Saturday, March 19, 2022

SXSW: The Last Movie Stars

Credit: Philippe Le Tellier/Paris Match via Getty Images

Paul Newman and Joanne Woodward are the subjects of a new documentary streaming later this year on HBO Max. Told in six chapters, The Last Movie Stars chronicles Newman and Woodward's acting careers, including the sixteen films they made together, and their enduring love story. I had the privilege of attending the world premiere of the first chapter at this year's SXSW Film Festival and am thrilled to share a bit about this documentary with you.

The Last Movie Stars is the brainchild of producer Emily Wachtel who was close friends with the Newman-Woodward family and was able to get access to recordings, photos and home videos used in the film. Ethan Hawke directed the film and gave the project an "actors on actors" perspective.

The project began just as the pandemic put us all in isolation. The film embraces the constraints of the pandemic and is primarily composed of archival footage, movie clips, narration and Zoom interviews. This works quite well in the first chapter and I'm curious to see if continues to work or if it will bog down the rest of the film.

To offer some background, some years ago Paul Newman started working on a memoir. He invited friends and family to tell their stories about their relationships with him including his wife Joanne Woodward, his ex-wife Jackie Witte, his friends and fellow collaborators Gore Vidal, Karl Malden, Sidney Lumet, Elia Kazan and more. He also recorded himself discussing different aspects of his life and career. It's uncertain why but Newman eventually destroyed all of these recordings. Lucky for us, they were all transcribed and those transcriptions survived. 

In The Last Movie Stars, Ethan Hawke invites his actor friends to read the transcriptions in the voices of the various subjects. George Clooney plays Paul Newman, Laura Linney plays Joanne Woodward, Zoe Kazan plays Jackie Witte, Vincent D'Onofrio plays Gore Vidal, etc. Other actors include Mark Ruffalo, Billy Crudup, Sam Rockwell, Oscar Isaac and Steve Zahn. Along with their narrations, there are Zoom interviews with all of the actors. They share their mutual admiration for Newman and Woodward with Hawke who guides the story. There are also of other interviews with figures like Sally Field and Martin Scorsese who don't narrate but offer their perspectives and stories. It's a very meta approach. The audience follows along with the creation of the documentary as they learn more about these two fascinating subjects from film history.

The documentary's core purpose which is to tell the story of Paul Newman and Joanne Woodward. Chapter one focuses on how they became actors, their affair which lead to the break-up of Newman's first marriage and the beginning of their lifelong adventure together. One takeaway from the first chapter is that Woodward very much came into her own at the beginning of her career while it took Newman to really discover himself as an actor. Newman eventually overshadowed Woodward as his fame skyrocketed. However, the two had a mutual respect for each other and Woodward was able to find a deeper meaning to her life and career. With The Last Movie Stars, producer Emily Wachtel and director Ethan Hawke are reintroducing Newman and Woodward to a new generation with the hope that telling their story will help reinforce their legacy as the great actors they were. 

Watching The Last Movie Stars reinvigorated me. My purpose has always been to keep film history alive and share the joys of classic movies with others. This documentary does just that. Having seen the first chapter, I am anxious to see the next five. At the world premiere, Hawke shared that the first three chapters are completed but the last three are still in the editing process. He estimated that they'll be done by June. A streaming date has yet to be announced.


Paramount Theatre in Austin, Texas

Ethan Hawke introducing The Last Movie Stars at SXSW

Q&A after the world premiere. Left to Right: Richard Linklater, Emily Wachtel, Ethan Hawke

I hope to do a full review once all six chapters of the documentary are available.

Note to add: While Joanne Woodward is still with us, she suffers from alzheimer's disease and was not able to be interviewed for this project. 

Monday, March 14, 2022

SXSW: Still Working 9 to 5

Directed by Camille Hardman and Gary Lane, Still Working 9 to 5 (2022) chronicles the making of 9 to 5 (1980), its impact on our culture and its legacy while also examining the continued struggle women face in the workplace.

In the late 1970s, a movement was gaining steam. With every passing year women were becoming a bigger and bigger part of the workforce. However, they were paid less than their male counterparts, had to endure sexual harassment and were shut out of potentially lucrative positions. 9to5, the National Association of Working Women, became an integral part of the women's movement, advocating for equality in the workplace. And it was out of this rallying cry for change that the dark comedy 9 to 5 (1980) was born.

9 to 5 stars Dolly Parton, Jane Fonda and Lily Tomlin as a trio of office workers who seek revenge on their manipulative boss, played by Dabney Coleman. 

