The Classic Film Collective: 7 Life Lessons from Cicely Tyson’s Memoir

 This was originally published in the former The Classic Film Collective Patreon.

Just as I Am

by Cicely Tyson

HarperCollins

Paperback ISBN: 9780062931078

432 pages

Amazon — Barnes and Noble — Larry Edmund's— Powell's

On January 26th, 2021, HarperCollins published Cicely Tyson’s memoir Just as I Am. Two days later, the great screen legend passed away, just as she was gearing up to promote her new book. Just before her passing, Tyson left us a precious gift. Just as I Am offers us mere mortals a look inside the mind of a screen queen. Tyson broke the mold of what black actresses should look like and what parts they should play. Generations of women after her benefited from Tyson’s defiance. Her work included notable performances in The Autobiography of Miss Jane Pittman, Roots, The Heart is a Lonely Hunter and Sounder, all of which she discusses at length in her book. Tyson also shares stories of growing up in the West Indian community of Harlem, becoming a teen mother, her transition from modeling to acting, her tumultuous relationship with musician Miles Davis and the many friendships she formed. Reading Tyson’s memoir was like drinking an elixir that offered me clarity and wisdom beyond my years. Here are some of my favorite life lessons that I extrapolated from reading Just as I Am.

(Note: Tyson’s memoir was co-written by Michelle Burford so quotes are most likely written by Burford but true to Tyson’s voice.)

Life lesson #1: Trust your gut

“I know instantly whether I should take a role. If my skin tingles as I read the script, then it is absolutely something I must do.”

At one point in her life, Tyson developed ESP and claimed that she could make predictions about major life events shortly before they happened. I personally believe these visions were a result of how in tune she was to her gut instincts. She knew when to take on a role and when to turn one down. Trusting her instincts benefited her throughout her career.

Life lesson #2: Know thyself

“The human desire to know where we’ve come from, and who our fore-parents were, is a universal longing that transcends ethnicity.”

Tyson had “misgivings about portraying domestics” and often turned down those roles, with a couple exceptions. Instead, she focused on characters she could connect to even if it meant dressing down or portraying someone much older. Tyson had this innate sense of self that guided her throughout her life making her the sole master of her fate.

Life lesson #3: Personal connections matters most in life

“We’d laugh and carry on for hours, talking about everything and everyone. That conversation went on for sixty years.”

Tyson had an incredible memory and it’s astonishing to see the level of detail she remembered from her childhood and her formative years. She clearly cherished personal connections above all else. This was most apparent while reading stories about her lifelong friendship with dancer Arthur Mitchell. When she accepted her honorary Oscar in 2018, she took the opportunity to pay special tribute to her dear friend. Years ago, he had promised to take her to the Oscar ceremony if she were ever to win. However, he passed away a few days before he got the chance. Make sure you have a tissue handy when you watch Tyson’s acceptance speech! 

Life lesson #4: Do what you love

“I suppose to be truly successful at any pursuit, you have to fall in love with it, surrender to its gravitational pull, allow it to carry you off to that world of giddy sleepiness.”

At first Cicely Tyson balked at the idea of becoming an actress. The acting profession was looked down upon, especially among certain communities, and good opportunities for black actresses were still difficult to come by. However, Tyson found her stride with acting and she felt that she could really tap into a reserve of natural talent within her. At first her mother rejected Tyson’s newfound profession and it put a strain on their relationship. Seeing her daughter’s success, she warmed up to the idea. I really admire Tyson’s devotion to her craft and willingness to overcome obstacles in order to pursue her dreams.

Life lesson #5: Don’t be afraid of being successful

“I have never been shy about making money. The most potent antidote to reticence is survival.”

Years before she ever became an actress, Cicely Tyson started adult life as a fiercely independent career woman and was unapologetic about being so. She worked hard to send her daughter “Joan” to the best schools and to make it on her own as a single mother. She worked as a secretary, hairstylist and model before she was discovered by producer Warren Coleman. As women, we’re often made to feel ashamed for wanted money and/or success. Tyson knew that money could offer her opportunities that were otherwise hard to come by. She was careful about taking on new opportunities, studying and analyzing scripts closely to make sure the role suited her sensibilities. In the memoir she wrote, “as ambitious as I was to earn money, I had no interest in making a public spectacle of myself.”

Life lesson #6: Defy beauty standards, do your own thing

“I never set out to start a natural hair craze.”

In 1962, Tyson had been playing the role of an African immigrant on the TV show East Side/West Side. She put a lot of thought into her character and came to the conclusion that “so adamant was this woman about embracing her native culture, there was no way she would have chemically processed hair. It didn’t feel right to me.” She went to her local barbershop and told the barber she wanted to get rid of all her relaxed hair and started afresh. She was the first black actress to wear her hair natural on TV and by doing so upended a strict standard of beauty. Tyson and women like her have inspired me to wear my hair natural and to embrace my own differences.

