This dark comedy begins with Miss Winter seeking out The Assassination Bureau to commission a hit on Ivan Dragomiroff himself! Miss Winter believes that his demise will put an end to the increasing number of senseless murders being committed, and her first assignment as a newly minted journalist will be to trail Dragomiroff and cover his ultimate end for the paper. Driven partially by amusement at the offer and a desire to reset the moral compass of his increasingly mercenary institution, Dragomiroff accepts Miss Winter's request, with one caveat. If he is able to kill the other members of the board - corrupt men willing to trade an indefinite number of human lives in exchange for more power or wealth - then The Assassination Bureau can remain intact with him as chair, and restore its original mission to only eliminate those who are really and truly deserving of death.
Bedecked in a series of outlandish disguises, the members of the board all begin drawing up dastardly and inventive ways to kill each other off. A match sparked in a gas-filled room, bombs in briefcases, bombs in headboards, the aforementioned bomb in the sausage, and a particularly surprising death by helium! As Dragomiroff traipses across Europe leaving fiery, smoking buildings in his wake, Miss Winter follows along to cover the story and - predictably, but nonetheless adorably - becomes increasingly worried about the safety of the man that she just paid twenty thousand pounds to kill!
Diana Rigg and Oliver Reed have great chemistry here - in one scene when they are still in the verbal sparring stage of the "mismatched romantic duo" trope a hotel porter mistakes them for a married couple, and you could easily see how he could make that mistake. Dragomiroff remarks "it seems we have a married look ... because you're after my blood, no doubt." Of course, she's not the only one after his blood! Dragomiroff's second in command, Lord Bostwick (Telly Savalas) is so determined to see Miss Winter's hit carried out that he offers an additional ten thousand pound bonus to the person who does the deed. Savalas plays Lord Bostwick as a congenial villain, a man who delights in the game of death as much as the power he stands to gain from it. He is the perfect foil for Reed, who manages to portray an idealistic and upstanding hero with his characteristic devil-may-care flippancy.
The Assassination Bureau is as visually bright as the humor is dark - so many rich velvets, and so much attention to detail! In particular I was fascinated by a series of paintings lining the walls of the Bureau's conference room (a round room hidden behind beautiful curved bookcases) that depict famous assassinations throughout history, and a duo of beds in a brothel that are built to look like a swan and a peacock. Combining colorful, jaunty imagery with inset vintage newsreel footage, The Assassination Bureau puts a groovy 1960s twist on a fun turn of the century story.
The Assassination Bureau is available to purchase through the official
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