2022 TCM Classic Film Festival: Day #2 Recap

 

Lily Tomlin Hand and Footprint Ceremony

Festivities on the second day of the TCM Classic Film Festival kicked off with a hand and footprint ceremony honoring actress Lily Tomlin. Hosted by TCM and held on the courtyard of the TCL Chinese Theatre (formerly Grauman's Chinese Theatre), the event began with introductions by TCM host Ben Mankiewicz and actress Jane Fonda as well as a speech by Lily Tomlin herself. Special guests included producer George Schlatter, actress Rita Moreno and fellow Grace and Frankie star June Diane Raphael. In addition to her hand and footprints, Lily Tomlin added small footprints and signature commemorating her character Edith Ann from Rowan and Martin's Laugh-In.

Check out my YouTube video of the ceremony below (and make sure to subscribe to my channel!). 

Ben Mankiewicz, Lily Tomlin and Jane Fonda

Lily Tomlin, George Schlatter and Jolene Brand

Rita Moreno and Lily Tomlin

Lily Tomlin, June Diane Raphael and Paul Scheer

A Little Song, A Little Dance

Afterwards I headed over to the Chinese Multiplex to attend A Little Song, A Little Dance, a one-hour presentation hosted by Paramount archivist Andrea Kalas. We were treated to a selection of musical numbers from a variety of Paramount feature films and shorts. The highlights for me were seeing a clip of the Will Mastin Trio, including a young Sammy Davis Jr., and a sing-a-long to Dinah performed by my personal fave, The Mills Brothers!

A Conversation with Bruce Dern

I wasn't able to stay for the whole thing but I did enjoy the first half hour of TCM host Ben Mankiewicz conversation with actor Bruce Dern. The event was held at Club TCM, which is the Blossom Ballroom of the Hollywood Roosevelt Hotel. Dern spoke at length about working with Elia Kazan and Alfred Hitchcock, his early career as a track athlete and his training as an actor. The biggest takeaway for me was that Dern equates acting to the ability to be "publicly private" something he learned during his early days in The Actor's Studio.

Soylent Green (1973)

My friend Pam and I at the poolside screening of Soylent Green.

I headed over the Tropicana Bar for a special poolside screening of Soylent Green (1973). April 22nd was Earth Day so it was fitting to screen this dystopian film especially with its powerful environmental message. Guests were treated to Soylent Green cookies (don't worry they didn't contain actual people!). Actress Leigh Taylor-Young, who stars in the film as Shirl, was interviewed by William Joyce about her experience making the film, working with actors Charlton Heston, Edward G. Robinson and Joseph Cotten and the film's ecological message and its bizarre misogyny. 

Cooley High (1975) Reunion

Left to Right: TCM host Prof. Jacqueline Stewart, actors Cynthia Davis, Garrett Morris, Steven Williams, Lawrence Hilton-Jacobs, Glynn Turman and director Michael Schultz

I took the complimentary shuttle to the Hollywood Legion theatre to catch a very special screening of Cooley High (1975), one of the most influential black films of the 20th century. This coming-of-age story is one of my personal favorites and it was such a thrill to see the majority of the cast reunited for this screening.

TCM host Prof. Jacqueline Stewart sat down with director Michael Schultz and the cast to discuss the making of the film and its representation of black youth and its setting Chicago. This reunion was extra special because it was the first time since the making of the film that anyone had seen Cynthia Davis, who plays Brenda in the film. It was a lively conversation and I could tell there was a lot of love and respect between everyone involved. And an added bonus, Garrett Morris and Glynn Turman briefly reenacted one of the pivotal scenes from the film. What a joy! I was the most excited for this event and it did not disappoint.

Lawrence Hilton-Jacobs, Glynn Turman and Michael Schultz

Cynthia Davis, Garrett Morris and Steven Williams

Stay tuned for more TCMFF coverage!

