Wednesday, July 18, 2018

Comet Over Broadway (1938)

Comet Over Broadway (1938)

Eve Appleton (Kay Francis) has big dreams. She’s a working woman, tending the newspaper stand by day and performing in community theater by night, all while taking care of her husband Bill (John Litel) and daughter Jackie (Sybil Jason/Victoria Elizabeth Scott). But she wants more than just a  home life. She wants to be an actress on Broadway. When big shot actor Wilton Banks (Ian Keith) rolls into town, she sees an opportunity for advancement but he sees an opportunity to get her into bed. Unaware of his attentions, she’s rescued by her husband Bill who accidentally kills Wilton. Their lawyer friend Grant (Donald Crisp) defends Bill in court. Despite their efforts, Bill is sentenced to life in prison. Eve makes a promise to Bill that she will raise the funds for his appeal. She sets off with her daughter and gets jobs in burlesque and vaudeville. On the road, she meets fellow actress “Tim” (Minna Gombell) along the way. Tim offers to raise Eve’s daughter Jackie so Eve can focus on her career. When Eve meets and falls in love with playwright Bert Ballin (Ian Hunter) she loses an opportunity to appear on Broadway and instead travels to London’s West End for the career she’s always wanted. Will this new life and new love make her forget what she’s left behind? Or will she stay true to her promise and get Bill get out of prison?

Ian Keith and Kay Francis in Comet Over Broadway (1938)
Ian Keith and Kay Francis

Donald Crisp and Kay Francis Comet Over Broadway (1938)
Donald Crisp and Kay Francis

John Litel and Kay Francis

Minna Gombel and Kay Francis Comet Over Broadway (1938)
Minna Gombell and Kay Francis

Kay Francis and Ian Hunter Comet Over Broadway (1938)
Kay Francis and Ian Hunter

Kay Francis and Sybil Jason Comet Over Broadway (1938)
Kay Francis and Sybil Jason

Comet Over Broadway (1938) was based on Faith Baldwin’s story for Cosmopolitan magazine. Baldwin was a prolific writer who published more than 80 novels, books of poetry and short story collections over her lifetime. Many of her short stories appeared in ladies magazines and several were adapted to film. Much like the character Eve, Baldwin wanted to be an actress. However she found herself more suited to being an author. In an interview Baldwin said, “people have to have some escape hatch, some way to get out of themselves, especially during the Depression.” Warner Bros. acquired the rights to Baldwin’s story for their production arm First National Pictures. Originally titled Curtain Call it was then changed to Comet Over Broadway. Neither title really suited the picture. The story was adapted for screen by writers Mark Hellinger and Robert Buckner. The script languished and was reworked by uncredited contributors Frank Cavett, Fritz Falkenstein and Brewster Morse. After many edits, it's unclear how much of Baldwin’s original story appears in the final product. She received a credit nonetheless.

The film was set to star Bette Davis who at the time was taking over Kay Francis’ title as queen of Warner Bros. Davis read the script and referred to it as "weak tea". There was already a lot of tension between Davis and WB and Davis was horrified that this was the first part assigned to her after her stand out role in Jezebel (1938). She refused to be in Comet Over Broadway and WB suspended her with no pay. Eventually the dust settled, Davis’ suspension lifted and she went on to make Sisters (1938) instead. Miriam Hopkins was set to replace Bette Davis but dropped out to make another movie. That’s when Kay Francis stepped in. Also its said that Ronald Reagan was supposed to play Bert Ballin, Ian Hunter’s part, but dropped out. According to Kay Francis biographers Lynn Kear and John Rossman, Francis struggled with a serious skin issue and weight gain. She received medical treatment and went on a severe grapefruit diet in order to continue filming.

The film was intended to be a major A level production for Warner Bros. According to the AFI, “when directors William Keighley and Edmund Goulding turned it down, the project was shelved. Then Bryan Foy took over the production in the B unit.” WB eventually assigned Busby Berkeley as director. Berkeley was best known for choreographing and directing music and dance sequences but he also directed a handful of films for the studio. Berkeley had to temporarily step down from production and director John Farrow came on to replace him. Most online sources say it was because Berkeley was ill. However, Berkeley biographer Jeffrey Spivak claims it was because he had to appear in court. In divorce proceedings Irving Wheeler accused Berkeley of stealing away his wife actress Carole Landis. The two had an affair while Landis and Wheeler were married but Landis claimed that she had been separated from Wheeler long before that relationship began. Berkeley and Landis were engaged after her divorce was finalized but never went through with the marriage.

