Thursday, December 27, 2007

The Ultimate Story: The Student Prince in Old Heidelberg (1928)

Imagine a young prince, very young, still fresh with youthful ideals and not yet tainted by the burden of royal duty. Then comes a long a beautiful young girl, a commoner only in status, but marvellous in all other respects. The young prince meets the young girl and they fall in love. All seems right until the royal burden puts a damper on their romance. They have arrived at a crossroads in their romance and their fate depends upon the prince making a major decision about his future.

This story has appeared in the history of mythology, literature and film in many forms and variations (Cinderella anyone?). Personally, I have very little information about its history, but I feel that I've come across it so many times that I have a somewhat good understanding of it. I didn't make much of this story until I read about The Student Prince in Old Heidelberg (1928) and after much waiting, got the chance to watch it when TCM aired it a couple of months ago. Norma Shearer plays Kathi, a maid at a beergarten who falls for the young prince Karl Heinrich, played by the very handsome Ramon Novarro, who happens to be lodging at the beergarten as a temporary escape from the palace. When the king dies, and young prince Karl takes over the throne, he has a very important decision to make. Whether to follow his heart and marry young Kathi or to honor his father's memory by fulfilling his royal obligations and marrying Princess Raquel (yes, Raquel, I did a double-take when I saw her name written on the marriage contract!).

So I thought about all the other places this story has appeared in film. With its name "The Student Prince in Old Heidelberg" it was released in 1919, 1928 and 1954. The most recent incarnation of this story is Prince & Me (2004) with Julia Stiles. In that variation, the girl doesn't know that the guy she is falling for is in fact a prince. There have been subsequent sequels of that film, sans-Julia Stiles. If you are a Marilyn Monroe fan like I am, you may also recognize the story in The Prince and the Showgirl (1957). Its also appeared as a sub-story with minor characters in other films, such as Black Narcissus (1947). Since monarchy is an ever-dying establishment, today we seek this same story in other types of authority figures. Like the unrealistic romantic scenarios involving single presidents or prime ministers. Take for example, Michael Douglas in The American President (1995) or Hugh Grant as prime minister in Love, Actually (2003).

So why is this story so important? I don't really know. Is it a way for us to sympathize with royalty? Or does its sole purpose serve to give little girls the hope that they one day may become a princess, regardless of their current status? I'm interested enough to keep exploring the mythology of this story in film and in literature, to see how its become our ultimate story.

1 comment:

  1. i was thinking Black Narcissus when I started reading this blog entry and lo and behold you mention it. SOunds like a winner. Have heard of it and now I NEED to get a copy! THanks!


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