Sunday, October 24, 2021

Kino Lorber Studio Classics: Lilies of the Field (1963) and The Organization (1971)


Check out my latest YouTube video where I review two Kino Lorber Studio Classics Blu-rays starring Sidney Poitier: Lilies of the Field (1963) and The Organization (1971). I came to really appreciate Lilies of the Field with another viewing on this excellent blu-ray edition. Poitier won an Academy Award for Best Actor in a Leading Role for his performance in this touching film about exiled German nuns and an ex-GI who helps them build a chapel. The Organization (1971) is the third in the Mister Tibbs films starting with In the Heat of the Night (1967) and They Call Me Mr. Tibbs! (1970). Convoluted plot follows Virgil Tibbs (Sidney Poitier) as he uncovers a secret organization of dangerous businessmen who transport and sell hard drugs. Great cast, great setting, but a so-so film.

I'm hoping to get videos up weekly. Would love to hear your thoughts on types of videos you'd like to see!

Saturday, October 9, 2021

Kino Lorber Studio Classics: Arise, My Love (1940) and No Time for Love (1943)


Check out my latest YouTube video where I review two Kino Lorber Studio Classics Blu-rays: Arise, My Love (1940) and No Time for Love (1943). Both are Paramount films directed Mitchell Leisen and starring Claudette Colbert. Arise, My Love (1940) is a light romantic drama set in WWII starring Ray Milland. No Time for Love (1943) is a hilarious screwball comedy starring Fred MacMurray and also featuring Ilka Chase and June Havoc.

Sunday, October 3, 2021

Woodstock Film Festival: Horton Foote: The Road To Home


Photo by Susan Johann

"As a writer you strive for a sense of truth." — Horton Foote

Playwright Horton Foote (1916-2009) had been honored with many awards and nominations in his lifetime including Emmy awards, Tony nominations, the National Medal of Arts and a Pulitzer Prize for Drama. He won the Academy Award for Best Adapted Screenplay for To Kill a Mockingbird (1962) and the Academy Award for Best Original Screenplay for Tender Mercies (1983). But chances are, despite his widespread recognition, you may not have heard his name.

Directed by Anne Rapp, Horton Foote: The Road to Home shines a spotlight on a talented and sensitive writer who was often misunderstood and underappreciated by Hollywood. Foote grew up in Wharton, Texas, a small town that would be the inspiration for his many plays for theater, television and film. His original stories were inspired by his local community. He changed real names to fictitious ones and Wharton transformed itself into Harrison, Texas, to protect the locals, and frankly himself from scrutiny. He was particularly attracted to sensitive characters who faced great challenges but still continued on. His stories weren't grandiose nor were they commercial. But they were powerful. And unlike many of his peers, Foote wrote great parts for women. Vulnerable but strong, these women were central to the stories and not just moving pieces that only served the plot. 

In the 1950s and 1960s, Foote wrote many teleplays for shows like American Playhouse, The Dupont Show of the Mount, Playhouse 90 and more. He preferred to write original pieces or adapt his own work but would sometimes adapt other writers work to screen. Foote almost turned down the opportunity to adapt Harper Lee's To Kill a Mockingbird to screen but was convinced by his wife and business partner to give it a go. The result was a resounding success with Foote winning, much to his surprise, his first Academy Award. For Foote, adapting another writer's work was something he did sparingly. He really had to like the material and sympathize with the writer. He called it a painful process because it required him to be both involved in the material and to also be objective. Hollywood saw potential in Foote but didn't know how to work with him. Foote took criticism well however he was firm in his convictions. His work had to be authentic and true to his vision. A commercial writer he was not. He wrote many movie screenplays but only a handful made it to the screen with To Kill a Mockingbird and Tender Mercies being his best known work.

"A gentle, sweet man who had a sharp eye and a sharp mind." — Edward Albee


Rapps' documentary takes the viewer on a journey into the world of Horton Foote. There are interviews with Foote's daughters as well as Edward Albee, Robert Duvall, Matthew Broderick, directors, actors, filmmakers and others who worked with Foote during his lifetime. Although Foote died in 2009, the documentary has a lot of footage of Foote talking about his life and career, his love of Wharton and his never ending desire to tell stories. Throughout the film are theatrical scenes, mostly acted out soliloquies from Foote's theatrical plays. 

