facial features. The suits Robinson wore fit him in a similar way that suits fit my dad: a little loose and a little long but still fitting to the frame.




Walter Matthau
It's the droopy jowls that do it. My father has a less exaggerated version of those same jowls. His thick dark hair and tan skin also remind me a bit of my dad.


Ernest Borgnine
My dad and Borgnine have similarly shaped heads, the same sort of hunch and similar builds. Their eyebrows today kind of match too. While their personalities are totally opposite from one another, Borgnine and my father share similar laughs.


Jack Lemmon
I can't quite point this one out except for the fact that my father's casual wear was very similar to what Jack Lemmon wore in numerous movies. Everytime I see Lemmon on screen I get a dad vibe from him.


John Garfield

My dad was a tough kid. He got into a fist fight with another kid and the fight resulted in my dad losing all hearing in one ear. My dad would also spend the summers by the seaport knitting fishnets for local fishermen. I like to think that when my dad was a teenager that he looked a bit like John Garfield. Sweet face with a tough edge.


Claude Rains

It doesn't hurt that Claude Rains played many fatherly type roles during his film career. His build, his eyes, his hair and more notably his chin remind me a lot of my father.



James Mason
I think James Mason's features remind me more of the men on my dad's side of the family than they do my dad specifically. It's mostly Mason's angular European face, thick hair, square face and gentile demeanor that remind me of the M. men.



George Sanders

The similarity isn't physical at all. I like to think my dad was like George Sanders when he lived in Europe. A well-dressed rogue, excellent at conversation and a bit elusive. Plus Sanders had some bad luck with the ladies and my dad did as well before he met my mother of course.



Glenn Ford

It is uncanny how similar Glenn Ford's face was to my fathers. The eyes, the nose, the mouth, the shape of the face, even the ears and the hair. It all works. I look at Glenn Ford and something within me calls out "dad?!".

Do any classic film stars remind you of your father or mother? Other family member? Friend? Acquaintance? Guy you saw on the subway? I'd love to hear your responses.

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