- To Catch a Thief (1955) - Hitchcock was well-versed in the power of suggestion. He took advantage of Grace Kelly's sexual allure and Cary Grant's deobonairre persona to create electricity on the screen. One could even say the chemistry between the two main characters was "explosive". The scene in question has Kelly and Grant, in a hotel room, in the dark sharing a passionate kiss while fireworks go on outside. Fireworks, of course, suggest something else happens shortly after. (link is the trailer)
- Young Man with a Horn (1950) - Kirk Douglas stars as a trumpeter who should fall in love with the angelic Doris Day but cannot help being seduced by femme fatale Lauren Bacall. They are married but frustrations grow as he realizes she has little to no desire for him. After much turmoil, Douglas' character confronts his wife when she is out with another woman. Yikes!
- Baby Doll (1956) - I often forget this was a film from the '50s and not from the '60s, as I usually classify it in my mind. It's so ahead of it's time. Eli Wallach is hot in this film. And I mean hot! He plays a Sicilian cotton-gin supervisor who likes to torment and tease another man's 19-year old wife. The girl, played by Carroll Baker, isn't quite capable of consuming her marriage as she's stuck in a little-girl mindset, which is probably her way of coping with growing up before she was ready. The infamous swing scene has Wallach's character seducing Baker's, who only pretends not to be interested. Very steamy. (link is the trailer)
- The Barretts of Wimpole Street (1934) - Elements of this film are sexual, but in the wrong way. Queen Norma Shearer plays invalid Elizabeth Barrett who is kept in her weakened condition without possibility of improvement by her overbearing father, played by Charles Laughton. Laughton did an excellent job at suggesting the father's incestuous infatuation with his daughter by evoking his conflicting passions through his eyes. The most uncomfortable scene is when the daughter tried to walk and he sweeps her off her feet and carries her away. Eek!
- A Streetcar Named Desire (1951) - It's New Orleans, the air is hot and dense with humidity, which makes the characters all that more bothered and restless. Besides Brando being absolutely gorgeous in every scene, the Brando/Stanley-Hunter/Stella-Leigh/Blanche sexual triangle is unsettling because each of the character's is not in their right mind. Stanely is frustrated, Stella is frustrated and Blanche is just plain off her rocker. Many of the scenes in this film are very sexy, but there is one that stands out. Stella descends the stairs towards Stanley, who's shirt is barely hanging on by a thread, she pulls him towards her and runs her hands down his muscular back. Is it hot in here or is it just me? (link is the trailer)
- Cat on a Hot Tin Roof (1958) - Sex is on the mind of every character in this film. Not sex in general but the lack of sex between the young married couple played by Elizabeth Taylor and Paul Newman. While only very subtly suggested in the film, Newman's character is dealing with the internal conflict of being married to an attractive woman but still holding onto to the repressed homosexual attraction to his now deceased friend. Taylor's character is sexually frustrated and it doesn't help that his family blames her for not having had a child yet. To me the most sizzling of scenes is when Taylor wraps her arms around Newman pleading for sexual attention only to have him break free from her grip for the umpteenth time. Poor thing. (link is the trailer)
- Red Dust (1932) - I couldn't create this new list without including a Jean Harlow film. This film, which was later remade as Mogambo (1953), stars Clark Gable as a plantation overseer who has conflicting desires for floozy Jean Harlow and married Mary Astor. There are numerous sexy scenes in this film. Harlow naked in an outdoor bathtub, being man-handled by Gable. The howling wind conveniently moving up Harlow's skirt revealing her slender gams. The sexiest one is when Gable roughly pulls Harlow onto his lap, kissing her. This is the culmination of all the sexual tension between them. (link is the trailer)
- Design for Living (1933) - I am still surprised that this film was ever made. Miriam Hopkins stars as a woman who cannot decide between which of her two boyfriends (Gary Cooper and Frederich March) to keep, so she decides to keep them both in her life and moves in with them but forgoes a sexual relationship with either. Neither of the two men are happy about her decision but at the same time do they don't want to walk away and let the other snag her. The sexiest scene takes place in a car where Hopkins sits between her two beaus and plants a kiss on one then turns to plant a kiss on the other. Talk about sharing. Wow!
Monday, July 30, 2007
Sexiest Scenes in Film History: Part Two
Saturday, July 28, 2007
Queen Norma Shearer: Avec Robert Montgomery Poll
This duo, although not as famous as, say Katherine Hepburn and Spencer Tracy or Doris Day and Rock Hudson, was a successful one in it's own right and produced some wonderful movies. My personal favorite one is Strangers May Kiss (1931). For those of you out there who are Norma Shearer fans (or Robert Montgomery fans), let me know which of these is your favorite by posting a comment (I love getting those).
Their Own Desire (1929)
The Divorcee (1929)
Private Lives (1931)
Strangers May Kiss (1931)
Riptide (1934)
Friday, July 27, 2007
The Asphalt Jungle: Images Speak
This one confuses me greatly and downright irks me. It reminds me of the pathetic cover of a certain BBC-Austen miniseries in which the American packaging showcased 2 models instead of the actors because they were better looking than the actual stars. It's misleading and wrong! This particular poster tells the audience, "come watch this film because you'll see sexy Marilyn Monroe strut her stuff." Those poor lustful souls will only come away disappointed to have seen her in just 3 short scenes.
As I write this, I cannot help feeling like a hypocrite. I did come to find this film as a Monroe fan wanting to see more of her films. I liked the film for what it was and not necessarily for Monroe's role. Yet this title is often distributed as a Monroe film. I'm hoping that in a few years this will be known only as a very good film noir.
Let's ignore Marilyn Monroe scared face in the corner for a moment and look at the other elements of this image, which happens to be the DVD cover. This is quite good. In the background, you have the asphalt jungle and the tagline "The City Under the City" which is representative of both the underground scenes and the "underground" network of hoodlums. Then set below the city you have the 3 main people involved with the actual heist (versus those involved with only the planning of the heist); Sterling Hayden, the hoodlum, James Whitmore, the driver and Anthony Caruso, the box man ~ explosives. Then right below them you've got the sex, i.e. Monroe. Clever thing about this image, is that it's on a tilt symbolizing the impending downfall of these characters (except the sex, which survives of course).
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