Wednesday, February 13, 2019

Assignment in Brittany (1943)

Jean-Pierre Aumont and Susan Peters in Assignment in Brittany (1943)

After completing a dangerous mission in North Africa, Captain Pierre Metard (Jean-Pierre Aumont) is sent back to France for a new assignment. And this one is a doozy. Pierre happens to bear a striking resemblance to one Bertrand Corlay, a French Nazi collaborator who was injured and imprisoned by the British. Pierre receives a makeover to look exactly like Bertrand, complete with a fake birthmark on his back. His goal is to uncover the secret German submarine port before the Germans attack the French/British forces guarding the shore. When Pierre goes to Bertrand's home and assumes his identity he fools everyone except Bertrand's mother Mme. Corlay (Margaret Wycherly). She's on to him but allows him to proceed with his mission. Pierre meets with Bertrand's fiancee Anne Pinot (Susan Peters) a deeply religious woman who was never in love with Bertrand but was still upset to find out he had a mistress. And that woman is Elise (Signe Hasso), a woman of questionable morals and a participant in Bertrand's political exploits. Pierre falls in love with Anne and she returns the sentiment when Pierre saves her from an attack. In order for Pierre to infiltrate the underground Nazi network in this region of France and to keep up appearances to fool everyone into thinking he's Bertrand, he must go through an elaborate series of performances and escapes. Will Pierre as Bertrand be able to save the French forces from the Nazis before it's too late? What will happen when Anne finds out who Pierre truly is?

Assignment in Brittany (1943) was directed by Jack Conway for MGM. The story is based on the novel Cross Channel by Helen MacInness, serialized in The Saturday Evening Post in 1942. MGM snapped up the rights fairly quick and the film was shot later that year. MacInness' story was adapted to screen by film writing team Anthony Veiller, William H. Wright and Howard Emmett Rogers.

The story requires a leap of faith for plausibility. Pierre fooling everyone because he looks like Bertrand seems very unlikely and if you don't suspend your disbelief you might scoff at the idea like Wycherly's character does. However, the viewer never sees the real Bertrand so as far as we know they could be identical twins!

Like many other WWII films, Assignment in Brittany is a tale of wartime resistance and espionage with a tender love story at its center. It marked the American film debut of French actor Jean-Pierre Aumont (simply billed as Pierre Aumont) and Swedish actress Signe Hasso. Aumont is charming as the conniving yet soft-hearted Pierre. The plot was not a stretch from Aumont's own military experience. According to a TCM article by Frank Miller, "Aumont had served heroically in North Africa during the war and received the Legion of Honor and the Croix de Guerre. Even in Hollywood, he supported the war effort, appearing at special screenings of Assignment in Brittany, to help raise funds for the Resistance. "

If you know me, you'll know that I've been excited for Assignment in Brittany for two reasons: Susan Peters and Darryl Hickman. Studying Peters' life and filmography has always been a pet project of mine and I was thrilled to see her in another starring role. The character of Anne Pinot fit Peters like a glove. The reserved Anne who comes out of her shell to fall in love with Pierre and help with the resistance just suited Peters sensibilities as a person. Anne plays off the polar opposite character of Signe Hasso's Elise in a Madonna/Whore dynamic. Elise is the femme fatale who breaks men's hearts, including that of Richard Whorf's character Jean, and whose Nazi activities threaten to bring harm to the community. Anne on the other hand has a sense of purity and nobility helps saves Pierre and France, for the time being.


Darryl Hickman in Assignment in Brittany (1943)
Darryl Hickman in Assignment in Brittany (1943)

A few years ago I had the pleasure of meeting Darryl Hickman at the TCM Classic Film Festival and I asked him about this film. Hickman plays Etienne, a child who serves as a political messenger for his restaurateur uncle played by William Edmunds.

Spoiler alert: Hickman plays the hero of the film! At first he betrays Pierre but only to keep a secret that is vital information later on. It's a delightful role and I absolutely adored the scene between Aumont, Peters and Hickman toward the end of the film. Hickman is a highly underrated actor. He's always delivered wonderful performances as a child, teen and adult. Seek out his work (and his book about acting!). You won't be disappointed.