Life lesson #7: Hydrate and drink your greens

“I’d begin the day with a cup of fresh celery juice (before any solid food, as a way to cleanse my system)…”

In 1976, Tyson went to a health spa where she was put on a diet of organic fruits, vegetables and grains. She came out of the experienced a changed woman. In her memoir she wrote, “when I left there after a week of following that program, the world looked different to me. My head was clear. Colors, smells, and sounds felt more pronounced. My memory improved. I felt energized. So on my own at home, I continued eating that way.” For the next 40+ years, Tyson was a dedicated vegetarian (and sometimes pescatarian). She started her day with 4 glasses of water, eight ounces of fresh celery juice and would eat vegetables and limited fruits throughout the day. At the time of writing her book she said, “the change has agreed with me, it seems. At age ninety-six, I’m still kicking.”

After reading this I immediately started juicing again. I was a bit weary of drinking celery juice straight so instead I make a green juice that includes celery with a bunch of other good stuff mixed in. Here is the recipe if you’d like to try it out. Enjoy!

Green Juice
4 stalks of celery
1 large handful of baby spinach
2 large cucumbers peeled (or unpeeled English cucumbers)
1-inch nub of ginger
1 lime peeled ( it's easier to cut off rind with a serrated knife)
2 apples cored
4 sprigs of mint

Add ingredients to a juicer on the highest setting. Makes about 24 oz of juice.

The Automat (2021)

 

Even if you've never set foot inside of an Automat, chances are seeing one in an old movie will fill you with a sense of nostalgia. There's something magical about that place. They only existed in New York City and Philadelphia but their reputation spread far beyond those city limits. Horn & Hardart Automats were cafes where you essentially served yourself through an automated service. Little glass cubicles lined the walls. You put nickels in the slot, turn the brass handle and a delicious treat would be waiting for you on the other side. Before Doordash and online ordering, the Automat was the most technologically advanced way to get inexpensive and delicious food quickly. The cafe had an air of sophistication. Coffee was poured from their signature dolphin head spouts, elegant tables made up the main dining room and signage offering Pies, Hot Dishes and Salads lined the walls. The Automat offered a magical combination of quality food and atmosphere at a low cost. It's not something that exists anymore—the last Automat closed in the 1990s—but it's something we all so desperately wish could come back. In a time of hyperinflation, being able to access a bit of elegance and quality food for not a lot of money seems like a dream.

I was thrilled to write a piece for Turner Classic Movies to accompany their new programming line-up for November 22nd: The Automat. Ben Mankiewicz will be interviewing Lisa Hurwitz, the filmmaker behind the excellent new documentary on the history of the Automat. The line-up includes screenings of The Automat (2021), That Touch of Mink (1962), an encore of the documentary, Easy Living (1937), Thirty Day Princess (1934) and Sadie McKee (1934). What all of the feature films have in common is that they each feature a working woman in dire financial straits who seeks out an Automat for some solace and nourishment.

Here is a snippet from my TCM article about the new documentary:

"Directed by Lisa Hurwitz, The Automat (2021) explores the history behind Horn & Hardart as well as the Automat’s cultural influence. It playfully starts with comedian Mel Brooks pondering the significance of making this documentary and his own personal memories of Automats being “one of the greatest inventions and insane centers of paradise.” The film is bookmarked with Brooks’ performance of his original song, a sweet tribute to the Automat. In between we hear from well-known names including Elliott Gould, Carl Reiner, Colin Powell and Ruth Bader Ginsburg who all share their personal memories of what the Automat meant to them. Hurwitz interviews experts including Automat historian Alec Shuldiner and Lorraine B. Diel and Marianne Hardart, authors of “The Automat: The History, Recipes, and Allure of Horn & Hardart’s Masterpiece”. Then there are the interview subjects with intimate knowledge of the business side of Horn & Hardart. The most fascinating of these was John Romas, the former Vice President of Engineering who had many stories to tell, as well as a treasure trove of gadgets stashed away from when the final Automat closed. What The Automat documentary excels at is offering viewers a contextual history of how this business was born, how it thrived and how it became part of the social fabric of New York City and Philadelphia. It was a 20th century phenomenon that was truly of its era."

The Automat (2021) is available on DVD from Kino Lorber as well as on digital from Kino Now. The DVD includes an extended video interview with Mel Brooks, commentary by director Lisa Hurwitz, archival footage Horn & Hardart, a theatrical trailer and English language subtitles.

I highly recommend watching all 53 minutes of the extended Mel Brooks interview because he has some great stories and goes off on some interesting tangents. I enjoyed hearing him talk about how his brother helped him with homework, how he secretly would eat ham and cheese sandwiches at the Automat and not tell his mom and hearing him give Hurwitz advice on how to make and promote the documentary (which she didn't need but is charming nonetheless!).

Amazon — Barnes and Noble — Deep Discount — Kino Lorber — Official Website

Thank you to Kino Lorber for sending me a copy of The Automat (2021) for review.

