Showing posts with label Eva Marie Saint. Show all posts
Showing posts with label Eva Marie Saint. Show all posts

Wednesday, August 9, 2017

36 Hours (1965)


 36 Hours (1965)

Prisoners of war are interrogated and tortured for their secrets. But what happens when they're tricked out of them?

Directed and adapted for the screen by George Seaton, 36 Hours (1965) is a fascinating WWII film about a major in the US Navy whose drugged and captured by the Germans. When he comes to he's made to believe that it's 6 years later and the war is over opening up the opportunity for the Germans to learn crucial information about the imminent invasion of Normandy, also known as D-Day.

James Garner stars as Major Jefferson Pike. The US Navy has sent him to Lisbon, Portugal on an intelligence mission. However before he's able to execute his assignment, a German spy slips something into his coffee which knocks him out and he's taken prisoner. While he's unconscious a team of Nazis work to execute an elaborate plan that's been months in the making. Led by psychiatrist Major Walter Gerber (Rod Taylor), the team has studied Pike for months. Their plan is to make him think it's 1950 and he's recovering in an American Navy hospital. He's recruited fellow Germans who speak impeccable English to play Americans. Also part of his team is Anna Hedler (Eva Marie Saint), a concentration camp victim who spoke good English, was a trained nurse and saw this as an opportunity out of her situation. Anna plays his wife and nurse and Gerber plays a sympathetic American major and psychiatrist. A team of doctors perform plastic surgery on Pike to make him look like he's aged by 6 years. Gerber gets word from his higher ups that he only has 36 hours to finish his project and get important battle details out of Pike. His superior Otto Schack (Werner Peters) is visiting and anxious to interrogate the prisoner all the while doubting Gerber's plan. Will Pike figure out what's going on before he reveals too much?

Rod Taylor, James Garner and Eva Marie Saint in 36 Hours (1965)
Rod Taylor, James Garner and Eva Marie Saint in 36 Hours (1965)


36 Hours is based on an original story by writers Luis Vance and Carl K. Hittleman. However, Roald Dahl, popular writer and WWII veteran, had written a story in 1944 called Beware of the Dog that was very similar to Vance and Hittleman's story. Dahl's wife actress Patricia Neal was considering the part of Anna and noticed the similarities. In order to avoid a lawsuit, MGM bought the rights to Dahl's story and he received credit. Roald Dahl's biographer Jeremy Treglown confirms that Dahl was paid $30k for the film rights to Beware of the Dog. Most sources say the movie was adapted from Dahl's story but his is quite different. The two stories share in common the concept of tricking someone into think they are in a different place and time. I couldn't find any corroboration to this information other than IMDb. If you see any information please let me know because it makes for a very interesting back story!

James Garner's company Cherokee Productions co-produced 36 Hours along with William Perlberg and George Seaton. It was filmed on location in Yosemite National Park which was meant to represent the German countryside where Pike was isolated. I was delighted to see real footage of Lisbon, Portugal in the early 1960s. My father was from Portugal and I spent quite a bit of time visiting family there. At the time of filming my dad would have already been living in the US but it was still so fun to see my dad's country on film.

36 Hours is a taut war drama that kept me enthralled. I enjoyed the performances by the three leads James Garner, Eva Marie Saint and Rod Taylor. Saint's Anna is a very dark character. She's become numb because of her experiences in a concentration camp and is purely in survival mode. Saint is roughed up a bit in the movie and the plot line about her not being able to cry felt a bit over done. However I think her character was very interesting and it was great to see Saint in a role like this. Taylor's performance as Gerber was nuanced and brilliant. His character is probably the most complex of the bunch. Garner is great as Pike but I don't feel like the role was all that challenging for him. Pike is kind of a one-note character and he's confused when he comes to but I didn't quite believe it when he starts to realize what's going on. Garner is one of my favorite actors so it was still great to see him in this. And I also admire the fact that he was heavily involved behind the scenes too. I really enjoyed John Banner's performance as the Ernst. He plays an important character in the final part of the film. Describing his story line would be a major spoiler because he helps the plot come to its final conclusion.

I thoroughly enjoyed 36 Hours. I loved it's unusual story line and seeing a different take on WWII. The ending is predictable because it's based on real events but it's still so much fun to watch. Hat tip to writer Andy Ross who convinced me that I had to watch this one. You can check out his article on the movie here.

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36 Hours (1965) is available on DVD-MOD and Blu-Ray from the Warner Archive Collection. It's also streaming on Warner Archive Instant. I watched the Blu-Ray version and highly recommend it.