Horton Foote: The Road to Home is a loving and tender tribute to a great dramatist.

Horton Foote: The Road to Home premiered at the 2021 Woodstock Film Festival. Visit the film's official website for more information.

Tuesday, September 21, 2021

2021 Summer Reading Challenge: Final Roundup


The 2021 summer reading challenge is officially over. Congrats to everyone who participated! You all did great work. It was a joy to read/listen/watch all of your reviews.

Here is the list of participants (a whopping 14 finalists!) who finished by the challenge by reading and reviewing 6 classic film books:

Andy W.
Angela P.
Breanna M.
Chuck P. 
John M.
Jess I.
Kara L.
Karen B.
Molly S.
Nathan J.
Robert B.
Sarah A.
Shawn H.
Woodson H.

These participants were automatically entered into a giveaway to win a single disc Kino Lorber DVD or Blu-Ray of their choice (under $25 USD). Using I chose three of the finalists and those winners are: 

John M. 
Molly S.
Robert B.

Here is the final round-up up reviews. Make sure you check out the first and second round-up for more reading delights!

"manages to pack a lot of detail in under three hundred pages"

Carl of The Movie Palace Podcast

"Although this is an academic book, I do think that it's an accessible one that may appeal to a general reader who is interested in the subject matter."

Shadow of a Doubt by Diane Negra

Chuck on Twitter

"The film is good in its own ways, but can not match the book in its bleakness which makes it a satisfying noir read."

Ride the Pink Horse by Dorothy B. Hughes

Image Source: Jess of Box Office Poisons

Sure, Ava's career is a focus in this biography, but overwhelmingly, the focus is on love."

"If there's one thing I learned about Lauren Bacall that will stay with me after reading her autobiographies it's this: she possessed a steel spine and the confidence to be who she was every moment of her life."

By Myself and Thensome by Lauren Bacall

"Spencer Tracy was a titan, and this 1,024-page biography by James Curtis, is an excellent thesis as to why." 

Spencer Tracy by James Curtis

Image Source: Jessica of Comet Over Hollywood

"When Elizabeth Spencer’s 1960 novella “Light in the Piazza” was adapted for film, the movie is nearly identical to the original printed word. This doesn’t often happen."

Light by the Piazza by Elizabeth Spencer

John on Goodreads

"a deep, thorough, dive into the making, production, and influence of the film that bridges genres and created an iconic role for one of the great film actresses in history."

by Sam Wasson 

"It is a very - VERY detailed and incredibly researched breakdown of the history of the studio and it's progression throughout the 20th Century."

"an excellent "introduction" to filmmaking for someone who wants to know the basics."

Making Movies by Sidney Lumet

"wonderful gem of a book..."

"This is a fine book to give as a gift; to put out in the den next to a crackling fire as the snow is falling outdoors, or like for me, to read in early September with 80 degree temperatures and a cold iced tea."

Kara on Goodreads

"While we don’t know whether the emotions described in the book are really the way Grace Kelly felt, I think the author taps into Grace’s work and the way she is perceived today."

"Because seemingly everyone in Hollywood was involved with this great cause, you’re sure to find a photo or mention of one of your favorite stars."

"In reading the book, I not only gained a lot of new information, but I also compiled a lengthy list of films that I now want to see."

"One of my favorite things about the book is that Borgnine devotes roughly half of the book to covering many of his films – from the popular to the obscure – sharing his recollections from each."

"This book makes an enjoyable companion to Arnold’s previous book – I hope he comes out with another 52 must-sees!"

"A couple of bright spots in the midst of the gloom – I discovered two new-to-me movies by reading the book: Peggy Shannon’s Deluge (1933) and Sidney Fox’s Bad Sister (1931)."

"These were minor deviations, though; all things considered, the film provided a faithful adaptation of the book, which I highly recommend."