Comet Over Broadway surprised me in many ways. It’s a drama with comedic moments. Minna Gombell who plays Francis’ wisecracking and kind-hearted sidekick, who is always “approaching 40”, is the film’s much needed comic relief. I really thought that, because of the era, Francis’ Eve was going to be punished for wanting to pursue a career rather than being content as a housewife. But throughout the movie it’s never suggested that she shouldn’t be working or that her profession was responsible for the tragedies in her life.


In the prison scene when Francis and Litel’s characters are reunited years later, Litel’s Bill reveals that he has a heart condition. I honestly thought his character would be killed off so that Francis’ Eve could get together with Hunter’s Bert. I even yelled at the screen “they’re going to kill off John Litel!” Thankfully this didn’t happen.


While it might be jarring for contemporary audiences to imagine a mother handing off her child to another woman to raise, it wasn’t all that uncommon at the time. (My own grandmother did this twice!) I was particularly fascinated with the Donald Crisp story line in which he tries to defend John Litel’s character but can only do so much. A high priced legal team is required to free Litel. Money in exchange for Litel’s freedom is the driving force behind the plot. Is this subtle commentary on the criminal justice system?

Comet Over Broadway is an enjoyable backstage drama peppered with moments of humor. I particularly enjoyed watching Minna Gombell and Sybil Jason in their scenes together. Ian Hunter, although second billed, is barely in the film and his character served more as a plot device than a meaningful character. I don't particularly care for Kay Francis but thought she was well suited for the part. The film does suffer from a weak script but all the surprises and Gombell's performance kept me interested.

Fun facts: Barry Nelson and Susan Hayward have bit roles. I spotted Hayward right away in a short community theater scene where she delivers a line or two to Francis. Also my good friend Jessica Pickens named her blog Comet Over Hollywood after this film. If you don’t follow her already make sure you visit her blog.

Comet Over Broadway (1938) DVD

Comet Over Broadway (1938) is available on DVD-MOD from the Warner Archive Collection.When you use my buy links you help support this site. Thanks!

The Warner Archive trio George, D.W. and Matt discuss the film (about 15 minutes in) on the "You Can" episode of their podcast.

Warner Archive Wednesday - On (random) Wednesdays, I review one title from the Warner Archive Collection. Thank you to Warner Archive for sending me Comet Over Broadway (1938) to review!

Monday, July 16, 2018

Summer Reading Challenge - First Round-Up

Photo via Kate Gabrielle

The enthusiasm level for this year's summer reading challenge is off the charts. Thanks to everyone who jumped in, signed up and got reading. There are lots of great reviews up and people have been sharing their TBR stacks too.

If you're participating in the challenge, make sure you use the form to submit your reviews. You must submit if you want to be eligible for the prize!

Now for the reviews:

Andy W. of Journeys in Darkness and Light
Alfred Hitchcock's Rear Window edited by John Belton
The Magnificent Ambersons by Booth Tarkington
Noir by Christopher Moore
Peter Cushing: An Autobiography

Danny R. of
Summer Reading List

Photo via

David on David C. Tucker Blog
Claire Trevor: The Life and Films of the Queen of Noir by Derek Sculthorpe
Hooked on Hollywood: Discoveries from a Lifetime of Film Fandom by Leonard Maltin

Emily on Instagram
Joan Crawford: A Talent for Living by Jennifer Bitman
Miller's High Life by Ann Miller

Jeremy of Pillow Shots
Ernst Lubitsch: Laughter in Paradise by Scott Eyman

Lee of
Video reviews
How Green Was My Valley by Richard Llewellyn
James Dean: A Biography by John Howlett (see above)
Summer Reading List

Kate G. of Silents and Talkies
Summer Reading List

Raquel S. of Out of the Past
Anne Bancroft: A Life by Douglass K. Daniel
Summer Reading List

Sarah A. on Goodreads
Ginger: My Story by Ginger Rogers
Lana: The Lady, the Legend, the Truth by Lana Turner
Love, Lucy by Lucille Ball

Photo via Robby

Robby C. on Instagram
Alfred Hitchcock: A Life in Darkness and Light by Patrick McGilligan

Vanessa B. from Super Veebs
Summer Reading List

Victor K. from Popcorn and Flickers
Summer reading list

Saturday, July 14, 2018

Under Capricorn (1949)

When everyone is a convict, who can you trust?

