Showing posts with label Donald Crisp. Show all posts
Showing posts with label Donald Crisp. Show all posts

Wednesday, July 18, 2018

Comet Over Broadway (1938)

Comet Over Broadway (1938)

Eve Appleton (Kay Francis) has big dreams. She’s a working woman, tending the newspaper stand by day and performing in community theater by night, all while taking care of her husband Bill (John Litel) and daughter Jackie (Sybil Jason/Victoria Elizabeth Scott). But she wants more than just a  home life. She wants to be an actress on Broadway. When big shot actor Wilton Banks (Ian Keith) rolls into town, she sees an opportunity for advancement but he sees an opportunity to get her into bed. Unaware of his attentions, she’s rescued by her husband Bill who accidentally kills Wilton. Their lawyer friend Grant (Donald Crisp) defends Bill in court. Despite their efforts, Bill is sentenced to life in prison. Eve makes a promise to Bill that she will raise the funds for his appeal. She sets off with her daughter and gets jobs in burlesque and vaudeville. On the road, she meets fellow actress “Tim” (Minna Gombell) along the way. Tim offers to raise Eve’s daughter Jackie so Eve can focus on her career. When Eve meets and falls in love with playwright Bert Ballin (Ian Hunter) she loses an opportunity to appear on Broadway and instead travels to London’s West End for the career she’s always wanted. Will this new life and new love make her forget what she’s left behind? Or will she stay true to her promise and get Bill get out of prison?

Ian Keith and Kay Francis in Comet Over Broadway (1938)
Ian Keith and Kay Francis

Donald Crisp and Kay Francis Comet Over Broadway (1938)
Donald Crisp and Kay Francis

John Litel and Kay Francis

Minna Gombel and Kay Francis Comet Over Broadway (1938)
Minna Gombell and Kay Francis

Kay Francis and Ian Hunter Comet Over Broadway (1938)
Kay Francis and Ian Hunter

Kay Francis and Sybil Jason Comet Over Broadway (1938)
Kay Francis and Sybil Jason

Comet Over Broadway (1938) was based on Faith Baldwin’s story for Cosmopolitan magazine. Baldwin was a prolific writer who published more than 80 novels, books of poetry and short story collections over her lifetime. Many of her short stories appeared in ladies magazines and several were adapted to film. Much like the character Eve, Baldwin wanted to be an actress. However she found herself more suited to being an author. In an interview Baldwin said, “people have to have some escape hatch, some way to get out of themselves, especially during the Depression.” Warner Bros. acquired the rights to Baldwin’s story for their production arm First National Pictures. Originally titled Curtain Call it was then changed to Comet Over Broadway. Neither title really suited the picture. The story was adapted for screen by writers Mark Hellinger and Robert Buckner. The script languished and was reworked by uncredited contributors Frank Cavett, Fritz Falkenstein and Brewster Morse. After many edits, it's unclear how much of Baldwin’s original story appears in the final product. She received a credit nonetheless.

The film was set to star Bette Davis who at the time was taking over Kay Francis’ title as queen of Warner Bros. Davis read the script and referred to it as "weak tea". There was already a lot of tension between Davis and WB and Davis was horrified that this was the first part assigned to her after her stand out role in Jezebel (1938). She refused to be in Comet Over Broadway and WB suspended her with no pay. Eventually the dust settled, Davis’ suspension lifted and she went on to make Sisters (1938) instead. Miriam Hopkins was set to replace Bette Davis but dropped out to make another movie. That’s when Kay Francis stepped in. Also its said that Ronald Reagan was supposed to play Bert Ballin, Ian Hunter’s part, but dropped out. According to Kay Francis biographers Lynn Kear and John Rossman, Francis struggled with a serious skin issue and weight gain. She received medical treatment and went on a severe grapefruit diet in order to continue filming.

The film was intended to be a major A level production for Warner Bros. According to the AFI, “when directors William Keighley and Edmund Goulding turned it down, the project was shelved. Then Bryan Foy took over the production in the B unit.” WB eventually assigned Busby Berkeley as director. Berkeley was best known for choreographing and directing music and dance sequences but he also directed a handful of films for the studio. Berkeley had to temporarily step down from production and director John Farrow came on to replace him. Most online sources say it was because Berkeley was ill. However, Berkeley biographer Jeffrey Spivak claims it was because he had to appear in court. In divorce proceedings Irving Wheeler accused Berkeley of stealing away his wife actress Carole Landis. The two had an affair while Landis and Wheeler were married but Landis claimed that she had been separated from Wheeler long before that relationship began. Berkeley and Landis were engaged after her divorce was finalized but never went through with the marriage.

Comet Over Broadway surprised me in many ways. It’s a drama with comedic moments. Minna Gombell who plays Francis’ wisecracking and kind-hearted sidekick, who is always “approaching 40”, is the film’s much needed comic relief. I really thought that, because of the era, Francis’ Eve was going to be punished for wanting to pursue a career rather than being content as a housewife. But throughout the movie it’s never suggested that she shouldn’t be working or that her profession was responsible for the tragedies in her life.


In the prison scene when Francis and Litel’s characters are reunited years later, Litel’s Bill reveals that he has a heart condition. I honestly thought his character would be killed off so that Francis’ Eve could get together with Hunter’s Bert. I even yelled at the screen “they’re going to kill off John Litel!” Thankfully this didn’t happen.