Jennie Gerhardt by Theodore Dreiser

"It opens with her detailed description of taking LSD at the suggestion of Cary Grant. If this doesn’t give you a clue of what kind of wild ride this book would be, I don’t know what will."

The Million Dollar Mermaid: An Autobiography by Esther Williams with Digby Diehl

"If you’re a fan of Jarman, The Yearling, the San Francisco festival, or just enjoy behind-the-scenes tales of old Hollywood, you’ll enjoy this memoir."

Laura of Laura's Miscellaneous Musings

"The deep research and the author's engaging writing style combine for a "must read" biography."

Lê of Critica Retro

"The book is very informative, and even a die-hard Welles admirer like me learned a lot from it."

O Pensamento Vivo de Orson Welles by Rogério Sganzerla

Image Source: Molly of Welcome to Classic Mollywood

Molly of Welcome to Classic Mollywood

"She intertwines factual events with her emotions, but she never gets too carried away as to sway the reader to her side." 

"You can tell that the authors actually love the movies that they pair the recipes with. There is just so much careful attention to detail with the recipes and the films that inspired them."

"Overall, Mitchell's book is well-written and a page-turner, though there are many passages that could be tightened up significantly. "

Ralph on LibraryThing

"A rewarding and rich book that is experienced more than read and unlike many of the desperate dames and gunmen the reader comes out a winner."

Dark City: The Lost World of Film Noir (Revised and Expanded Edition) by Eddie Muller

"I found all the essays and interviews entertaining and informative especially the closing interview with Kevin McCarthy which was surprisingly poignant"

"James Curtis has done a wonderful job with this encompassing volume in illuminating the filmmaking talents and contributions of William Cameron Menzies..."

Raquel of Out of the Past

"As a biography, this book was thoroughly researched, relatively chronological with thematic chapters and very thorough. The writing is engaging but is inevitably weighed down by its subject matter."

Robert of Robert Bellissimo at the Movies

""something [for] all filmmakers, actors, writers, director of photography, editors particularly... a must read" 

Hitchcock Truffaut by Francois Truffaut

"a nice balance of Loretta’s life on and off screen."

Loretta Young: An Extraordinary Life by Joe Morella and Edward Z. Epstein

Sarah on Goodreads

"I really enjoyed the setup of the story and all of the details that make trying to figure out a noir as it unfolds a fun process." 

The Big Clock by Kenneth Fearing

"Anita Loos is such a delightful storyteller. Every bit of this book was fun and interesting."

Cast of Thousands by Anita Loos

"Stenn’s biography of Clara captures her talent as an actress and her alluring star persona while examining Bow’s tumultuous private life that differed wildly from her glamorous screen image."

"Riders of the Purple Sage is a perfect showcase of Zane Grey’s engrossing Western melodramas and the picture of the American West that heavily influenced early Western films. "

"Anyone who loves classic film and is familiar with Utah would also enjoy learning about how Utah became the favorite location of numerous filmmakers."

"Mahar writes a fascinating book filled with numerous nuggets of information."

Wednesday, September 15, 2021

She Damned Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman

She Damned Near Ran the Studio
The Extraordinary Lives of Ida R. Koverman

by Jacqueline R. Braitman
University Press of Mississippi
Hardcover ISBN: 9781496806192
352 pages
October 2020

"Koverman was a magnetic, centrifugal force; a powerful dark energy that charged the MGM star machine."

Ida Koverman was MGM executive Louis B. Mayer's right-hand woman during the studio's heyday. Serving as his executive assistant and trusted adviser, the movie mogul came to lean on Koverman for her political connections, her ability to keep secrets, her eye for new talent and her business savvy that kept MGM running like a well-oiled machine.

Koverman was no stranger to scandal having endured one of her own. An active member of the New York City social scene, she was thrust further into the public eye with her involvement in an embezzlement scandal pertaining to one of the big railroad companies of the early 1900s. Koverman married for convenience to Oscar Koverman, taking on his surname and essentially giving herself a new identity. Once her transformation was complete, she started a new life in California. She was deeply ensconced in that state's Republican party and became an ally to many conservative bigwigs. Koverman was a force to be reckoned with and helped Herbert Hoover with his two presidential campaigns. It's during this time that she met Mayer. She was the middle man between MGM and the Republican party, something Mayer valued greatly.