The film was the brainchild of Jane Fonda and producer Bruce Gilbert. Originally it was meant to be more of a drama. It was a decided that a comedy would be more palatable to audiences and would be a more effective way of delivering the movie's social message. Many of the dramatic elements remain and this comedy has plenty of dark and disturbing moments along with the humor. The story was written by Patricia Resick and Colin Higgins was hired as both director and co-screenwriter. 20th Century Fox picked up the project for production and distribution. The intention was to have five female leads but that was pared down to just the three. The roles of Judy, Violet and Doralee were written with Jane Fonda, Lily Tomlin and Dolly Parton in mind. Fonda was known for her activism, Tomlin had a hit Broadway show and Parton was a rising country music star. The three were at the top of their game and ready to launch this film into the stratosphere.

9 to 5 (1980) was an amazing success thanks to the film's message, the three dynamic leads, Coleman's excellent villain role and Dolly Parton's theme song 9 to 5 which she wrote and performed for the film.





Still Working 9 to 5 (2022) features interviews with star trio Fonda, Tomlin and Parton as well as Dabney Coleman, writer Patricia Resick and producer Bruce Gilbert. Having access to so many key players adds a wealth of insight that makes this documentary so valuable. Other interviewees include Rita Moreno, who starred in the TV spinoff, Allison Janney, who starred in the Broadway production, and activists, particularly those involved with the 9to5 organization. 

9 to 5 was both a product of its era but also timeless and the documentary expertly weaves behind-the-scenes information with context to demonstrate this. Along with the interviews are archival footage of the movement, TV clips from the film's media tour, clips from 9 to 5 and a new rendition of the theme song performed by Dolly Parton and Kelly Clarkson. Just like the original film, the documentary has a clear social message: while we've made strides towards equality, we still have a long way to go.



Still Working 9 to 5 (2022) had its world premiere at the 2022 SXSW Film Festival. Release dates and streaming details are yet to be determined.


Visit the official website to find out more about the film!

Saturday, January 29, 2022

New & Upcoming Classic Film Books (18)

New year, new books! Let's kick off the new year (albeit a little late) with some classic film books. 

Are you new to my list? Here are the details. The books include biographies, memoirs, scholarly texts, coffee table books and more from a variety of publishers. For any scholarly books I make sure the ones included are affordable. There are also some reissues added to the bunch. Publication dates range from January to June 2022 and these are subject to change.

Links go to Goodreads, Amazon, Barnes and Noble and Powell's. I receive a small commission if you shop through some (not all) of my buy links. 


JANUARY


Women and National Identity in U.S. Silent Film 
by Liz Clarke
Rutgers University Press
174 pages — January 2022




Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century 
by Dana Stevens
Atria Books
432 pages — January 2022




The Most Disruptive Films in Cinema 
by Ian Haydn Smith
Lincoln
208 pages — January 2022




The Making of a Filmmaker
by Henry K. Miller
University of California Press
250 pages — January 2022




Alfred Hitchcock's Rope
by Neil Badmington
SUNY Press
224 pages — January 2022




by Andrew Norman
White Owl
208 pages — January 2022



FEBRUARY




More Dark Alleys of Classic Horror Cinema
by Gregory William Mank
McFarland
328 pages — February 2022




A Journey through Film History and the Academy Awards
by John Dorney, Jessica Regan and Tom Salinsky
Foreword by Helen O'Hara
Rowman and Littlefield
332 pages — February 2022




A Cultural History of the Most Glamorous, Radical, and Scandalous Oscar Fashion 
Esther Zuckerman, Montana Forbes (Illustrated by)
Running Press
240 pages — February 2022




A Filmmaker's Life 
by James Curtis
Knopf
832 pages — February 2022




Fashion, Architecture and Interior Design on Film
by Jess Berry
Bloomsbury Visual Arts
224 pages — February 2022




Paris 1850–1907
edited by by Leah Lehmbeck, Britt Salvesen, Vanessa R. Schwartz
DelMonico Books and LACMA
192 pages — February 2022




The Style and Themes of Cinema's Dark Genre
by Diana Royer
McFarland
229 pages — February 2022




How the Twentieth Century Learned to Act 
by Isaac Butler
Bloomsbury Publishing
512 pages — February 2022




Precursors from the Silent Era to the 1940s
by Kevin Grant
McFarland
161 pages — February 2022




The Making of an Irish Epic 
Paul Benedict Rowan
University Press of Kentucky
364 pages — February 2022




100 Outstanding Film Performances with Screen Time of 10 Minutes or Less 
by John DiLeo
Gliterati
320 pages — February 2022



