Monday, August 1, 2022
Girls on Film by Alicia Malone
Saturday, April 30, 2022
2022 TCM Classic Film Festival: Day #3 Recap
My day started with an impossible time block. There were so many good events happening at the same time and it was difficult to chose. It came down to one person: Gordon Gebert, the child star of one of my all-time favorite movies of all time, Holiday Affair (1949). It was imperative that I see him in person! And he was going to be at the special screening of The Flame and the Arrow (1950).
This swashbuckler starring Burt Lancaster, Virginia Mayo, Nick Cravat, Norman Lloyd and of course Gordon Gebert, was being screened at the Hollywood Legion Theatre. Ahead of the film there was a special presentation by visual effects artist Craig Barron and sound designer Ben Burtt in which they discussed the film's use of color, forced perspective and painted backgrounds and the various sound effects. They also shared the story of Lancaster and Cravat's working relationship as acrobats turned actors and their lifelong friendship and we were treated to some rare home video clips of the two palling around.
The presentation was followed by an interview with Gordon Gebert who delighted us with all sorts of stories about being a child actor working for Warner Bros. and RKO, being on set of The Flame and the Arrow, his stunts in the film and learning archery and ballet for certain key scenes. After the presentation and interview we were treated with a 1960s Technicolor print of the film. It was a fun movie made better by the amazing cast and Jacques Tourneur's direction.
The French Way (1940)
The next block was a difficult one too. I had to choose between several amazing options, including seeing The Hustler (1961) with Piper Laurie in attendance. But I opted for the Josephine Baker film The French Way which was made in 1940 but released in 1945 due to the war. Film historian Donald Bogle gave a presentation which included lots of background information about Josephine Baker herself. We were also treated with an archival interview of Baker on a cruise ship and a beautiful restoration of the film by Jeff Joseph of SabuCat Productions. International films are few and far between at the festival and I'm always delighted to catch at least one during my festival experience.
Donald Bogle |
The French Way was a beautiful little film. Baker shines despite the fact she's given limited screen time and no love interest. Micheline Presle is also in the film playing a young French woman debating whether to elope with her beau. Filmed during the French occupation, the story includes the characters preparing for air raids including a scene where Josephine Baker of hobo Leon (Lucien Baroux) to help tape up her windows and several scenes in bomb shelters.
Blue Hawaii (1961)
My goal at this year's festival was to attend all three of the poolside screenings, even if I didn't stay for the whole movie. The third and final screening was the Elvis movie Blue Hawaii (1961) which is quite perfect for the poolside setting. Attendees dressed up Hawaiian shirts, wore leis and sipped on Blue Hawaiian cocktails. I was planning on leaving early to attend to attend the special screening of Drunken Master II (1994) but alas after having a few of those cocktails I was quite literally too drunk to go see the other film. After a couple of really tough years, this was just the sort of evening I needed.
Stay tuned for more TCMFF coverage!
Tuesday, November 30, 2021
TCM: The Essential Directors by Sloan De Forest
“Ultimately, the final list was based on each filmmaker’s influence on the medium, cultural impact, and degree of achievement.” — Sloan De Forest
What happens behind the scenes is sometimes more important that what we witness on screen. Film directors influence many aspects of the filmmaking process. They shape the look of a movie, add important themes, guide the actors to better performances, and can turn chaos into order. And in some cases the volatility they bring to the table inspires art. However, the role of a director, especially to those who've never worked on a movie set, can be a bit of an enigma.
Author Sloan De Forest provides movie buffs an excellent guide to the most influential film directors and their impact on film history. This carefully curated collection of directors, with figures from the beginning of film history to present day, highlights the importance of each individuals contributions as well as demonstrates the impact they had on a whole on how movies are made and how they influence culture.
On Howard Hawks — “racked up a multi-faceted filmography for himself in the decades between, not only criss-crossing into a variety of different genres but seemingly equal at home in all of them.”On W.S. Van Dyke — “a marvel of efficiency, a reliable studio journeyman who managed to inject streaks of creative brilliance into his rapidly shot movies.”