When she was eventually hired as Mayer's executive assistant she went right to work helping her new boss with some fairly delicate matters including promoting new stars, minimizing scandals, dealing with the aftermath of celebrity deaths and keeping MGM the prestige studio it was known to be. She became a friend and confidante for some of the biggest stars including Esther Williams, Jean Harlow, Clark Gable, George Murphy, Irene Dunne, and Jeannette MacDonald. She also discovered future stars like Jean Parker, Robert Taylor, Judy Garland, Janis Page, Hedda Hopper, etc. Koverman threw parties, groomed talent for stardom, lobbied for legislation that suited the studio's best interest, assuaged male egos, planted media stories, championed musicals, facilitated connections, and much more.

She Damned Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman is a bit of a misleading title. We only get to Koverman's career at MGM about 120 pages in. Prior to that the book focuses primarily on her scandal and her political career. The subtitle is a bit more spot on since Koverman did indeed have several stages in her career and would transform herself with each. 

If you find Louis B. Mayer to be an unlikable character from Hollywood history, you may have the same feelings for Ida Koverman. She did some despicable things that left a bad taste in my mouth. While I recognize that some of her actions were not uncommon for the time that doesn't make them any less awful. 

Koverman's life story as an independent and career minded woman in a conservative space is quite interesting. She was dedicated to her work and was truly unflappable. She wielded a lot of power which the author effectively demonstrates throughout the book. But in the end, Koverman was an enabler of studio system toxicity.

As a biography, this book was thoroughly researched, relatively chronological with thematic chapters and very thorough. The writing is engaging but is inevitably weighed down by its subject matter. The second half of the book I found to be much more interested than the first half. The author offers lots of great observations about the studio system and Mayer and Koverman's functions within it.

This is my fourth review for the 2021 Summer Reading Challenge

Thank you to the University Press of Mississippi for sending me a copy for review.

Monday, September 13, 2021

TIFF: Bergman Island (2021)


Filmmaking couple Chris (Vicky Krieps) and Tony (Tim Roth) head to Fårö Island, Sweden to take up residency while Chris works on her latest screenplay. Fårö (i.e. Bergman Island) is where Swedish director Ingmar Bergman lived and worked. The house the couple are staying at was used in the making of Scenes from a Marriage (1973). They talk to locals about Bergman, watch Cries and Whispers (1972) on 35 mm and explore the island to find different spots important to Bergman and his work. The hope is that being in this space will inspire Chris to write her screenplay. The movie shifts then to a movie within a movie where Chris is dictating her script to Tony. In that story, Amy (Mia Wasikowska) and her former lover Joseph (Anders Danielsen Lie) reunite on Fårö Island to attend a mutual friends wedding where they rekindle their secret affair.

Directed by Mia Hansen-Løve, Bergman Island is steeped in appreciation for Ingmar Bergman. It is also a tad pretentious. While the film-within-a-film format works quite well, the stories get muddled. There is also a plot point in the screenplay that is never revealed leaving the audience hanging. And it's unclear what truly motivates these characters. Chris and Tony are both supposed to be Bergman fans but don't really demonstrate much knowledge about the filmmaker. However, that actually works in their favor because their curiosity helps deliver a lot of information to the viewer about Fårö and Bergman. Krieps and Roth are terrific in the story and the film boasts plenty of shots of Fårö Island including a peek inside Bergman's home, shots of various filming locations and a visit to Bergman's grave. The quiet, bucolic nature of Fårö really comes through.

A must for Ingmar Bergman fans or anyone who enjoys stories about the creative process. If you don't fit into either category, you may want to skip this one.

Bergman Island is part of the 2021 Toronto International Film Festival Gala Presentation slate. It also screened at the Cannes Film Festival. It's distributed by IFC Films.