The year is 1831. Convict ships transport prisoners from the British Empire to the penal colony of Australia. They also bring with them gentleman looking to make their fortune in a new land. When Charles Adare (Michael Wilding) arrives in Sydney seeking a business opportunity to make him rich, he meets wealthy landowner and ex-convict Sam Flusky (Joseph Cotten). As the to partner on a business deal, Adare discovers that Flusky's wife, Lady Henrietta (Ingrid Bergman), is his old schoolmate from Ireland. She's in a terrible state and he takes pity on her. The Flusky household is run completely by ex-convicts and the overbearing housekeeper Milly (Margaret Leighton), who has designs on replacing the lady of the house, is slipping alcohol into Henrietta making her dependent on alcohol. When Adare discovers this he tries to save Henrietta and Sam from their sad state of affairs, he gets more than he bargained for. Will the Flusky's dark secret destroy them or will Adare be able to save the day?

"Tomorrow will look after itself."

Under Capricorn (1949) is an unusual entry into Alfred Hitchcock's filmography. The master of suspense opted to work on a costume drama instead of the thrillers he was known for. The story was based on a novel by Helen Simpson which was also a play by John Colton and Margaret Linden. It was adapted for the screen by actor Hume Cronyn (who also adapted Rope) and screenwriter James Bridie. Why did Hitchcock pick this work to direct?  When asked about this in his conversation with Francois Truffaut, Hitchcock replied,

 "I had no special admiration for the novel, and I don't think I would have made the picture if it hadn't been for Ingrid Bergman. At the time she was the biggest star in America."

In 1947, Hitchcock and his business partner Sidney Bernstein started Transatlantic Pictures. Their first film Rope (1948) was an experiment in filmmaking. It was Hitchcock's first shot in color and it has become legendary for its long ten minute takes and very little editing. With Under Capricorn, Hitchcock continued the experiment with color and more long shots but it didn't work out as well in this second venture. In conversation with Truffaut about the film, Hitchcock said,

"No doubt about it; films must be cut. As an experiment, Rope may be forgiven, but it was definitely a mistake when I insisted on applying the same techniques to Under Capricorn."

Because of the caliber Bergman brought to the production, Hitchcock felt the need to make Under Capricorn a big production and spent roughly $2.5 million, a lot for the late 1940s, on the movie. Unfortunately, like Rope, Under Capricorn was a box office failure. Both films suffered from scandal. Rope was banned in several markets because of the implied homosexuality and Under Capricorn's star Bergman had an extramarital affair with director Robert Rossellini that effectively put her Hollywood career on hold. After the release of Under Capricorn, the Bankers Trust Company, which had financed the film, repossessed it. The film was not shown again to the public until CBS acquired the rights in 1967. They've owned it ever since.

Under Capricorn is a lesser known Hitchcock film and there is a good reason why. There is no suspense, no thrill, just a lot of melodrama and dialogue. It's easy to make connections to previous Hitchcock films like Rebecca (housekeeper vs. wife), Notorious (poisoning) and Rope (dark secret, experimental filmmaking). But this is not as good as those films. It is worth watching to see how this fits in Hitchcock's filmography and for Bergman's performance. She has a long dramatic retelling of a murder which could have been shown as a flashback but Hitchcock opted instead to give Bergman a monologue so she could shine. After Under Capricorn, Hitchcock realized costume dramas were not for him and he never revisited this genre.

Under Capricorn (1949) is available on Blu-Ray from Kino Lorber Studio Classics. The BFI and Kino did a 4k restoration and color correction of the movie. This special edition includes the following extras: a commentary track by film historian Kat Ellinger, 12 minute audio clip of Francois Truffaut's interview with Alfred Hitchcock, a 26 minute doc called A Cinema of Signs: Claude Chabrol on Alfred Hitchcock and various trailers. In one part of the Chabrol doc he highlights several scenes in Under Capricorn analyzing composition and symbolism. The Blu-Ray disc also comes with an interchangeable jacket as seen above.

Thank you to Kino Lorber for sending me a copy of the Blu-Ray to review.

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