On Dorothy Arzner — “Arzner is set apart by her consistent success within the studio system... [she] made 16 features during her Hollywood tenure, and everyone focused on a central woman—always of the spunky, independent variety.”
On Leo McCarey — “McCarey’s movies are informed by a deep understanding of human nature, in all its hilarity and its heartache.”
On W.S. Van Dyke — “a marvel of efficiency, a reliable studio journeyman who managed to inject streaks of creative brilliance into his rapidly shot movies.”
On Nicholas Ray — “Perhaps the most subversive filmmaker to ascend the ranks in 1950s Hollywood, Nicholas Ray was a trained Method actor who brought a dark urgency to midcentury movies... [he was the] reigning king of misfits, outsiders, and tortured souls.”
On Fred Zinnemann — “he left behind a rich fourty-year legacy of handsomely crafted films, many of which concern individuals forced to choose between compromising their moral integrity and following their consciences.”
Saturday, December 5, 2020
2020 Classic Film Holiday Gift Guide
Today I'm proud to share with you my 2020 Classic Film Holiday Gift Guide. It's a little late to be sharing (better late than never right?) but these are great options for last-minute gifts or to treat yourself with. These are mostly new products but I also included one older release. I did things a little differently this year and decided to present each recommendation in a styled photo. I hope you enjoy them. And I will be adding a few more options in an update so stay tuned.
Shopping with my buy links helps support this site. Thank you!
Happy Holidays!
by Carla Valderrama
TCM and Running Press
by Jeremy Arnold
TCM and Running Press
The Big Boss (1971), Fist of Fury (1972), The Way of the Dragon (1972),
The Perfect Furlough (1958), The Great Impostor (1960), 40 Pounds of Trouble (1962)
Dir. Howard Hawks
Warner Archive Collection
Friday, November 1, 2019
Image Makers: The Adventures of America’s Pioneer Cinematographers
When we talk about the art of classic film many of us tend to focus on the work of the director. It's easy to do that. Their names are directly linked with their work in a way that other crew members, beyond the cast, are not. It's easy to ignore the contributions of the cinematographers who do so much with framing, composition, lighting, focus and movement of the camera to create the masterpieces we love.
Image Makers spotlights seven notable cinematographers from the 1910s to the 1950s. These seven include Billy Bitzer, Charles Rosher, Rollie Totheroh, William Daniels, Karl Struss, Gregg Toland and James Wong Howe. Bitzer was one of the early pioneers who came from nothing to establish a career working with D.W. Griffith. Totheroh was a former baseball player who had a background in illustration and his talent for being able to frame a shot lead to his long-time collaboration with Charlie Chaplin. Rosher had a background in photographer, gained the trust of Mary Pickford and became a master at lighting. Daniels worked with Greta Garbo at MGM developing techniques to best display Garbo's stunning countenance. Struss collaborated with Rosher on Sunrise (1927), used German camera movement techniques and even invented his own lens. Toland tragically died young at the age of 44 but during his short career photographed some majors including Citizen Kane (1941), Wuthering Heights (1939) and The Grapes of Wrath (1940). Wong Howe developed a love of photography as a child and after a brief career as a boxer found himself working in the film industry and quickly adapted to sound, color and widescreen working through the 1930s and into the 1970s.
"Cameraman Billy Bitzer and director D.W. Griffith ignite Hollywood spectacle with Intolerance (1916)" |
"Cameraman James Wong Howe trailblazes on roller-skates for his breakthrough boxing film Body and Soul (1947)" |
"Greta Garbo surrenders lovingly to William H. Daniels’ camera for the pre-code talkie Romance (1930)" |
Image Makers: The Adventures of America’s Pioneer Cinematographers is a TCM original documentary and premieres on the channel on November 6th. Check your local listings for air times.
Check out my interview with the director Daniel Raim on the TCM website!