Sunday, September 12, 2021

TIFF: Last Night in Soho (2021)

Eloise, or Ellie, (Thomasin McKenzie) is obsessed with the 1960s. Growing up with her granny (Rita Tushingham) meant she was exposed to the era in all sorts of ways, particularly music and fashion. Ellie is particularly good at the latter, crafting all sorts of vintage style pieces. When she gets accepted to a fashion program in London, she's thrilled. Heading off to London, the home of the swinging '60s, is the dream. But there is something unusual about Ellie. She sees ghosts. Particularly her deceased mother who appears in mirrors when something good is about to happen to Ellie. 

Ellie's transition to life as a fashion student is brutal. She encounters sexual harassment and peer bullying. She eventually moves out of the dorm and rents a room in an old London flat run by one Miss Collins (Diana Rigg). And when she sleeps at night in her new space she sees visions of Sandy (Anya Taylor-Joy), a gorgeous blonde entertainer trying to make it in the London nightclub scene. Sandy meets with Jack (Matt Smith) who promises her a career but ends up being her pimp instead. By night, Ellie is transported back to the 1960s and into Sandy's tumultuous life. By day she's struggling to make it as a student in an expensive city. Ellie becomes more invested in Sandy and even changes her own hairstyle and adopts Sandy's fashions to embody her even more. Her makeover catches the eye of the mysterious regular (Terence Stamp) at the pub Ellie works at. Could he be Jack? What ensues is a living nightmare journey for Ellie and Sandy's trauma envelops her into a world where the visions bleed into her reality.

Okay there's much more to that story but if I were to tell you I'd be giving up some delicious spoilers and I don't want to do that to you. Let's just say real life 1960s icons, Terence Stamp and Diana Rigg, have some of the most important roles in the film.

Directed by Edgar Wright, Last Night in Soho is a complex psychological horror film that tries to do a bit too much and often at the expense of its characters. I was particularly horrified by the depiction of John (Michael Ajao), the sole black character and Ellie's love interest. His sole purpose is to assist Ellie and it's a shame because they put him in pretty terrifying circumstances and do not give his character any nuance or agency. (Read Robert Daniels review of the film to find out why this character is problematic.) And overall, the second half is a big mess with Ellie just running around London in a panic.

With that said, I think there is a lot of appeal here for classic movie fans, particularly ones who also enjoy horror and zombie movies. There isn't a lot of gore but there are some spooks. The swinging '60s London scenes are fantastic. It really transports you to another time. And for anyone who loves vintage fashion, especially of this era, you'll love to see what Sandy is wearing, Ellie's shopping trip to a vintage store and Ellie's makeover and fashion show. The film also pays tribute to the music of the 1960s. Taylor-Joy performs "Downtown", Ellie is constantly listening to '60s music and Cilla Black is a character in the story.

In one of the early scenes, Ellie/Sandy walk by a marquis promoting Thunderball (1965). 1960s actresses Margaret Nolan and Rita Tushingham appear in the film. However the biggest throwbacks to that era, besides the setting and the fashion, are two of the film's most important characters played by Terence Stamp and Diana Rigg. Production took place in 2019 and Diana Rigg passed away in 2020. In fact the movie premiered at TIFF on the one year anniversary of Rigg's passing on September 10th, 2021. And what a role for Rigg. It's one of the best swan songs I've ever had the privilege of watching. These kinds of roles are just not available to older actors, with a few exceptions. And while Rigg had been working into her later years but this role just really stands out to me. I found myself tearing up because what a fantastic role for this icon! That's not to diminish Terence Stamp who does a fantastic job as the mysterious pub regular who knows a bit too much about what happened to Sandy. He's terrifying and menacing. I know this movie is really an opportunity for McKenzie and Taylor-Joy to shine, but for me Stamp and Rigg steal the show.

I encourage you to check out the trailer and let me know what you think! As a classic movie fan, would you watch this one?

Last Night in Soho premiered at the 2021 Toronto International Film Festival. It hits theaters October 29th.