Day #1 Recap
Opening Night Red Carpet Event

2022 TCM Classic Film Festival: Day #1 Recap

The festivities kicked off on Wednesday, the day before the 2022 TCM Classic Film Festival began. First up:

Academy Museum of Motion Pictures

We trekked over to the Academy Museum for a pre-festival visit. I was very excited to visit as I'd heard great things since it officially opened in September of 2021. And unfortunately, it was a disappointment. I was hoping to see a rich array of artifacts from Oscar history on display. Instead the museum offers an immersive experience that is visually interesting but ultimately superficial. It focused more on the experience of the Academy Awards and also spotlighted a handful of filmmakers, both old and new. There was little by way of context and anyone not familiar with the history of the Academy Awards would leave not that much wiser. There were some elements I enjoyed including Pedro Almodovar's curated gallery, the display of Oscar statuettes (including Sidney Poitier's for Lilies of the Field), getting to see Rosebud from Citizen Kane up close and the overall focus on diversity. While the museum allows for photographs in all galleries except for one, the installations are difficult to photograph, especially since so many are active screens, so I didn't end up taking that many. There are several levels that lead to an observatory with fantastic views. And next to the museum is a dedicated theater. On the day we visited, they were preparing for the season premiere of the hit tv show Euphoria.

I have a phobia of oversized murals and installations and museums like this are incredibly triggering. While, I couldn't enter some of the rooms and I did my best to at least peak into the ones that I couldn't access and lingered in the ones that I could spend some time in. If you're sensitive to flashing lights, dark spaces and oversized installations, you may want to skip the museum.

Hollywood Boulevard

Before heading back to the Hollywood Roosevelt, the headquarters of the festival, we took a trip down the boulevard. It's gone through many changes during the pandemic, hardly any of them good. The Egyptian was closed for remodeling after Netflix acquired the property. The Pig & Whistle is no more but from what I understand the new owners plan to maintain the historic elements of the building.

While walking down the boulevard, we took a short detour to pay our respect to the late great Robert Osborne at his star.

Then we made it over to Larry Edmunds Bookshop which is a must for every TCMFF trip. They were hosting a book signing, had movie posters on displays and shelves stocked with all sorts of classic film books. I purchased a copy of Eartha & Kitt: A Daughter's Love Story in Black and White by Kitt Shapiro with Patricia Levy.

TCM Classic Film Festival Media Reception

After the bookshop, I headed over to the media room at the Hollywood Roosevelt hotel to pick up my press badge and swag bag. The clear plastic tote came with a bottle of TCM merlot in a special carrier bag, a small tumbler, a copy of Danger on the Silver Screen: 50 Films Celebrating Cinema's Greatest Stunts and an issue of Movie Maker magazine. Due to COVID protocols, I also had to submit health information in order to get a wristband for entry into any and all TCMFF events. I had to wear this through the four days of the festival.

Members of the media were treated to a reception where we heard the big announcement that actress Pam Grier will be the subject of TCM's next season of The Plot Thickens podcast.

After we mingled with media and the TCM hosts, Pam Grier made a surprise entrance towards the end of the event. The video below offers a couple of clips of her appearance and chat. It's NSFW due to the subject matter discussed so put on those headphones!

Opening Night Red Carpet

On the first official day of the festival, I spent all day preparing for the opening night red carpet. Make sure you check out my previous post where I share photos of all the special guests I got to interview or photograph. Videos coming soon!

Fast Times at Ridgemont High (1982) Poolside Screening

I wasn't able to get to the screening of The Slender Thread in time. So after the red carpet, I headed over to the pool at the Hollywood Roosevelt hotel for the 40th anniversary screening of Fast Times at Ridgemont High (1982). Dave Karger interviewed Topher Grace who is not only a huge fan of the movie but also was inspired by it to make his own film Take Me Home Tonight (2011). Karger and Grace's conversation was interrupted by a pizza delivery! 

Stay tuned for more coverage of the festival!

2022 TCM Classic Film Festival: Opening Night Red Carpet Event

 

The 2022 TCM Classic Film Festival kicked off with the opening night red carpet event at the TCL Chinese Theatre leading up to a special presentation for the 40th anniversary of E.T.: The Extra-Terrestrial (1982). I was on hand to photograph and interview the special guests as they walked the red carpet. I'll have video clips from my interviews available on my YouTube channel and will be sharing them here too. In the meantime, here are some of the special guests who attended the event!

Actor Sean Frye who played Steve on E.T.: The Extra-Terrestrial (1982)

TCM host Prof. Jacqueline Stewart

TCM host Ben Mankiewicz with actor Mario Cantone

Dee Wallace who played Mary on E.T.: The Extra-Terrestrial

Director Steven Spielberg and Dee Wallace 

Sound designer Ben Burtt

Jane Seymour, star of Somewhere in Time (1980)

Lawrence Hilton-Jacobs, who played Cochise in Cooley High (1975)

TCM host Dave Karger

TCM host Alicia Malone

Aileen Quinn from Annie (1982)

Disney animator Floyd Norman

Film historian and TCM author Luis I. Reyes

George Stevens Jr.

