Saturday, December 18, 2010

It's a Wonderful Life (1946) at the Brattle


Lately, I've had this persecution complex that I just can't shake. I feel like everyone is out to get me. I've always had some form of a persecution complex, something I inherited from my mother, but it seems to be at it's peak right now. I feel very neglected, unappreciated, taken for granted but I also feel like people are out to get me. When I feel like this, I have a tendency to withdraw and disassociate. I try to avoid as much human contact as possible. My biggest problem has been being kind to others. I don't see why I should if all I get in return is maliciousness. However, another thing I inherited from my mom is her giving nature.

The other day, as I was waiting in line in a cafe, I saw a lady trying to waive down a taxi. She was in the worst imaginable spot. Most of the taxis that passed by already had customers that they had picked up from the taxi cab stand only a block from where the lady was standing. It was cold outside and she seemed anxious. I imagined that she was visiting a friend, was unfamiliar with the area and had a plane to catch. When I stepped out of the cafe with my hot steaming cup of chai, I went up to the lady and pointed her in the direction of the taxi cab stand. She blurted out a thank you and ran to the stand as quickly as she could. I felt good about helping her. Fast forward to that afternoon and something terrible happened to me. Someone, who had been watching me very closely waiting for me to slip up, saw her opportunity and pounced. I reeled from the embarrassment and humiliation this person had put me through. And it was all because of her jealousy. So why did I even bother with that good deed in the morning if all I got was a bad deed done to me in the afternoon? Where the heck was Karma when I needed it?

Sometimes it's difficult to do good deeds. Take George Bailey (Jimmy Stewart) for example. When he saw his little brother fall through the ice, his first instinct was to pull him out and save him. What did he get in return? An ear infection that led to permanent hearing loss in one ear. What did his brother do for him in return? Abandoned the family business when George wanted to pass it on so he could see the world. Let's take another instance. A young George Bailey works at Mr. Gower's store. Mr. Gower, depressed over the news he's just received has drunk himself into a tizzy. He accidentally puts poison in pill capsules and sends young George off to deliver the pills. George sees what Mr. Gower has done and doesn't deliver them. What does George get in return? Mr. Gower boxes his ears until he bleeds and then gives him an uncomfortably tight hug. What does Mr. Gower get in return? A will to live and a successful business. 

No one really thinks that George Bailey is a shmuck though, even if he doesn't get to travel the world or become an architect. He doesn't have it that bad though. He marries a wonderful woman, has a beautiful home, raises 4 children, helps out the members of the community, etc. But he still has Mr. Potter (Lionel Barrymore) always watching him for an opportunity to make him fall. (Maybe we all have our own Mr. Potter's in life). Bailey is driven to despair and that's when Clarence steps in. We all need a Clarence, don't we. Someone to tell us that "no man is a failure who has friends".



Carlos and I missed an opportunity to watch It's a Wonderful Life (1946) at the Brattle last year. This year, we were smart and purchased our tickets in advance. The house was packed to the brim and there was not one seat available. The audience was so-so. They laughed at many moments that were not supposed to be funny. I always relegate this to their stupidity for 1. buying tickets to a movie they don't really want to see and 2. not being open minded and understanding that this film is not from this time period. Oh well. They weren't as bad as I've seen in other circumstances and by the end many people were wiping their eyes. Why doesn't anyone think to bring tissues to this movie?

I am not ashamed to admit that I cried three times during the filming. I first cried during the scene when Mary (Donna Reed), Bert and Ernie had set up the old house with travel posters, tropical music, a roaring fire, dinner and a made bed ready and waiting for some copulating. It was really sweet for Mary to take an unfortunate situation and turn into something special. The second time I cried was during George Bailey's despair. He crashes his car, heads to the bridge and wants to end it all. I've never been suicidal but I know what despair feels like so I could really sympathize with him. The third and final time I cried was during the very last seen when the whole community comes together to help out George Bailey and sing Auld Lang Syne together. This is the moment when everyone shows their appreciation for Bailey and all he's done for the community. This sort of demonstration usually only happens during funerals. Lesson here: show people how much you appreciate them while they are still alive!