Wednesday, August 14, 2019
Hollywood Black by Donald Bogle
The Stars, The Films, The Filmmakers
by Donald Bogle
TCM and Running Press
Hardcover ISBN: 9780762491414
264 pages
May 2019
Amazon — Barnes and Noble —Powell's
“Hollywood Black presents a gallery of important talents, both in front of the camera and behind it – actors, actresses, writers, directors, producers – who struggled against the odds to make unique statements on-screen.” - Donald Bogle
If ever there was a primer on the history of African American cinema, Hollywood Black by Donald Bogle is it. This new book out from TCM and Running Press offers a comprehensive look at the contributions made by black performers and filmmakers from the birth of cinema to the present day. Bogle offers insights, breaks down misconceptions and fills in the gaps of knowledge. This book is perfect for anyone who wants to learn more about black film history whether they know little or a lot. It offers a bounty of information without being overwhelming. The hybrid format of a coffee table book meets non-fiction history book makes it as approachable as it is educational.
For me context is key and Hollywood Black offers that it in its chronological approach to telling the history of African American cinema. We learn about the trends, the milestones, the movements, the struggles and how far we've come and how far we still have to go. Each chapter is devoted to a particular decade from the silent era to modern day. We learn about how black representation in film changed and evolved through the Great Depression, WWII, the Civil Rights movement, etc. Within each chapter are themed essays with a focus on one or two particular players.
Subjects discussed include:
Stepin Fetchit
Bill Bojangles Robinson
Hazel Scott
Theresa Harris
Herb Jeffries
Clarence Muse
Hattie McDaniel
Lena Horne
Dorothy Dandridge
Ruby Dee
James Edwards
Ethel Waters
Sidney Poitier
Harry Belafonte
Eartha Kitt
Sammy Davis Jr.
Cicely Tyson
Pamela Grier
Melvin Van Peebles
etc.
Each decade is given equal amount of coverage which becomes a problem when we get to the 1970s and beyond because there are many more movies and filmmakers to discuss. However it's necessary to include every decade to appreciate the depth and breadth of this history.
Hollywood Black features a foreword by the late, great John Singleton which I found to be quite touching. This is book would serve as a fine addition to any home library but could also be great for an introductory course to African American cultural or film studies.
If you want to learn more about how the book is structured, watch my video book review below. And make sure to subscribe to my YouTube channel! I'm trying to reach the milestone of 1,000 subscribers and every little bit helps!
You can hear me chat about Hollywood Black and other film books with Carl Sweeney host of The Movie Palace Podcast here.
Thank you to TCM and Running Press for sending me a copy of Hollywood Black to review.
Wednesday, December 5, 2018
Christmas in the Movies: 30 Classics to Celebrate the Season by Jeremy Arnold
30 Classics to Celebrate the Season
by Jeremy Arnold
Turner Classic Movies/Running Press
Hardcover ISBN: 97807624924801
October 2018
208 pages
Amazon — Barnes and Noble — Powell's— TCM Shop
You can’t watch 30 Christmas movies in one day. But you can experience them all in one afternoon with Jeremy Arnold’s new book Christmas in the Movies: 30 Classics to Celebrate the Season. Starting with Miracle on Main Street (1939) and ending with Love, Actually (2003), this new genre book from Turner Classic Movies’ joint imprint with Running Press captures the spirit of the holiday with the most beloved of the beloved Christmas classics.
Each of the 30 films gets a 5-6 page treatment with photos, credits, an overview of the plot, and information on how the movie came to be made and how it uses the holiday to tell its story. There is also a Holiday Moment aside which describes a particularly Christmassy scene from the film. All the classics are here including Remember the Night (1940), Holiday Inn (1942), Meet Me In St. Louis (1944), It’s a Wonderful Life (1946), The Bishop’s Wife (1947), White Christmas (1954), etc . And my personal favorites Christmas in Connecticut (1945) and Holiday Affair (1949) are in here too. Arnold spotlights films that either completely framed within the holiday or they feature Christmas in a significant way. Some of the latter include The Apartment (1960), Gremlins (1984), and Die Hard (1988) (which people love to proclaim is or is not a Christmas movie). Modern classics featured in the book include Little Women (1994), Elf (2003) and Love, Actually (2003) among others.