Maxwell Caulfield

Pam Grier, star of Coffy (1973)

TikToker Jasmine Chiswell

Stay tuned for more coverage from the 2022 TCM Classic Film Festival!

2022 TCM Classic Film Festival: My Picks

 

The 2022 TCM Classic Film Festival kicks off in Hollywood in just a few days. I'm thrilled to be going back in person; it'll be my first time back since 2018. After a couple of years of virtual festivals it's exciting to be able to see friends and attend special events in real life. 

I'll be on site covering the opening night red carpet of the 40th anniversary of E.T.: The Extra-Terrestrial (1982), the Lily Tomlin Hand and Footprint Ceremony happening at the TCL Chinese Theater (formerly the Grauman's) and various screenings and events granted I'm able to pass health protocols.

Due to some health issues I won't be sharing my selections or my schedule in advance because I have to be super flexible and be able to change plans at the last moment. However, I will try my best to cover as much as I can on this site as well as my social media (Twitter @RaquelStecher and Instagram @QuelleMovies). 

In the meantime, here are what I think are some highlights from the announced 2022 TCM Classic Film Festival schedule: 

THURSDAY APRIL 21ST

E.T.: The Extra-Terrestrial (1982) 40th Anniversary — E.T. was the first movie I ever saw in a theater and is truly one of the best films ever made. I don't have access to the event but I'm thrilled to cover the red carpet beforehand. Special guests for the premiere include director Steven Spielberg, producer Kathleen Kennedy and stars Drew Barrymore, Henry Thomas, Robert Macnaughton and Dee Wallace and headlining the event is TCM's Ben Mankiewicz.

The Slender Thread (1965) — If you can't make the opening night movie, make sure you catch this excellent drama. I saw it for the first time a while back and it quickly became one of my favorites. It doesn't hurt that it stars three of my favorite actors: Sidney Poitier, Anne Bancroft and Telly Savalas. The screening includes a discussion with film critic Sergio Mims and Bancroft's son, actor Max Brooks.

Jewel Robbery (1932) — Pre-Code films are always a highlight of the TCM Classic Film Festival and in highest demand. This funny Pre-Code starring Kay Francis and William Powell will be presented by historian Cari Beauchamp.

FRIDAY APRIL 22ND

A Little Song, A Little Dance (2022) — This special presentation hosted head of archives at Paramount Andrea Kalas, will screen rarely scene musical numbers from Paramount films. The Vitaphone shorts presentation hosted by Ron Hutchinson (RIP) some years back was a highlight of the fest and I'm excited about to see some rare gems.

Giant (1956) Restoration —George Stevens' family epic Giant has gone a 4k HDR and audio restoration by Warner Bros. in partnership with the Film Foundation. To see this at the TCL Chinese IMAX theatre on that gigantic screen will be nothing short of amazing. The event is hosted by Ben Mankiewicz and features special guests Steven Spielberg, George Stevens Jr. and Margaret Bodde.

Soylent Green (1973) — How fitting that on Earth Day TCMFF will be playing the environmental thriller Soylent Green. The film will be screened poolside at the Hollywood Roosevelt Hotel and actress Leigh Taylor-Young will be on hand to talk about her experience making this science fiction classic.

A Conversation with Bruce Dern —These hour long conversations are always a highlight of the fest. They usually hold two or three of them and it's great if you want to hear more from a star than just their 15 minute interview at a film screening. I can't pass up this opportunity to see Bruce Dern in conversation with TCM host Ben Mankiewicz.

Cooley High (1975) — There are several notable reunions happening at TCMFF including E.T., Diner (1982) and A League of Their Own. But the one I'm most excited about is Cooley High, a wonderful coming-of-age story set in late 1960s Chicago. Director Michael Schultz and actors Lawrence Hilton-Jacobs, Garrett Morris, Glynn Turman, Steven Williams and Cynthia Davis will all be on hand for the screening which will be hosted by Jacqueline Stewart.

SATURDAY APRIL 23RD

Annie (1982) — TCM host Alicia Malone will be interviewing Aileen Quinn, the star of the classic movie musical Annie (1982). This special 40th anniversary screening will be held at the TCM Chinese IMAX theater and I'd be surprised if the audience didn't burst out in song. Tomorrow! Tomorrow!