While it might be jarring for contemporary audiences to imagine a mother handing off her child to another woman to raise, it wasn’t all that uncommon at the time. (My own grandmother did this twice!) I was particularly fascinated with the Donald Crisp story line in which he tries to defend John Litel’s character but can only do so much. A high priced legal team is required to free Litel. Money in exchange for Litel’s freedom is the driving force behind the plot. Is this subtle commentary on the criminal justice system?

Comet Over Broadway is an enjoyable backstage drama peppered with moments of humor. I particularly enjoyed watching Minna Gombell and Sybil Jason in their scenes together. Ian Hunter, although second billed, is barely in the film and his character served more as a plot device than a meaningful character. I don't particularly care for Kay Francis but thought she was well suited for the part. The film does suffer from a weak script but all the surprises and Gombell's performance kept me interested.

Fun facts: Barry Nelson and Susan Hayward have bit roles. I spotted Hayward right away in a short community theater scene where she delivers a line or two to Francis. Also my good friend Jessica Pickens named her blog Comet Over Hollywood after this film. If you don’t follow her already make sure you visit her blog.

Comet Over Broadway (1938) DVD

Comet Over Broadway (1938) is available on DVD-MOD from the Warner Archive Collection.When you use my buy links you help support this site. Thanks!

The Warner Archive trio George, D.W. and Matt discuss the film (about 15 minutes in) on the "You Can" episode of their podcast.

Warner Archive Wednesday - On (random) Wednesdays, I review one title from the Warner Archive Collection. Thank you to Warner Archive for sending me Comet Over Broadway (1938) to review!

Thursday, August 3, 2017

The Beloved Brat (1938)

The Beloved Brat (1938) could just be a story of a spoiled brat who learns the error of her ways and transforms into a well-behaved child. This Warner Bros. film is much more than that. In its mere 62 minutes of screen time it packs a wallop with two big takeaways: 1) there are big consequences to suffer when you neglect your child and 2) you should find it in your heart to be inclusive of others.

The Beloved Brat is based on an original story by Jean Negulesco, who was on loan to Warner Bros. as a writer in 1938 and soon transitioned into a career as a director. Directed by Arthur Lubin, the film stars Bonita Granville as Roberta Morgan, the only child of a wealthy couple. She's been primarily raised by the household servants and her governess because her mother Mrs. Morgan (Natalie Moorhead) and her father Mr. Morgan (Donald Crisp) are far too busy with their careers and travels to pay much attention to their daughter. This results in Roberta acting out. A lot. The more Roberta feels stifled, the more she acts out and the more they try to repress her. It's a vicious cycle. The one person who seems to be emotionally invested in her is her father's secretary Williams (Donald Briggs). He's also the only person to remember her on her birthday which turns ends with a sad little party only attended by the servants and with cake she doesn't even get to eat.

Bonita Granville & Donald Crisp in The Beloved Brat (1938)
Bonita Granville and Donald Crisp in The Beloved Brat (1938)

 When Roberta discovers a young boy playing her front lawn she befriends him. Pinkie (Matthew Stymie Beard) and his sister Arabella (Meredith White) include her in their adventures. It turns out Roberta could care less about the fact that they're black. (Side note: Leo Gorcey has a small role as a bully in one of their scenes.) When Roberta brings Pinkie home to have dinner, Roberta's story takes a turn for the worse. Jenkins (Emmet Vogan), the butler, unceremoniously throws Pinkie out of the house and  locks Roberta in her room. She fakes a house fire in order to run away but this starts a series of events which lands her in a reform school for girls run by Helen Cosgrove (Dolores Costello) and Miss Brewster (Lucille Gleason). Roberta is in a completely new and foreign environment and the schoolgirls take a disliking to her almost immediately. With the help of Cosgrove and the indirect help of her friend Williams, Roberta blossoms into a well-behaved young woman. And now it's time for her parents to learn their lesson.

Bonita Granville in The Beloved Brat (1938)
Roberta (Bonita Granville) smashing plates as her fellow school girls look on.The Beloved Brat (1938)

The Beloved Brat is a film ahead of its time. In an era when racial mixing was looked down upon, the underlying message of inclusiveness in the film is quite bold. I let out a yelp and began to cry when I saw that Roberta finally got the birthday party she deserved, one filled with friends, including Pinkie and Meredith, and lots of cake. And in a time when it was the norm that children should be seen and not heard, Roberta boldly makes herself known. I wonder how audiences in 1938 reacted to this film. Were they receptive to the film's messages or did they just dismiss it as another poor rich girl story?

Bonita Granville is one of my favorite actresses but not all of her characters are likable. She made a career out of playing spoiled brats. Don't tell me you watched Now, Voyager (1942) and didn't feel the urge to smack her across the face. Granville's Roberta is lovable though. You know she's acting out because of her awful parents. I felt an emotional tie to her character and cheered her on and even wanted to see her throw a tantrum or two.

Granville made a minor splash in Hollywood playing a brat in These Three (1936). A few months after The Beloved Brat, Granville would start in the first of the four Nancy Drew movies, Nancy Drew Detective (1938). I have watched all four Nancy Drew films countless times and they're still some of my favorite movies from that era. I love that Granville graduates from brat, to misunderstood brat and then to headstrong independent girl in just a couple of years. But her bratty roles would still be synonymous with her name.

The Beloved Brat (1938) aired recently on TCM but it's not available on DVD. I hope the Warner Archive Collection will release it sometime in the future. It's worth seeing especially if you love films from this era and if you have a soft spot for Bonita Granville like I do.

Popular Posts

 Twitter   Instagram   Facebook