I'd also be remiss not ti point out child actress Juanita Quigley who has a terrific part as Jeannine, a young girl who fights back against the Nazis and makes a big sacrifice in the name of freedom. I found out recently that Quigley, who was very private in her final years, lived three towns away from me up until her death in 2017.

Jean-Pierre Aumont, Susan Peters and Darryl Hickman in Assignment in Brittany (1943)

Assignment in Brittany (1943) is a WWII curio that hasn't been available on home video until now. It pairs nicely with another WWII film starring Susan Peters, also featuring a young Darryl Hickman, Song of Russia (1944). Both of these are available from the Warner Archive Collection and for that I'm truly grateful.



Assignment in Brittany (1943) is available on DVD-MOD from the Warner Archive Collection. When you use my buy link you help support this site. Thanks!


Warner Archive Wednesday - On (random) Wednesdays, I review one title from the Warner Archive Collection. Thank you to Warner Archive for sending me a copy of Assignment in Brittany (1943) on DVD for review!

Monday, February 11, 2019

The Last Command (1955)

Promotional Still from The Last Command (1955). The film was shot in TruColor. (Photo Source)

Director Frank Lloyd's The Last Command (1955) tells the story of Jim Bowie (Sterling Hayden) and the events leading up to the Battle of the Alamo in 1836. Tensions between the Mexican government and American settlers in the territory of Texas, before it became a state in 1845, were high. Bowie hears of the imprisonment of political prisoner Austin (Otto Kruger) and pleads with William B. Travis (Richard Carlson) and Mike Radin (Ernest Borgnine) for a peaceful resolution. Having fought with Mexican General Santa Anna (J. Carroll Naish) and marrying a Mexican citizen, he feels some loyalty to that side until young Jeb Lacey (Ben Cooper) tells him of the Mexican's mistreatment of Americans. Things shift for Bowie when he meets Consuelo (Anna Maria Alberghetti), a beautiful teenager whose father supports the American side. Tragic loss and illness comes to Bowie and when it becomes clear that Santa Anna will attack, Bowie, Davy Crockett (Arthur Hunnicutt), Travis and their men must prepare for a battle of no return.

This film is perhaps most well-known for its connection to John Wayne. A few years earlier Wayne had wanted to make this film with Herb Yates of Republic Pictures. These two could not see eye-to-eye on the project. Wayne wanted to film in Mexico and Yates insisted on Texas. The two had a falling out which resulted in Yates making the film without him. Wayne left Republic and directed, produced and starred in his own version of the story The Alamo (1960). Yates and Wayne never spoke to each other again and as a big middle finger to Yates, Wayne re-used a lot of the same sets that were in Yates' film.

Promotional shot of Anna Maria Alberghetti and Sterling Hayden from The Last Command (1955). (Photo Source)

The Last Command (1955) is not exceptional but is enjoyable. Hayden is perfectly suited to play the loner and free spirited Bowie. The sheer size of Hayden dwarfs pretty much every other cast member. He was truly larger-than-life in more ways than one. The Consuelo-Bowie love story was frustrating. When they meet Bowie is married and Consuelo is only 17 years old. The plot conveniently gets rid of Bowie's wife and children with the plague making room for their affair. In real life Bowie did suffer this devastating loss but it seems Consuelo only exists to add a love story to the film. I'm not well-versed in the history of the Battle of the Alamo and the key figures involved. From what I understand, this film does a good job staying true to the historical events but also using fictional elements to delivering the story as entertainment. According to the AFI, director Frank Lloyd said the following:

"The addition of fiction to fact is permissible and often dramatically desirable so long as the fiction does not contradict the fact, but is presented as a logical and reasonable development. It is the perversion of facts, not their augmentation, that destroys authenticity."

The movie is well-worth watching not only for the cast but also the attention to detail that went into the costumes by Adele Palmer, for Max Steiner's score and for the great battle scenes. There is a great knife fight scene between Ernest Borgnine and Sterling Hayden that reminded me of Borgnine's fight with Montgomery Clift in From Here to Eternity which released a couple years before.




The Last Command (1955) is available on Blu-ray and DVD from Kino Lorber Studio Classics. When you use my buy links you help support this site. Thanks!

Kino Lorber's Blu-ray is from a brand new HD master from a 4K scan of the 35mm Trucolor original negative. It includes audio commentary by Alamo historian Frank Thompson and a variety of Kino Lorber trailers.