The Flame and the Arrow (1950) — You had me at Gordon Gebert! The former child actor (star of one of my top favorite movies Holiday Affair) will be on hand at the Hollywood Legion Theater to discuss this swashbuckling drama. It will include a discussion with Oscar winning sound design and visual effects duo Ben Burtt and Craig Barron.

Three on a Match (1932) — I'd be shocked if this Pre-Code screening isn't sold out. Three on a Match is one of my favorite Pre-Codes (one of the spiciest of the bunch) and to see it for its 90th anniversary would be a treat. I'm not sure if I can make it to this one but a gal can dream.

Drunken Master II (1994) — TCM host Jacqueline Stewart will be presenting the Jackie Chan action film Drunken Master II. It was released in the US as The Legend of Drunken Master in the US and featured bad dubbing and poorly worded translations. The original, uncut Hong Kong version will be shown at TCMFF.

The French Way (1945) — I love Josephine Baker and haven't seen this film of hers. It was shot in occupied France during WWII and the war serves as an important backdrop to this comedy film. TCMFF will be showing Jeff Joseph's restoration of the film for SabuCat Productions.

SUNDAY APRIL 24TH

7th Heaven (1927) — There aren't many silent film screenings at TCMFF but they do make sure to spotlight a great film from the era and present it with live musical accompaniment. This Frank Borzage film starring Charles Farrell and Janet Gaynor will have an introduction by Eddie Muller and music by the Mont Alto Motion Picture Orchestra.

Live Read: I Married a Monster From Outerspace (1958) — TCMFF has hosted a handful of live reads and unfortunately I've never attended any. But I'd really love to see because they sound like a ton of fun. Performing the dialogue for this science fiction B-movie are comedians Charlene Deguzman, Dana Gould, David Koechner, Laraine Newman, Jonah Ray, Janet Varney and Baron Vaughn and music and sound effects performed by Eban Schletter.

Waterloo Bridge (1940) — One of my favorite authors, Sloan De Forest, will be presenting this film so this is an absolute can't-miss. I've only ever seen the 1931 version of Waterloo Bridge so this will be a first time viewing for me.

A Conversation with Piper Laurie — As I mentioned before, these one-hour long chats at Club TCM are a real highlight. I'm thrilled that Piper Laurie will be at the festival. She'll be at screenings of The Hustler (1961) and Has Anybody Seen My Gal (1952) and I hope I can catch this conversation she'll be having with TCM host Dave Karger.

Coffy (1973) — What a way to close out the festival! The last screening of TCMFF will be the blaxploitation classic Coffy and star Pam Grier will be on hand to talk about the film. Epic!

CLASSIC FILM BOOKS!

This year's festival has more book signing events than ever before! This is a great line-up and book sales are handled by Larry Edmunds Bookshop (a great way to support an amazing indie bookshop!). Larry Edmunds will also be hosting some Sunday morning book events so make sure you visit their site for details.

Doris Day Animal Foundation's Jim Pierson and Lea Price— Doris Day: Images of a Hollywood Icon: Photographs from Her Private Collection

Barbara Hall & Rocky Lang — Letters from Hollywood: Inside the Private World of Classic American Moviemaking

John Malahy — Summer Movies: 30 Sun-Drenched Classics

Alicia Malone — Girls on Film: Lessons from a Life of Watching Women in Movies

Leonard Maltin — Starstruck: My Unlikely Road to Hollywood

Scott McGee — Danger on the Silver Screen: 50 Films Celebrating Cinema's Greatest Stunts
Eddie Muller — Dark City: The Lost World of Film Noir

George Stevens Jr. — My Place in the Sun: Life in the Golden Age of Hollywood and Washington

Carla Valderrama — This Was Hollywood: Forgotten Stars & Stories

Fiddler's Journey to the Big Screen (2022)

Director Daniel Raim continues his quest to champion the art of filmmaking with his latest documentary Fiddler's Journey to the Big Screen (2022). Narrated by Jeff Goldblum, this documentary takes a deep dive into the making of Fiddler on the Roof (1971), director Norman Jewison's personal and professional journey and all of the key players who came to together to make one of the greatest musical films of all time.

Fiddler on the Roof was the brainchild of composer Jerry Bock, lyricist Sheldon Harnick and writer Joseph Stein. The inspiration came from a selection of short stories by Yiddish writer Sholem Aleichem called Teyve and his Daughters as well as artist Marc Chagall's 1912 painting The Fiddler. The play opened on Broadway in 1964 and there was some concern that the story would only appeal to a small Jewish audience. However, Fiddler's tale of a Jewish dairy farmer who attempts to marry off his five daughters in pre-revolutionary Russia, is a story of family, tradition and the inevitability of change. This gave the story a universal appeal and along with the excellent story and top-notch musical numbers, Fiddler was an international success. And naturally it was destined to become a film. 