Wednesday, August 25, 2021

New & Upcoming Classic Film Books (17)

I'm back with another doozy of a list! There are so many great titles especially from some of my favorite publishers like University Press of Kentucky and TCM/Running Press. And lots of reissues of previously out of print books. This is probably my favorite list so far that I've compiled!

Are you new to my list? Here are the details. The books include biographies, memoirs, scholarly texts, coffee table books and more from a variety of publishers. Publication dates range from August to December 2021 and these are subject to change. (The publishing industry is feeling the effects of the current shipping crisis so think of on sale dates as moving targets!).

Links go to Goodreads, Amazon, Barnes and Noble and Powell's (and Larry Edmunds Bookshop if available there). I receive a small commission if you shop through some (not all) of my buy links. 

by Robert S. Birchard
Foreword by Cecilia DeMille Presley
University Press of Kentucky
494 pages — July 2021

Marilyn & Me
by Lawrence Schiller
200 pages – August 2021

Classical Hollywood Revisited
edited by Philippa Gates and Katherine Spring
Wayne State University Press
356 pages – August 2021

Darryl F. Zanuck and the Creation of the Modern Film Studio
by Scott Eyman
TCM and Running Press
304 pages – September 2021

50th Anniversary Edition with the Complete Screenplay, Commentary on Every Scene, Interviews, and Little-Known Facts 
by Jenny M. Jones
Foreword by Francis Ford Coppola
Black Dog and Leventhal
272 pages – September 2021

Dancing on the Edge
by Joseph McBride
Columbia University Press
680 pages – September 2021

by Jennifer Porst
Rutgers University Press
250 pages – September 2021

Portrait of a Studio
edited by Bernard F. Dick
University Press of Kentucky
298 pages – October 2021

Herman and Joe Mankiewicz: A Dual Portrait
by Nick Davis
384 pages – September 2021

The Death of Paramount Pictures and the Birth of Corporate Hollywood
by Bernard F. Dick
University Press of Kentucky
280 pages — September 2021 

Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Modern Woman 
Sam Wasson
Harper Perennial
288 pages – September 2021

A Memoir
by Hayley Mills
Grand Central Publishing
394 pages – September 2021

The Holocaust and the Courtroom in American Fictive Film
by James Jordan
Vallentine Mitchell
254 pages – September 2021

The Rise and Fall of Hollywood's Dracula
by Koren Shadmi
Humanoids, Inc.
160 pages – September 2021

by Phil Rosenzweig
Empire State Editions
314 pages – September 2021

My Dad and Me
by Karen Knotts with Betty Lynn
Chicago Review Press
288 pages – September 2021

A Legacy of Horror
by Michael Mallory and Jason Blum
268 pages – September 2021

Audrey Hepburn
by Robert Matzen
Foreword by Luca Dotti
GoodKnight Books
368 pages – September 2021

The Legacy of Victorianism
by Paula Marantz Cohen
University Press of Kentucky
216 pages — October 2021

A Memoir of Hollywood and Family
by Ron Howard and Clint Howard
William Morrow
416 pages – October 2021

One Hundred Years of Black Films in a White World 
by Wil Haygood
464 pages – October 2021

A Biography
by Donald Bogle
752 pages — October 2021

BFI Film Classics
by J. Hoberman
Bloomsbury Academic
104 pages – October 2021

New York City and the Movies that Made It
by Jason Bailey
 352 pages — October 2021

110 Years of Western Movie Posters, 1911-2020 
by Mark Fertig
340 pages – October 2021

BFI Film Classics
by Pam Cook
Bloomsbury Academic
104 pages – October 2021

The Complete James Bond Dictionary
by Nigel Cawthorne
Gibson Square 
480 pages – October 2021

The Life and Films
by Gavin Schmitt
October 2021 — 174 pages

The Making of the Conqueror
by Ryan Uytdewilligen
Lyons Press
264 pages – October 2021

One Family's Century of Adventures in the Movie Business 
by Jonathan Kay and Charles Moss Jr.
Sutherland House
380 pages – October 2021

Harry Cohn of Columbia Pictures
edited by Bernard F. Dick
University Press of Kentucky
242 pages – October 2021