MARCH




by Barry Keith Grant
BFI
224 pages — March 2022




by D. A. Miller
BFI
128 pages — March 2022




Master of Suspense
by Noel Simsolo and illustrated by Dominique He
NBM Publishing
312 pages — March 2022





The Basil Rathbone Story 
by David Clayton
The History Press
192 pages — March 2022




The Complete History of the Women Who Broke Barriers and Redefined Roles 
by Alicia Malone
Mango
224 pages — March 2022




by Jon Lewis
BFI
104 pages — March 2022




The Gentleman Preferred Blondes 
by Bernard F. Dick
University Press of Mississippi
304 pages — March 2022



How Movie Theaters Projected American Power Around the World 
by Ross Melnick
Columbia University Press
496 pages — March 2022




From New Yorker Films to Lincoln Plaza Cinemas 
edited by Daniel Talbot and Toby Talbot
foreword by Werner Herzog
Columbia University Press
312 pages — March 2022




The Triumph of American Cinema’s Trade Press 
Eric Hoyt
University of California Press
294 pages — March 2022




The 100 Most Popular Films of a Revolutionary Decade
by Brian Hannan
McFarland
247 pages — March 2022




by Edward Buscombe
BFI
96 pages — March 2022




by Joan Mellen
BFI
112 pages — March 2022




Vivien Leigh, Laurence Olivier, and the Romance of the Century 
by Stephen Galloway
Grand Central Publishing
416 pages — March 2022




by Christina N. Baker
Rutgers University Press
174 pages — March 2022



APRIL




The Essential Guide to Euro-Westerns
by Kevin Grant
Foreword by Franco Nero
FAB Press
480 pages — April 2022




A Life on Stage and Screen
by Axel Nissen 
McFarland
220 pages — April 2022




University Press of Mississippi
330 pages — April 2022
Amazon Barnes and Noble — Powell's




50 Films Celebrating Cinema's Greatest Stunts 
by Scott McGee
TCM and Running Press
288 pages — April 2022




How They Create, Craft and Communicate 
by David Jenkins
Laurence King Publishing
128 pages — April 2022




Visions of Progress in Mid-Twentieth-Century America 
by Douglas Horlock
University Press of Mississippi
256 pages — April 2022




Producer to the Stars 
by Bernard F. Dick
University Press of Kentucky
336 pages — April 2022




The Hollywood Classic That Inspired a Nation 
by Alison Macor
University of Texas Press
240 pages — April 2022




When Sea Lions Were Stars of Show Business (1907-1958) 
by Gary Bohan Jr.
Excelsior Editions
326 pages — April 2022




The American World War II Film
by Bernard F. Dick
University Press of Kentucky
300 pages — April 2022




The Life and Times of Dale Evans 
by Theresa Kaminski
Lyons Press
392 pages — April 2022




A Viewer’s Guide 
James R. Russo
Sussex Academic Press
288 pages — April 2022



MAY




by Matthew Page
BFI
256 pages — May 2022




An Illustrated History 
by Steven Jones
Applause Books




Dennis Hopper, Brooke Hayward, and 1960s Los Angeles 
by Mark Rozzo
Ecco
464 pages — May 2022




Daily Inspiration and Frontier Wisdom for Men 
by Editors of the Official John Wayne Magazine
Media Lab Books
384 pages — May 2022




Life in the Golden Age of Hollywood and Washington 
by George Stevens Jr.
University Press of Kentucky
552 pages — May 2022




Theory of Studio-Era Filmmaking 
by Ana Salzberg
Edinburgh University Press
256 pages — May 2022




by Nghi Vo
Tordotcom
288 pages — May 2022




Marilyn Monroe's Life in England 
by Michelle Morgan
Pegasus Books
320 pages — May 2022




by Simon Ward and James Nolan
Titan Books
128 pages — May 2022



JUNE




The Early Cinema of Raoul Walsh
by Tom Conley
SUNY Press
256 pages — June 2022




How Movies Began
by Meghan McCarthy
Simon & Schuster/Paula Wiseman Books
48 pages — June 2022



Filmmaker and Philosopher 
by Mark William Roche
Bloomsbury Academic
224 pages — June 2022



First Lady of Film 
by José-Louis Bocquet, 
illustrated by Catel Muller
SelfMadeHero
400 pages — June 2022




edited by Tony Nourmand
text by Paul Duncan
Reel Art Press
256 pages — June 2022




Through the Lens of Six Great Photographers
by James Clarke
Acc Art Books
252 pages — June 2022


Do any of these titles pique your interest? Let me know in the comment section. 

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