Fiddler's Journey to the Big Screen explores the history behind the Broadway show, how Norman Jewison came to be involved, the casting, musical direction, art direction, location scouting, choreography, cinematography and many other elements that came to make the film as well as Fiddler's legacy. There is so much here to take in but it never feels overwhelming. 

The documentary includes interviews with director Norman Jewison, lyricist Sheldon Harnick, musical director John Williams, actresses Rosalind Harris (Tzeitel), Michele Marsh (Hodel) and Neva Small (Chava) and film critic Kenneth Turan. There are also archival interviews of Jewison back in 2000 as well as actor Topol and art director Robert F. Boyle. The interviews add so much to this documentary. There is nothing quite like first hand accounts of an important moment in film history. And much like Daniel Raim's other documentaries, there are illustrations from artist Patrick Mate as well as plenty of archival footage and behind-the-scenes photographs. The documentary is also is chock full of interesting facts even beyond just the making of Fiddler on the Roof. Watching it felt like I was getting two documentaries for the price of one: the making of a film and the biography of its director. 

Courtesy of Zeitgeist Films and Kino Lorber

Courtesy of Zeitgeist Films and Kino Lorber

"My documentaries preserve film history and depict the art, craft, and soul of the movies through intimate portraits of cinema artists." — Daniel Raim

I was already a fan of Daniel Raim's other work, especially Harold and Lillian: A Hollywood Love Story which continues to be my favorite documentary. I also really loved Image Makers: The Adventures of America’s Pioneer Cinematographers and In Search of Ozu (available on the Criterion Channel). He scores another win with Fiddler's Journey to the Big Screen.

An engrossing documentary from start to finish, Fiddler's Journey to the Big Screen is a must watch for fans of the musical and for anyone interested in the art of filmmaking.

Fiddler's Journey to the Big Screen is distributed by Zeitgeist Films in association with Kino Lorber (I'm hoping a blu-ray/dvd release is in the near future!). It opens at the Angelika Film Center in NYC on April 29th and the Laemmle Royal and Town Center in LA on May 6th which many more screenings to follow. Visit the official page for more details.

SXSW: The Last Movie Stars

Credit: Philippe Le Tellier/Paris Match via Getty Images

Paul Newman and Joanne Woodward are the subjects of a new documentary streaming later this year on HBO Max. Told in six chapters, The Last Movie Stars chronicles Newman and Woodward's acting careers, including the sixteen films they made together, and their enduring love story. I had the privilege of attending the world premiere of the first chapter at this year's SXSW Film Festival and am thrilled to share a bit about this documentary with you.

The Last Movie Stars is the brainchild of producer Emily Wachtel who was close friends with the Newman-Woodward family and was able to get access to recordings, photos and home videos used in the film. Ethan Hawke directed the film and gave the project an "actors on actors" perspective.

The project began just as the pandemic put us all in isolation. The film embraces the constraints of the pandemic and is primarily composed of archival footage, movie clips, narration and Zoom interviews. This works quite well in the first chapter and I'm curious to see if continues to work or if it will bog down the rest of the film.

To offer some background, some years ago Paul Newman started working on a memoir. He invited friends and family to tell their stories about their relationships with him including his wife Joanne Woodward, his ex-wife Jackie Witte, his friends and fellow collaborators Gore Vidal, Karl Malden, Sidney Lumet, Elia Kazan and more. He also recorded himself discussing different aspects of his life and career. It's uncertain why but Newman eventually destroyed all of these recordings. Lucky for us, they were all transcribed and those transcriptions survived. 

In The Last Movie Stars, Ethan Hawke invites his actor friends to read the transcriptions in the voices of the various subjects. George Clooney plays Paul Newman, Laura Linney plays Joanne Woodward, Zoe Kazan plays Jackie Witte, Vincent D'Onofrio plays Gore Vidal, etc. Other actors include Mark Ruffalo, Billy Crudup, Sam Rockwell, Oscar Isaac and Steve Zahn. Along with their narrations, there are Zoom interviews with all of the actors. They share their mutual admiration for Newman and Woodward with Hawke who guides the story. There are also of other interviews with figures like Sally Field and Martin Scorsese who don't narrate but offer their perspectives and stories. It's a very meta approach. The audience follows along with the creation of the documentary as they learn more about these two fascinating subjects from film history.