Warner Archive Wednesday - On (random) Wednesdays, I review one title from the Warner Archive Collection. Thank you to Warner Archive for sending me a Blu-Ray copy of 36 Hours to review!

Saturday, April 27, 2013

TCM Classic Film Festival Day #3 Recap


Friday was the second official day of the TCM Classic Film Festival but my third day. As I had predicted, I didn't wake up early enough to go see Libeled Lady (1936). I wish I had more energy and a personal driver to take me everywhere I need to go.

I spent the day with my husband which was nice because we had been on different schedules for a couple of days. First stop was to the Chinese Multiplexes to see River of No Return (1954).



Leonard Maltin hosted the screening and introduced special guests producer Stanley Rubin and his wife Kathleen Hughes.

I plan to do a most in depth post later but I really enjoyed Maltin's talk with Rubin and Hughes. When the movie started, something happened. I started to cry and couldn't stop. It was a really emotional moment for me. I think this was for a few reasons. 

River of No Return (1954) is the second Robert Mitchum film I ever saw with Out of the Past (1947) being the first. And as most of you know, Robert Mitchum is my favorite actor. I have always been a fan of Marilyn Monroe too and have seen almost all of her films. Also, I've been to the river in the film. The movie was shot on the Athabasca River in Alberta, Canada and I have very happy memories visiting the river and the Rocky Mountain town Jasper which is situated alongside the river. River of No Return isn't a perfect film but it's one I have loved for as long as I have been a classic film fan. It has a special place in my heart and to see the producer of the film up on stage talking about the movie, sharing his stories and talking about Mitchum and Monroe was truly an honor.  Not only that, Rubin stayed to watch the film with us.

Then it hit me. This is truly amazing. Truly fucking amazing. And then the tears just flowed. Wow.


We left the Chinese Multiplexes and hoofed it over to the Avalon for a taping of Eva Marie Saint: Live from the TCM Classic Film Festival. This event will be televised on TCM so I won't be doing an in depth post but I did want to share a little about it.





 We got absolutely terrible seats because everyone got there super early and we had only gotten there 10-15 minutes before it started. We were in the nosebleed section and there was a lot of moving around to get the best view. 

This event was a taping of the one hour interview for TCM so it took about 2 hours with several stops for make up, clean up, retakes, etc. Tom Brown kicked it off with talking with the audience and getting laughter, titter and awws so they could record those sounds and use them later for editing. Then they brought out Robert Osborne and he fielded some questions from the audience which I thought was very nice of him! 

Out came Eva Marie Saint and at the age of 88 she still looks stunning. We couldn't photograph during the event but she did post for pictures afterwards (hence the photos above). Eva Marie Saint flirted with Robert Osborne calling him her second husband. Her real life husband of 61 years Director Jeffrey Hayden. She called out to him numerous times during the interview which I thought was so sweet. They seem like a very close couple and still very much in love. Eva Marie Saint credited that to the fact that they are Actress and Director and not both Actors or both in different businesses. Because they are both in show business they get the nature of the business. If they were both actors they would in competition with each other. She noted a few couples and used Paul Newman and Joanne Woodward as an example of an exception to that rule.

Eva Marie Saint spoke very fondly of Yves Montand her co-star in Grand Prix (1966) and also mentioned that her daughter had such a huge crush on him and corresponded with him by mail for years. She also spoke about working with Cary Grant, Elia Kazan, Marlon Brando, Paul Newman, Otto Preminger, Montgomery Clift and more. She was absolutely charming, you could tell that she felt very at ease with Robert Osborne which I think made a huge difference. She mentioned that she enjoyed her role in the contemporary movie Because of Winn-Dixie (2005). OMG. I work for that book's publisher! I hope that bit makes it on air.

Overall a good experience even though I got terrible blisters hoofing it there.



The last thing we did was attend the World Premiere Restoration/50th Anniversary screening of The Great Escape (1953). It was screened at the Grauman's Chinese theatre (which I refuse to call by it's new name). It was magical being in such an important and historic theatre.

My husband and I got seats close up. Carlos wasn't happy but I needed to be close to the guests! Before it started, I had gone to the bathroom and I SAW WALTER MIRISCH! It was definitely him because a TCM staffer referred to him as Walter. It was so cool to be that close to him. Also for some reason I keep running in to Ben Mankiewicz. It's happened like 5 or 6 times but I'm too shy to say hi.

An in-depth post on The Great Escape (1963) screening is to come. It was a fun experience. We ended up being too tired to attend the On The Waterfront screening right after and the line for that was long. I hope to have more energy on Saturday and Sunday!

Remember, follow me on Twitter or Instagram at @QuelleLove for live updates of all the TCM Classic Film Festival activities I do as they happen.


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