I have been overwhelmed lately with too much to do and too little time to do it in. Or so I thought...
I haven't been very efficient lately in many aspects of my life. When I do get free time, I tend to squander it away instead of using it to be productive. This has interfered with my movie watching lately, Netflix being the main culprit. I have many movies to watch (but don't we all). I have borrowed DVDs, DVDs I have purchased but haven't seen, DVDs given to me as presents, taped movies from TCM (recent and old) and rented Netflix movies. This is in addition to great classic films being shown at local repertory houses and the occassional interesting contemporary film at my local first-run or second-run theater.
Since Netflix is a paid service, I make priority to watch those films first and return them as quickly as I can to get the most out of my money. However, this interferes with me viewing my stash of DVDs and tapes. As soon as I finish of the 3 Netflix movies, I already have 3 more waiting for me. Since I know that the other films can wait, Netflix rentals get first dibs on my free time.
What ends up happening is that I borrow a film from a friend and return it to them months later because I never get a chance. Poor Frank, my fellow employee and classic film enthusiast, is still waiting for his Criterion Collection DVD boxed set of Amarcord (1973) back after lending it to me months ago. Or that tape of Jean Harlow films I taped off TCM months ago, collects dust in my entertainment center. The real shame is all those wonderful rare Norma Shearer films my friend Jonas (of All Talking! All Singing! All Dancing! fame) sent me from Sweden are sitting nicely in their sleeves, just waiting for me to watch them.
At first I wanted to discontinue Netflix once I got through the 30-40 films on my queue, but since I keep on adding films to the queue, I don't see an end any time soon. So I have formed a plan to help me be more efficient in my movie watching.
For every 1 Netflix movie I watch, I have to follow it up with 1 borrowed movie and 1 taped movie/owned DVD. I won't be taking full advantage of the rental service but at least I will be making a dent in my collection of movies. If push comes to shove, I might go on a different rental plan with Netflix so that I don't feel overwhelmed.
Do any of you have methods to maintain the efficiency of your movie consumption? Doesn't that last question make movie watching sound terribly trite? Thoughts?
Sunday, September 13, 2009
Friday, September 4, 2009
You Got a Little Something There. No there... and there... and well all over really


Can someone tell me what the name of this type of college sweater is? Someone?! Anyone?!
It was common during the 1920s and 1930s. The pictures above are from Good News (1947) which is based on a musical from the late 1920s and the setting is 1927. I researched sweatshirts and they were sports/collegiate wear that came about in the 1920s. I couldn't find anything on these.
What's unique about these sweatshirts is that they have all sorts of writing and drawings on them. Notes, signatures, drawings, fun quips, colloquialisms and my favorite 1920s slang!
I would really like to do some research on this particular clothing fad but I need some direction to go on as I'm coming up blank.
Help?!
Thursday, August 27, 2009
Out of the Past - Into the Now ~ Jeff Bailey is a Baseball Player
You know you are a die-hard classic film fan, when movie references follow you around in real life. Carlos and I went to a Pawtucket Red Sox game on Sunday and their Left Fielder just happened to be named Jeff Bailey. Out of the Past (1947) anyone?!
Things have been hectic lately, hope to return to real blogging soon.

Things have been hectic lately, hope to return to real blogging soon.
Wednesday, August 19, 2009
The Arrangement (1969) @ the Harvard Film Archive
Ever since I've known Kevin, I've been bugging him to watch Elia Kazan's The Arrangement (1969). We both missed watching the film before Kevin's Kazan lecture in November of '07, but finally I pulled the DVD out of the Netflix sleeve and sat down to watch this strange and alluring film a month later. Fast forward to August of 2009 and Kevin still hadn't seen it. I had to make right that severe wrong.
As part of the Harvard Film Archive's salute to Elia Kazan, they showed The Arrangement (1969) on Monday evening. I dragged Kevin (he was willing) to go see it. The print was in poor quality, very grainy and scratchy. However, it was still a treat to watch this film on the big screen.
I have written about this film in the past and I highly recommend you read my original post. I was quite impressed with myself when I read the post recently. Here is a quote I pulled from it:
"Based on his own novel, The Arrangement (1969) is a lesser-known Elia Kazan classic. Its a film that contemporary film afficianados might enjoy because of its chaotic, psychadelic, A.D.D. type of cinematography. Shots come at all sorts of strange and interesting angles and any remotely chronological timeline is thrown askew by patches of memory flashbacks. Watching this film felt new, fresh and invigorating in a way older films don't usually.."
http://outofthepastcfb.blogspot.com/2007/12/hunka-kirk-douglas-arrangement-1969.html
In watching the film a second time, I find that those 4 really trippy scenes that I pointed out in my original post are still my favorites. During the movie, I kept poking Kevin in the arm to make sure he was alert to them.
1) Kirk Douglas hallucinating, holding grapes over the pool.
2) Kirk Douglas hallucinating while flying an airplane.
3) Beach sequence camera trick, with torn photographs.
4) Kirk Douglas hallucinating, his naked manic self in bed with his past self fully-clothed.
Visually this movie is quite delicious and I found many things to savor. The film is also really quite a head-trip and parts of it can leave you feeling confused. What's amazing is that it really delves into the main character's mania by showing you his hallucinations as he experiences them and also by the use of experimental cinematography. Finding yourself in the midst of the character's mental anguish makes you really sympathize with him.
In the end, I had a ball and Kevin seemed to enjoy the film. I was happy we got to share it together.
Here are a couple pictures of Kevin and I at the HFA. Until next time...

As part of the Harvard Film Archive's salute to Elia Kazan, they showed The Arrangement (1969) on Monday evening. I dragged Kevin (he was willing) to go see it. The print was in poor quality, very grainy and scratchy. However, it was still a treat to watch this film on the big screen.
I have written about this film in the past and I highly recommend you read my original post. I was quite impressed with myself when I read the post recently. Here is a quote I pulled from it:
"Based on his own novel, The Arrangement (1969) is a lesser-known Elia Kazan classic. Its a film that contemporary film afficianados might enjoy because of its chaotic, psychadelic, A.D.D. type of cinematography. Shots come at all sorts of strange and interesting angles and any remotely chronological timeline is thrown askew by patches of memory flashbacks. Watching this film felt new, fresh and invigorating in a way older films don't usually.."
http://outofthepastcfb.blogspot.com/2007/12/hunka-kirk-douglas-arrangement-1969.html
In watching the film a second time, I find that those 4 really trippy scenes that I pointed out in my original post are still my favorites. During the movie, I kept poking Kevin in the arm to make sure he was alert to them.
1) Kirk Douglas hallucinating, holding grapes over the pool.
2) Kirk Douglas hallucinating while flying an airplane.
3) Beach sequence camera trick, with torn photographs.
4) Kirk Douglas hallucinating, his naked manic self in bed with his past self fully-clothed.
Visually this movie is quite delicious and I found many things to savor. The film is also really quite a head-trip and parts of it can leave you feeling confused. What's amazing is that it really delves into the main character's mania by showing you his hallucinations as he experiences them and also by the use of experimental cinematography. Finding yourself in the midst of the character's mental anguish makes you really sympathize with him.
In the end, I had a ball and Kevin seemed to enjoy the film. I was happy we got to share it together.
Here are a couple pictures of Kevin and I at the HFA. Until next time...


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