Wednesday, February 1, 2017

It's a Dog's Life (1955)

Wildfire in It's a Dog's Life (1955)

"It was strictly dog eat dog on the waterfront." - Wildfire

Before there was A Dog's Purpose (2017) there was It's a Dog's Life (1955). This film tells the story of Wildfire, a bull terrier making it on the mean streets of New York City at the turn of the 20th Century. He's been taking care of his mom until she suddenly disappears. On a mission to find his mom and the dad who abandoned him as a pup, Wildfire goes exploring. He gets caught up in a dog fighting ring at a local saloon when Patch McGill (Jeff Richards) takes him under his wing. Wildfire is a champion fighter until he meets his match and his winning streak ends. Patch and his lady cohort and source of money Mabel (Jarma Lewis) quickly abandon him. Wildfire starts a new life at the Wyndham Estate when he's rescued by the tender-hearted grounds keeper Nolan (Edward Gwenn). Mr. Wyndham (Dean Jagger) doesn't want Wildfire around but his daughter Dorothy (Sally Fraser) sees showmanship potential in the purebred bull terrier. Thus Wildfire continues onto a new journey as he competes in dog shows, falls in love and wins over the hearts of pretty much everyone he meets.

Wildfire and Dean Jagger in It's a Dog's Life (1955)
Vic Morrow has an uncredited role as the voice of Wildfire whose thoughts narrate the story. Wildfire was actually two identical looking pure white bull terriers, one used for close-ups and the other used for stunts. For those of you squeamish about seeing animal abuse in the form of dog fighting fear not. We don't see any dog fighting. It's obscured by crowd surrounding the dogs with audio effects of dogs growling to suggest the fighting is happening. Also there is a scene when Patch holds up Wildfire by the tail. It's obscured enough that it's obvious that Wildfire isn't really dangling there. Dog lovers will have fun seeing the wide variety of breeds showcased in the film especially at the two dog shows at the end of the film.

Wildfire in It's a Dog's Life (1955)
Wildfire
"I can hardly wait to be reincarnated." - Wildfire

The film includes a young Richard Anderson in the role of George Oakley, a judge at the dog show who has a thing for Dorothy Wyndham. Willard Sage plays Tuttle, the villain of the story who wants to take old man Nolan's job and tries to get rid of Wildfire. Villains in animal films always get to me but Tuttle's role was particularly benign yet helps move the plot along.

Wildfire and Sally Fraser in It's a Dog's Life (1955)
Wildfire and Sally Fraser as Dorothy Wyndham

Wildfire and Edmund Gwenn in It's a Dog's Life (1955)
Wildfire and Edmund Gwenn as Nolan

An MGM film shot in Eastman Color and CinemaScope, It's a Dog's Life was directed by Herman Hoffman and produced by Henry Berman.  It was based on the novel The Bar Sinister by Richard Harding Davis published in 1903 and adapted for the screen by John Michael Hayes. The most notable aspect of the movie for many is the musical score by legendary film composer Elmer Bernstein.

I wasn't expecting much from this film. It's been sitting in my collection for a while and I always put off watching it. Then I thought with the release of A Dog's Purpose, a film also narrated by a dog's thoughts, that it was time to pick this one up. I was pleasantly surprised. This is a fine little film. It's very unusual for a dog movie to have no children in the story. This has not a single one. All of the humans in Wildfire's life are all adults. Usually children and dogs make for magical onscreen pairings because of that special relationship they have. Their innocence and free spirited nature is often lost to adults. This isn't a traditional family film and there is some content parents might not want their very young kids to watch: in particular the dog fighting scenes (suggested and not shown), the gambling and the sexually suggestive scenes between Patch and Mabel and the saloon's entertainer.

It's a Dog's Life (1955) is a fun movie that deserves to be pulled out of obscurity and appreciated. Wildfire doesn't reincarnate into other dogs like in A Dog's Purpose but goes through different stages in his life as he meets new humans on his journey to find his parents. So even if you're giving that new movie the side eye, like I am, or you enjoyed it and want to try something in a similar vein, make sure you pick up this movie and give it a try.

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It's a Dog's Life (1955) is available from the Warner Archive Collection on DVD-MOD.


Warner Archive Wednesday - On (random) Wednesdays, I review one title from the Warner Archive Collection. Thank you Warner Archive for a copy of It's a Dog's Life (1955)!

Friday, January 27, 2017

New & Upcoming Classic Film Books (8)

There's nothing like cozying up to a fire with a hot drink and a good book. Stock up for winter with some reading material. Need some suggestions? I’ve got you covered with a brand new list of upcoming classic film books. Publication dates range from January to April 2017.

Are you new to my list? Here are the details. Links lead to Goodreads. Books include biographies, memoirs, scholary texts, coffee table books and more from a variety of publishers. All publication dates are subject to change. Clicking through the buy links for shopping helps support this site. Thank you!



