
Edith at first wanted Norma to be a pianist, however Norma's early career involved bouts in vaudeville and modeling. She landed an infamous gig as the Springfield Tires billboard girl Miss Lotta Miles which her future rival Joan Crawford loved to poke fun at.
One day, almost out of the blue, Norma decided she wanted to be an actress and she and Athole auditioned and got bit parts in the Olive Thomas film The Flapper (1920). Edith joined in on the fun and they all became extras in the barn dance scece in D.W. Griffith classic silent Way Down East (1920). Norma took that opportunity to meet the director so she stood under an arc-light to show off her features. Griffith gave her one good look and told her she would never become a star.
Norma continued to make films in New York and got noticed in The Stealers (1922) and with the help of producer Hal Roach, she made her way over to Hollywood. The day after her arrival she met with producer Irving Thalberg of MGM (then known as The Mayer Company). He was so young she mistook him for an office boy until she saw him sit behind the producer's desk and put his feet up. They were both impressed by each other, Irving by Norma's charisma and drive and Norma by Irving's power and work ethic.
Norma signed with MGM and made many movies with MGM's top stars Lon Chaney Jr., Conrad Nagel and John Gilbert. She wasn't an instant success but with each film her star rose higher and higher in the Hollywood heavens. After various affairs with other people, Thalberg proposed marriage to Shearer and she accepted. The marriage would make her the Queen of MGM and it was a union of business and mutual admiration and respect. Most say Shearer was an opportunist as the union helped get her lots of choice roles, but Shearer hard to work hard to prove herself.
In 1929, Norma helped usher in a new era of talking pictures with MGM's first talkie The Trial of Mary Dugan (1929). Her upper-class Canadian accent worked well and the transition was smooth for her. She was however very unhappy with her roles and wanted better parts. She proved to her husband Thalberg that she had potential beyond her "good girl" roles and she landed parts in pre-code classics such as The DivorceƩ (1930) and A Free Soul (1931), for which she won the Best Actress Academy Award. Her career boomed and she made lots of popular pictures with co-stars such as Clark Gable, Robert Montgomery and Leslie Howard. Most fans today love her Prestige Films which are those films she made from 1936-1939 including Marie Antoinette (1938) and The Women (1939).
Norma had two children with Irving: Irving Jr. (b. 1930) and Katherine (b. 1935). Irving's health was very poor due to a heart condition and he passed away in 1936 leaving Norma a widow. She continued to make films for MGM However, Norma was aging and becoming less and less believable in romantic leads. When Her Cardboard Lover (1942) proved to be a total flop, she made the decision to end her acting career.
Norma met ski instructor Martin Arrouge, a handsome strapping man some 12 years her junior and married him in 1942. Martin (whom she convinced to go by the name "Marti") and Norma were a very suitable pair. She wanted to continue living as a queen and he wanted someone to adore. They remained married until Norma's death.
What very few people realize is that Norma's family had a history of mental illness. Sister Athole was in and out of mental hospitals and her parents and her brother Douglas had their own manias. Norma was a very poor mother to her children and had very little in the form of maternal instincts. She became obsessed with her appearance (a trait she shared with her mother) and in her advanced years succumbed to failing eyesight and dementia, often calling her second husband Martin, "Irving". She passed away on June 12th, 1983.
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Future posts will reveal even more about Shearer, her love life, her career, etc. so stay tuned!