And now comes my confession. I am not a Natalie Wood fan. Like Frank with Doris Day, I am apathetic to Natalie Wood. I do now have a greater appreciation for The Face. I was really hoping that this box set could win me over, but in the end, I just enjoyed the movies more so than the actress.
Mini Reviews
Bomber B-52 (1957) - Karl Malden stars as airforce worker Chuck Brennan who has a gripe against Colonel Herlihy (Efrem Zimbalist Jr.) and will do anything to break up Herlihy's romance with his daughter Lois (Natalie Wood), even if it means leaving the job he loves so dearly.
Gypsy (1962) - Story about a stage mother whose passion for show business overshadows the needs and wants of her two daughters and her fiancee. Based on the early life of burlesque dancer Gypsy Rose Lee.
Cash McCall (1960) - A light-hearted corporate drama about greedy Cash McCall (James Garner) who buys companies only to dismantle them and make a profit out of the loss. He goes soft when Lory Austen (Natalie Wood) comes into his life. When the opportunity to by the Austen Plastics company arises, he jumps on the chance to win Lory back after a bad beginning to their romance.
Splendor in the Grass (1961) - A coming-of-age story circa 1920s about Deanie (Natalie Wood) a young high school teen who is dating the captain of the football team and most popular boy in school Bud (Warren Beatty). They both must supress their lustful desires to align themselves with society's mores. Bud goes elsewhere to relieve himself and Deanie goes crazy.
Sex and the Single Girl (1964) - Self-help book fictionalized into a story of sex psychologist Helen Brown (Natalie Wood) who falls for tabloid reporter Bob Weston (Tony Curtis). He is planning an expose on her and to do so pretends he is his friend Frank Brodercik (Henry Fonda) who has significant marital problems with wife Sylvia (Lauren Bacall).
Inside Daisy Clover (1965) - 15-year old Daisy Clover (Natalie Wood) is a foul-mouthed, scrappy tomboy living in poverty. Her talent for singing finds her in the seedy show business of 1935's movie industry. As she gains fame, her life falls apart. She leans on leading man Wade Lewis/Lewis Wade (Robert Redford), who is as equally as disturbed as her.