The documentary's core purpose which is to tell the story of Paul Newman and Joanne Woodward. Chapter one focuses on how they became actors, their affair which lead to the break-up of Newman's first marriage and the beginning of their lifelong adventure together. One takeaway from the first chapter is that Woodward very much came into her own at the beginning of her career while it took Newman to really discover himself as an actor. Newman eventually overshadowed Woodward as his fame skyrocketed. However, the two had a mutual respect for each other and Woodward was able to find a deeper meaning to her life and career. With The Last Movie Stars, producer Emily Wachtel and director Ethan Hawke are reintroducing Newman and Woodward to a new generation with the hope that telling their story will help reinforce their legacy as the great actors they were. 

Watching The Last Movie Stars reinvigorated me. My purpose has always been to keep film history alive and share the joys of classic movies with others. This documentary does just that. Having seen the first chapter, I am anxious to see the next five. At the world premiere, Hawke shared that the first three chapters are completed but the last three are still in the editing process. He estimated that they'll be done by June. A streaming date has yet to be announced.

Paramount Theatre in Austin, Texas

Ethan Hawke introducing The Last Movie Stars at SXSW

Q&A after the world premiere. Left to Right: Richard Linklater, Emily Wachtel, Ethan Hawke

I hope to do a full review once all six chapters of the documentary are available.

Note to add: While Joanne Woodward is still with us, she suffers from alzheimer's disease and was not able to be interviewed for this project. 

SXSW: Still Working 9 to 5

Directed by Camille Hardman and Gary Lane, Still Working 9 to 5 (2022) chronicles the making of 9 to 5 (1980), its impact on our culture and its legacy while also examining the continued struggle women face in the workplace.

In the late 1970s, a movement was gaining steam. With every passing year women were becoming a bigger and bigger part of the workforce. However, they were paid less than their male counterparts, had to endure sexual harassment and were shut out of potentially lucrative positions. 9to5, the National Association of Working Women, became an integral part of the women's movement, advocating for equality in the workplace. And it was out of this rallying cry for change that the dark comedy 9 to 5 (1980) was born.

9 to 5 stars Dolly Parton, Jane Fonda and Lily Tomlin as a trio of office workers who seek revenge on their manipulative boss, played by Dabney Coleman. 

The film was the brainchild of Jane Fonda and producer Bruce Gilbert. Originally it was meant to be more of a drama. It was a decided that a comedy would be more palatable to audiences and would be a more effective way of delivering the movie's social message. Many of the dramatic elements remain and this comedy has plenty of dark and disturbing moments along with the humor. The story was written by Patricia Resick and Colin Higgins was hired as both director and co-screenwriter. 20th Century Fox picked up the project for production and distribution. The intention was to have five female leads but that was pared down to just the three. The roles of Judy, Violet and Doralee were written with Jane Fonda, Lily Tomlin and Dolly Parton in mind. Fonda was known for her activism, Tomlin had a hit Broadway show and Parton was a rising country music star. The three were at the top of their game and ready to launch this film into the stratosphere.

9 to 5 (1980) was an amazing success thanks to the film's message, the three dynamic leads, Coleman's excellent villain role and Dolly Parton's theme song 9 to 5 which she wrote and performed for the film.

Still Working 9 to 5 (2022) features interviews with star trio Fonda, Tomlin and Parton as well as Dabney Coleman, writer Patricia Resick and producer Bruce Gilbert. Having access to so many key players adds a wealth of insight that makes this documentary so valuable. Other interviewees include Rita Moreno, who starred in the TV spinoff, Allison Janney, who starred in the Broadway production, and activists, particularly those involved with the 9to5 organization. 

9 to 5 was both a product of its era but also timeless and the documentary expertly weaves behind-the-scenes information with context to demonstrate this. Along with the interviews are archival footage of the movement, TV clips from the film's media tour, clips from 9 to 5 and a new rendition of the theme song performed by Dolly Parton and Kelly Clarkson. Just like the original film, the documentary has a clear social message: while we've made strides towards equality, we still have a long way to go.

Still Working 9 to 5 (2022) had its world premiere at the 2022 SXSW Film Festival. Release dates and streaming details are yet to be determined.

Visit the official website to find out more about the film!