I've seen a few other people on Twitter and Facebook mention that they have seen this film on the big screen this Christmas season. What was your reaction and what was the audience reaction? Have you seen it on the big screen before? Please share your thoughts.


Special thank you to the Brattle Theater for showing It's a Wonderful Life every year!

Monday, December 13, 2010

At what point do you start to cry during TCM Remembers?

I usually start to bawl towards the end. I try to keep a brave face and make it through the whole thing without a tear but it's usually the big name towards the end, the one they dwell on for a little more time that gets to me. This year it was a bit different. As soon as they showed Dennis Hopper towards the beginning of the tribute, the waterworks started. When I saw Tony Curtis, Patricia Neal, and Leslie Nielsen, I was all out sobbing. This year has been a difficult year. In fact, ever year since 2003 has been especially difficult for me. The more I fall in love with classic films the harder it is to let go of those stars who are reaching the end of their time on earth. TCM Remembers tribute is always very well done. They are fair, they give time to everyone, the visuals are always stunning, they chose appropriate and beautiful music and they are willing to edit in case someone passes at the end of December. Way to keep it classy TCM! We really appreciate it. Because the Oscar tributes become more and more offensive every year, it's nice to have the genuinely touching tributes you consistently provide us. Thank you.


Thursday, December 9, 2010

Kid Galahad (1937)



Not to be confused by the Elvis Presley's 1962 movie by the same name.






How do you take a guy seriously if his name is Turkey Morgan?

Tuesday, December 7, 2010

Sunrise (1927) at the Coolidge Corner Theatre



Last evening, Kevin and I attended a special screening of Sunrise (1927). It was part of the Coolidge Corner Theater's ongoing series, The Sounds of Silents. If you recall, back in October I had seen Steamboat Bill Jr. (1928) at the theater with live musical accompaniment.

While I loved that experience, it does not top the amazing, astounding, knock-me-off-my-seat experience I had watching Sunrise (1927) on the big screen. Here are some details about the music that accompanied the movie.

  • Berklee College of Music
  • Course Semester Project
  • 8 students composers, each composes musical score for one reel and conduct the musicians during that reel while it's playing.
  • 10 member orchestra complete with violin, cello, flute, trumpet, percussion, etc.
  • Next up: It (1927) with Clara Bow in May 2011, will be composed and performed in the same manner.




F.W. Murnau's Sunrise: A Song of Two Humans (1927) is at it's core a love story. We start off at the lowest point, The Man (George O'Brien) is cheating on The Wife (Janet Gaynor) with The Woman from the City (Margaret Livingston). They don't have real names because their story is univseral. It's a case of disillusionment, the madonna/whore complex, and the battle between lust and love. The Woman from the City, who smokes like a chimney and wears polished pumps seduces The Man and convinces him to kill The Wife and sell the farm so they can move to the city together. The Man, blinded by lust, plots to do this but he can't bring himself to kill The Wife who is the epitome of love and innocence. The Wife escapes into the city with The Man following her and they accidentally embark on an adventure that has them falling in love with each other all over again. This movie touches me deeply. It made me appreciate the love I have and made me realize to not take it for granted. I went home from the experience with a heart bursting with love.

The music was fantastic. The students did such a superb job composing, conducting and performing the number. I enjoyed small details like the trumpet playing to represent a dog barking, a flute playing to represent whistling and bells playing to represent fireworks. It's details like those that I love. Unlike my previous experiences with experimental music and classic film, this music was your standard classic fare. And you know what, I loved it? At times, I found my foot tapping to the beat and at other times my heart started to race when the music built up momentum to reflect the rising conflict that was happening on screen. At the end, the musicians and composers got a standing ovation. I clapped so hard my hands hurt and my eyes began to fill up with tears. It was one of the most fantastic experiences of my life. Kudos to the Berklee College of Music for such an amazing night. You did justice to the masterpiece that is Murnau's Sunrise (1927).

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