So Proudly We Hail (1943)

Directed and produced by Mark Sandrich, So Proudly We Hail (1943) is a fictional depiction of the Angels of Bataan, a group of nurses during WWII who tended to wounded soldiers in Bataan and Corregidor. The film stars Claudette Colbert, Paulette Goddard and Veronica Lake as three nurses who are serve in Bataan. The story is told in a flashback sequence from the point in which some of the nurses have been rescued and brought to Australia. This tempers the story giving us a bit of hope at the beginning despite what we'll see throughout the movie.

Colbert plays Lt. Janet Davidson, affectionately known as Davey, a loyal and reliable nurse who cares deeply about her work and her fellow nurses. In present day she's in a catatonic state, unable to speak, and the story follows the series of events that led her to that point. Lt. Joan O'Doul (Paulette Goddard) is the life of the party mostly concerned with the social aspects of her job. Lt.d Olivia D'Arcy (Veronica Lake) is the total opposite; she's grown bitter having gone through the trauma of seeing her husband die during the bombing of Pearl Harbor. Out of all the characters, she's got the most interesting character development. 

The film follows the particulars of their work and their relationships with each other and the men in their lives. While we don't ever meet Olivia's husband, we do see Joan fall for Kansas (Sonny Tufts), an aw-shucks football-player-turned-Marine, and Davey fall for Lt. John Summers (George Reeves), a headstrong medic with a tender heart.

So Proudly We Hail! is one of several movies about the Battle of Bataan and one of two released that same year about these nurses in particular. MGM released Cry 'Havoc' (1943) a couple of months after Paramount Pictures released So Proudly We Hail!. Cry 'Havoc' is a fine picture in its own right and boasts a stellar cast including Margaret Sullavan, Ann Sothern, Joan Blondell, Marsha Hunt and Ella Raines. While they both told similar stories, So Proudly We Hail! leans more on the dramatic elements, giving viewers more of a sense of the danger the troops and the nurses faced during the Battle of Bataan. The script was based on Lt. Colonel Juanita Hipps' best-selling memoir and adapted for the screen by writer Allan Scott.  There are several storylines happening at once which makes the plot a little difficult to follow. However, that also speaks to the chaotic nature of the environment. When the film released in September 1943, many of the nurses were still imprisoned by the Japanese as POWs so this film must have been quite poignant for contemporary viewers. 

According to TCM writer Jeremy Arnold, So Proudly We Hail! was a perfect combination of "the combat film and the woman's picture." You have the intense battle scenes with both visual and sound effects (the movie was nominated for an Academy Award in this category) juxtaposed with "a wedding, a honeymoon (in a foxhole, no less), a dance, childbirth, mother-son scenes, and even a negligee which figures prominently in the plot." The negligee plot line was tiresome and it seemed like it was thrown in there to give Goddard more to do. Otherwise, I felt the combination of elements really made this for an enjoyable mix of serious drama and more lighthearted moments.

TCM writer Rob Nixon notes that Chief Nelson Poynter of the Office of War Information "meddled in almost every aspect of the script." Some of these worked in the film's favor by softening the good vs. evil elements and focusing more on team effort and hope. The film begins with a thank you to various units and advisors and is followed by a written introduction providing the viewer context before the story begins. Poynter was also responsible for a monologue delivered by Walter Abel who plays a Marine chaplain. It is a very sentimental monologue but I quite enjoyed it. There is something quite comforting about the emotional aspects of these films released during WWII. There is a profound sense camaraderie and a willingness to work and make sacrifices for the greater good.

"We're a sentimental people, and I think we're proud of it. Despite the fact that our enemies deride us for it, it makes us the stronger... Have faith... Not a blind faith, but faith in those things in which we believe. We must have such faith in those things, such faith in ourselves, such faith in mankind that we are tough about the things we believe in, so tough that we will fight to the death to make those tender and sentimental beliefs like Christmas... a reality forever. Now, God bless us. Every one." - Chaplain (Walter Abel)

As far as the performances are concerned, Claudette Colbert and Paulette Goddard essentially play a variation of a character type they've been known to play. Goddard's role was expanded to give her more screen time. Sonny Tufts, in his film debut, serves as her romantic interest. While she was the one nominated for the Academy Award for Best Supporting Actress, I think, if anything, that nomination should have gone to Veronica Lake. She has a short but powerful role and her intensity really stands out amongst the other performances. Her character is by far the most interesting because she's an outlier and an example of how war changes people. Lake wrote about the film in her memoir. She spoke about how Colbert and Goddard did not get along on set. She was proud of the film, writing to her then husband John Detlie:

“So Proudly We Hail is more than just another Hollywood film, John. It’s a salute to the military. I’m proud to be in the film.”

The film includes several mentions of Superman which is fitting given that George Reeves would go on to play the role years later. It's said that Reeves was inspired by his performance in the film to join the Army Air Corps.

Amazon — Barnes and Noble — Deep Discount — Kino Lorber

So Proudly We Hail! (1943) is available on Blu-Ray from Kino Lorber Studio Classics. It's been restored from a brand new 2K master and looks as good as a black and white film can look. Extras include audio commentary by film historian Julie Kirgo, various Kino Lorber theatrical trailers and English language subtitles.

Thank you to Kino Lorber for sending me a copy of So Proudly We Hail (1943) for review!