Why are Christmas movies so enduring? Arnold explains that they conjure up feelings of nostalgia, they focus on family dynamics, they lend themselves to the rituals of the holiday and their feel-good vibes and happy endings make them utterly enjoyable to movie going audiences.
Reading about each of these movies taps into the pleasure that the films themselves. I really enjoyed Arnold’s narrative voice which is very welcoming. The book goes down easy like a cup of hot cocoa with extra marshmallows. While the articles featured are not ground-breaking, I found some nugget of information to take away from almost every single one. You may know everything there is to know about Christmas movies (or can easily Google the information you need) but I don’t think that will hamper your appreciation of this book. I learned the most from the Love, Actually article, a film I used to adore but have grown to dislike over the years and have been meaning to revisit, and was interested in the background of how the story came to be. And there are a few films I had never seen before, including Miracle on Main Street and The Holly and the Ivy (1952) that I bookmarked for future viewing.
Some interesting tidbits include:
- The original and final lyrics for “Have Yourself a Merry Little Christmas", the song written for Meet Me In St. Louis, are presented side by side in the book. I’m glad they were changed because the original song was quite dark.
- There was a backlash against Alastair Sim starring as Ebenezer Scrooge in the 1951 adaptation of A Christmas Carol, Scrooge.
- Warner Bros. threw a parade in Norwalk, CT for the premiere of Christmas in Connecticut.
- I got a newfound appreciation for how TV was instrumental in making so many overlooked Christmas movies into widely appreciated classics.
- The idea for The Apartment came to Billy Wilder after he saw one particular scene in Brief Encounter (1945)
Christmas in the Movies is a keepsake treasure perfect for gift giving. And it’s very likely that if your loved one doesn’t watch classic movies that they’ve seen several of the classic Christmas films listed in the book. It’s beautifully designed and I particularly liked its more compact size. If you’re looking for a coffee table type book this is not it. It’s better suited on your mantle next to your Elf on the shelf and above your Christmas stocking.
Thank you to Jeremy Arnold and Running Press for sending me a copy of Christmas in the Movies for review.
Monday, December 3, 2018
2018 Classic Film Holiday Gift Guide
Another holiday season is upon us and if you're looking for a gift for the classic film lover in your life you've come to the right place. Today I present to you my 2018 Classic Film Holiday Gift Guide. Here you'll find a variety of gift ideas that would make for great stocking stuffers or wrapped presents under the tree. Or if you're looking for great products to buy for yourself with gift cards or holiday cash, I have some nice selections for you. Yay for physical media!
The guide is split into two sections. These are some of the products that I've enjoyed over the past year. The second section is my personal wish list of items I have my eye on.
When you use my buy links to do your holiday shopping you help support this site. Thank you!
As always, I'd love to hear from you. In the comment section below tell me which of these items appeals to you or would make a great gift for a loved one. And I want to know what's on your holiday wish list this year!
Seduction: Sex, Lies, and Stardom in Howard Hughes' Hollywood
by Karina Longworth
I'm endlessly fascinated with Howard Hughes and his impact, both negative and positive, on Hollywood. And being familiar with Longworth's podcast You Must Remember This, I know her new book will be well-researched and juicy!
by William J. Mann
Hearing Vanessa Buttino discuss this book on the Movie Palace Podcast made me move it up further on my wish list of must have books! Watch her Book Talk on YouTube for more details.
Amazon — Barnes and Noble — Powell's
Notorious (1946) Criterion Collection Blu-ray
My husband and I realized we don't have a copy of this Hitchcock classic so we're holding out for the upcoming Criterion release which looks amazing. Just look at
Coming January 2019
I love watching movies on the big screen but it can get pricey. I was treated to a few gift cards this year and I felt absolutely pampered.
Fandango Shop
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