Guest Post & Norma Shearer Linkage

You won't find today's entry here. You'll find it at Kate Gabrielle's excellent blog Silents and Talkies. She has done a painting for me of Norma Shearer (which I now own, yay!) and I wrote a guest post for her blog. It will be up today, so check it out and let me know what you think.

Also, while I'm linkin' it up, if you'd like to visit some excellent Norma Shearer sites here are my top three favorites. Enjoy!


Divas: The Site ~ Norma Shearer

Norma Shearer at Classic Movie Favorites

Lady of the Night ~ Norma Shearer

Young Norma and Her Long, Beautiful Curls

Norma Shearer was known for her short hair and striking profile. A photograph of her would have likely shown Norma wearing her characteristic helmet of curls that would crown her temples. It was a look that the Queen of MGM carried with her throughout her talking picture career, only deviating for films such as Marie Antoinette and Idiot's Delight which required her to wear wigs.

However, a younger Norma in the silent era had a much different look. Norma had long flowing curls. They were frizzy, bountiful and glorious. She usually wore them up, tied in the back yet ocassionally she would let them loose and they would flow down her neck and shoulders.

Photographs of Norma in her twenties showed that she carried those curls in many different ways. Her hair was of various lengths and styles and it always looked different. I haven't been able to find much information about Norma Shearer's hairstyle which doesn't surprise me. I may be the only one to whom this matters and I doubt biographers Gavin Lambert and Lawrence Quirk ever cared about such triviality.

In the same way I obsess with Bette Davis' blonde look, I simply adore the long curly locks of Norma Shearer. Why? Because I secretly have long curly hair too. I say "secretly" because I wear mine straight, wavy or in ironed curls. I'd like to think Norma Shearer's hair was naturally curly like mine. We both found ways to tame of our locks to flatter our appearance, but hidden beneath the surface were wild curls just waiting to spring into their natural state.

(Pictures of Norma from Divas: The Site)

From Montreal to Hollywood: Norma Shearer's Story

Edith Norma Shearer was born August 11, 1900 or 1902 in Montreal, Québec, Canada. It's unclear which year. Norma came from a privileged Scottish family. Her father Andrew Shearer owned his own business which was at first successful but eventually failed, leaving his family destitute. Norma's mother, Edith Shearer, had high hopes for herself, for her two daughters (Athole and Norma) and son (Douglas) and refused to settle for their current situation. Edith took the kids and eventually moved them to New York.

Edith at first wanted Norma to be a pianist, however Norma's early career involved bouts in vaudeville and modeling. She landed an infamous gig as the Springfield Tires billboard girl Miss Lotta Miles which her future rival Joan Crawford loved to poke fun at.

One day, almost out of the blue, Norma decided she wanted to be an actress and she and Athole auditioned and got bit parts in the Olive Thomas film The Flapper (1920). Edith joined in on the fun and they all became extras in the barn dance scece in D.W. Griffith classic silent Way Down East (1920). Norma took that opportunity to meet the director so she stood under an arc-light to show off her features. Griffith gave her one good look and told her she would never become a star.

Norma continued to make films in New York and got noticed in The Stealers (1922) and with the help of producer Hal Roach, she made her way over to Hollywood. The day after her arrival she met with producer Irving Thalberg of MGM (then known as The Mayer Company). He was so young she mistook him for an office boy until she saw him sit behind the producer's desk and put his feet up. They were both impressed by each other, Irving by Norma's charisma and drive and Norma by Irving's power and work ethic.


Norma signed with MGM and made many movies with MGM's top stars Lon Chaney Jr., Conrad Nagel and John Gilbert. She wasn't an instant success but with each film her star rose higher and higher in the Hollywood heavens. After various affairs with other people, Thalberg proposed marriage to Shearer and she accepted. The marriage would make her the Queen of MGM and it was a union of business and mutual admiration and respect. Most say Shearer was an opportunist as the union helped get her lots of choice roles, but Shearer hard to work hard to prove herself.

In 1929, Norma helped usher in a new era of talking pictures with MGM's first talkie The Trial of Mary Dugan (1929). Her upper-class Canadian accent worked well and the transition was smooth for her. She was however very unhappy with her roles and wanted better parts. She proved to her husband Thalberg that she had potential beyond her "good girl" roles and she landed parts in pre-code classics such as The Divorceé (1930) and A Free Soul (1931), for which she won the Best Actress Academy Award. Her career boomed and she made lots of popular pictures with co-stars such as Clark Gable, Robert Montgomery and Leslie Howard. Most fans today love her Prestige Films which are those films she made from 1936-1939 including Marie Antoinette (1938) and The Women (1939).

Norma had two children with Irving: Irving Jr. (b. 1930) and Katherine (b. 1935). Irving's health was very poor due to a heart condition and he passed away in 1936 leaving Norma a widow. She continued to make films for MGM However, Norma was aging and becoming less and less believable in romantic leads. When Her Cardboard Lover (1942) proved to be a total flop, she made the decision to end her acting career.

Norma met ski instructor Martin Arrouge, a handsome strapping man some 12 years her junior and married him in 1942. Martin (whom she convinced to go by the name "Marti") and Norma were a very suitable pair. She wanted to continue living as a queen and he wanted someone to adore. They remained married until Norma's death.

What very few people realize is that Norma's family had a history of mental illness. Sister Athole was in and out of mental hospitals and her parents and her brother Douglas had their own manias. Norma was a very poor mother to her children and had very little in the form of maternal instincts. She became obsessed with her appearance (a trait she shared with her mother) and in her advanced years succumbed to failing eyesight and dementia, often calling her second husband Martin, "Irving". She passed away on June 12th, 1983.

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Future posts will reveal even more about Shearer, her love life, her career, etc. so stay tuned!