by Gianni Bozzachi and Joey Tayler
The University Press of Kentucky
328 pages – December 2016



by Lawrence Napper
Wallflower Press
144 pages – January 2017




by Tim Newark
Osprey Publishing
208 pages – January 2017



by Lucy Holliday
Harper
416 page – January 2017




by Fabio Stassi
Portobello Books
240 pages – February 2017




by Stephen X. Sylvester, Mary Mallory and Donovan Brandt
Globe Pequot Press
272 pages – February 2017



by Sabina Stent
The Critical Press
150 pages - February 2017



by Noah Isenberg
W.W. Norton
336 pages – February 2017



by Marc Eliot
Dey Street Books
576 pages – March 2017



by Lucy Fischer
Columbia University Press
288 pages – March 2017



edited by Alain Silver & James Ursini
Applause Theatre & Cinema Books
352 pages – March 2017



by Gabrielle Oldham, Mabel Langdon and Harry Langdon Jr.
University Press of Kentucky
366 pages – March 2017



by Delia Caproso Konzett
Rutgers University Press
264 pages – March 2017



by Sid Luft with Randy L. Schmidt
Chicago Review Press
480 pages – March 2017



by Michael Westmore and Jake Page
Lyons Press
320 pages – March 2017



by Elizabeth Winder
Flatiron Books
304 pages – March 2017



by Andrew Hansford, Karen Homer
Carlton Books
192 pages – April 2017



by Jon Lewis
University of California Press
248 pages – April 2017



by Cynthia Brideson & Sara Brideson
University Press of Kentucky
560 pages – April 2017



by Jose-Luis Bocquet and illustrated by Catel Muller
Self Made Hero
496 pages – April 2017



by Dave Thomspon
Applause Theatre & Cinema Books
400 pages – April 2017



by Angela Cartwright and Tom McLaren
with a foreword by Maureen O’Hara
Insight Editions
304 pages – April 2017

Wednesday, January 25, 2017

The Strawberry Blonde (1941)


The Strawberry Blonde (1941)

Biff Grimes would waltz with a strawberry blonde
And the band played on.
He'd glide 'cross the floor with the girl he adored
And the band played on.
But his brain was so loaded it nearly exploded;
The poor girl would shake with alarm.
He'd ne'er leave the girl with the strawberry curls
And the band played on.

Let's take a trip to New York City during the Gay Nineties with Raoul Walsh's film for Warner Bros. The Strawberry Blonde (1941). Adapted by screenwriting brothers Julius J. and Philip G. Epstein from a James Hagan play, the movie follows the story of two couples whose romances are complicated by one beautiful strawberry blonde.

Biff Grimes (James Cagney) is a struggling dentist, and not necessarily a very good one, trying to make ends meet for him and his wife Amy (Olivia de Havilland). He gets word that his old friend turned arch nemesis Hugo Barnstead (Jack Carson) is coming to him for some dental work. We flashback to when Biff and Hugo started fighting over the neighborhood cutie Virginia (Rita Hayworth). Thrown into the mix is Amy, a nurse with a progressive mindset. She clashes with Biff whose views are more traditional. We follow the duo as they naturally pair off and when things go sour for all involved. The story wraps up with one final encounter that leaves audiences satisfied.

Rita Hayworth, Olivia de Havilland, James Cagney and Jack Carson


The Strawberry Blonde has a fantastic cast. Among the four heavyweights that star in the film are some beloved character actors and familiar faces. Alan Hale plays Old Man Grimes, Biff's dad. He's a lovable rogue who can't hold down a job, loves a good bar fight and is a total flirt with the ladies. One object of his affection is Una O'Connor who plays a snooty neighborhood woman. Then there is George Tobias who plays Nicholas, a local barbershop owner and Biff's sidekick. He's also got an eye for the strawberry blonde but winds up with a giggle monster instead. George Reeves plays the punchy college man who picks a fight with Biff. Supposedly my favorite actress Susan Peters is in the film. After close examination I couldn't spot her. I suspect she's part of George Reeves' garden party harem but I can't confirm that.

"Freethinkers have a lot of time on their hands." - Amy

Of all the characters Olivia de Havilland's Amy was my favorite. She's a forward thinking suffragist who scoffs at societal gender norms. She eventually settles into a traditional life with Biff. This was another thankless role Warner Bros. threw at de Havilland in her post-Gone with the Wind days. She eventually broke free from the studio's contract after quite a battle. While this role isn't really worthy of her talent I think it's a fun role and in my opinion she outshines Hayworth's prim and proper strawberry blonde. I wasn't crazy about Hayworth at all in this film. Her character is beautiful but in the end rather pathetic. Her role is an example of how Hollywood sometimes tried to downplay her ethnicity.

This film has all the romance of the era. It's a nostalgia piece that pays tribute to the finer things of the Belle Epoque. There are barber shops, complete with barber shop quartets, ferry rides, beer gardens, saloons, gas lamps and horse-drawn carriages. The women wear Edwardian fashions and the men don boater hats, shirt garters, starched collars and big twirly mustaches. Orry-Kelly designed the costumes and they are of of course of top notch quality. Studios during the golden age of Hollywood would often take liberties with hair styles and clothing in period pieces but that's not the case here. Attention to detail lends to the historical accuracy of the style. It's a shame that the film is in black-and-white. Technicolor would have served it better.

This isn't a musical but music plays an important role here. Turn-of-the-century standards become the film's theme songs. Most notably The Band Played On plays a crucial part in the film. It gives the story its purpose, kicks off the initial drama and is both a boon and a curse for the main character Biff. The ending credits serve as a sing-a-long with lyrics and music encouraging the audience to sing The Band Played On. I've never seen this before and I thought it was quite fun.

The Strawberry Blonde (1941) benefits from a great cast, fun music, beautiful costumes, funny scenes, playful dialogue and an overall sweet story with a good dose of drama. There are some dull spots but overall it's a fun film. It tries to kick off with a bang but doesn't really get into a rhythm until the two female leads make their appearances. Regardless you should give this one a try. It's a fun movie for nostalgia buffs.


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The Strawberry Blonde (1941) is available from the Warner Archive Collection on DVD-MOD.




Warner Archive Wednesday - On (random) Wednesdays, I review one title from the Warner Archive Collection. Thank you Warner Archive for sending me The Strawberry Blonde (1941) to review!

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