Movie Theaters
by Yves Marchand, Romaine Meffre, Ross Melnick
304 pages – October 2021

by Michel Chion
Columbia University Press
416 pages – October 2021

296 Must-See Shows That Changed the Way We Watch TV
by the Editors of Rotten Tomatoes
Running Press Adult
224 pages – October 2021

My Unlikely Road to Hollywood
by Leonard Maltin
GoodKnight Books
40  pages – October 2021

A History of the Classic American Film Noir
by Andrew Dickos
University Press of Kentucky
330 pages – October 2021

American Film in the 1950s 
by Robert P. Kolker
Rutgers University Press
232 pages – October 2021

BFI Film Classics
by David Weir
Bloomsbury Academic
112 pages – October 2021

Turner Classic Movies Ultimate Movie Trivia Challenge
400+ Questions to Test Your Knowledge
by Frank Miller
TCM and Running Press
105 pages – October 2021

My Remarkable Life in Show Business 
by Mel Brooks
Ballantine Books
400 pages – November 2021

by Myrna Loy
Dean Street Press
310 pages – November 2021

by Julia A. Stern
University of Chicago Press
256 pages – November 2021 

The French Lover
by John Baxter
University Press of Kentucky
298 pages – November 2021 

The Making and Remaking of Universal Pictures
by Bernard F. Dick
University Press of Kentucky
pages – November 2021 

The Art and Impact of Cinema’s Most influential Filmmakers
by Sloan De Forest
foreword by Peter Bogdanovich and Jacqueline Stewart
TCM and Running Press
344 pages – November 2021

The Life and Career of David Tomlinson
by Nathan Morley
The History Press
256 pages – November 2021

The Singer as Actor and Filmmaker
by James L. Neibaur and Gary Schneeberger
200 pages – November 2021

The Movies, Stars, and Stories of World War II
by Christian Blauvelt
Foreword by Dr. Robert M. Citino
TCM and Running Press
240 pages – November 2021

The Ultimate John Wayne Quote Book
by Mark Orwoll
St. Martin’s Griffin
304 pages – November 2021

by Lana Turner
Dean Street Press
252 pages – November 2021

My Investigation into the Mysterious Death of Natalie Wood
by Lana Wood
Del Street Books
272 pages – November 2021

BFI Film Classics
by Ian Christie
Bloomsbury Academic
112 pages – November 2021

The History of Cinema from the Origins to the Present 
by Richard Dacre
White Star Publishers
240 pages – November 2021 

A Life
by Gavin Lambert
University Press of Kentucky
384 pages – November 2021 

A Biography
by Gavin Lambert
University Press of Kentucky
420 pages – November 2021 

The Complete History
by Sean Egan
Applause Books
264 pages – November 2021

How Garbo Conquered Hollywood
by Robert Dance
University Press of Mississippi
288 pages – November 2021

John W. Bubbles, An American Classic
by Brian Harker
Oxford University Press
320 pages – November 2021

From Emmanuelle to Chabrol
by Jeremy Richey with Sylvia Kristel
edited by Nico B.
Cult Epics
352 pages – November 2021

The Life and Words of James Coburn
by Robyn L. Coburn
Potomac Books
432 pages – December 2021

Her Life, Her Films
by Robert Gottlieb
Farrar, Straus and Giroux
464 pages – December 2021

The Beauty of Hedy Lamarr
by Stephen Michael Shearer
Lyons Press
328 pages – December 2021

Movies of the 60s
edited by Jürgen Müller
736 pages – December 2021

Movies of the 70s
edited by Jürgen Müller
736 pages – December 2021

Conversations with Filmmakers Series
edited by Gary Bettinson
University Press of Mississippi
240 pages – December 2021

The Life and Times of a Hollywood Screenwriter
by Ian Scott
University Press of Kentucky
304 pages — December 2021

One Dime at a Time
by Susan Delson
Indiana University Press
418 pages – December 2021

The Temptation of Identity
by Andrea Cavalletti
Fordham University Press
224 pages – December 2021

Do any of these titles pique your interest? Let me know in the comment section. 

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