While the publicity stills above are in black-and-white the film was shot in Trucolor.

Thank you to Kino Lorber for sending me a copy of The Last Command (1955) for review.

Wednesday, January 9, 2019

New & Upcoming Classic Film Books (12)

New year, new books! I'm excited to present to you another classic film book round-up. There are so many new releases that I had to be a tad more selective this time. I didn't include some of the higher priced scholarly books and kept mostly to trade and books that I thought you all would be interested in. If you think I overlooked an important title, let me know and I'm happy to add it in!

Are you new to my list? Here are the details. Links lead to Goodreads or buy pages where you can order or pre-order the title. Books include biographies, memoirs, scholary texts, coffee table books and more from a variety of publishers. Publication dates range from January to July and these are subject to change. Using my buy links helps support this site. Thank you!

If you want to hear me chatting about classic film books (and why wouldn't you?) I was a special guest on two episodes of The Movie Palace Podcast including one recorded with the host Carl Sweeney, Classic Film Books episode, and one recorded with Carl and my good friend Vanessa, Gift Ideas episode.

Now on to the books...


A Kid’s History of the Movie Image From Dawn of Time to About 1939
by Jennifer Churchill
CreateSpace
33 pages – Available Now
AmazonOfficial Website




by Murray Pomerance
SUNY Press
274 pages – January 2019




The Man Behind Creepy, Vampirella, And Famous Monsters
by Bill Schelly
Fantagraphics
272 pages – January 2019



Fighting Words, Moving Pictures
by Adina Hoffman
Yale University Press
264 pages – February 2019




A Biography of Vivien Leigh
by Alan Strachan
I.B.Tauris
336 pages – February 2019




by Ralph Hancock and Letitia Fairbanks
Lyons Press
296 pages – February 2019



A Hollywood Memoir
by Victoria Riskin
Pantheon Books
416 pages – February 2019



by Jan Wahl and Morgana Wallace
Penny Candy Books
36 pages – February 2019




edited by Martin F. Norden
University Press of Mississippi
272 pages – February 2019




American Silent Cinema and the Utopian Imagination
by Ryan Jay Friedman
Rutgers University Press
232 pages – February 2019


Creating Marilyn Monroe
by Amanda Konkle
Rutgers University Press
280 pages – February 2019




Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film
by W. K. Stratton
Bloomsbury Publishing
352 pages – February 2019


A Century of Screen Sex Scandals
by Nigel Blundell
Pen and Sword History
176 pages – February 2019



by Patrick McGilligan
Harper
640 pages – March 2019



The Hidden Environmental Costs of the Movies
by Hunter Vaughn
Columbia University Press
265 pages – March 2019



All That's Left to Know About the Provocateur of Bad Taste
by Dale Sherman
Applause Theatre & Cinema Books
400 pages – March 2019



Quick Takes
Dahlia Schweitzer
Rutger University Press
188 pages – March 2019




The Influence on Costume and Set Design
by Lora Ann Sigler
McFarland
162 pages – March 2019



Iconoclastic Writer and Militant Zionist
by Julien Gorbach
Purdue University Press
484 pages – March 2019




Shooting a Masterpiece
by Christopher Frayling and Angleo Novi
Reel Art Press
336 pages – March 2019



Sinatra of the Seine, My Dad Eddie Constantine
by Tanya Constantine
Feral House
202 pages – March 2019


More than a Scarecrow
by Holly Van Leuven
Oxford University Press
256 pages – March 2019
AmazonBarnes and Noble 



Smile
How Young Charlie Chaplin Taught the World to Laugh (and Cry)
by Gary Golio and Ed Young
Candlewick Press
48 pages – March 2019
Amazon – Barnes and Noble – Powells




The Phenomenology of Spectacle
by James Phillips
Oxford University Press
136 pages – March 2019



Betty Comden & Adolph Green’s Musicals and Movies
by Andy Propst
Oxford University Press
288 pages – March 2019



Quick Takes
by Rebecca Bell-Metereau
Rutgers University Press
130 pages – March 2019




Performing the Modern
by Shirley Jennifer Limv Temple University Press
262 pages – April 2019


Audrey Hepburn and World War II
by Robert Matzen
GoodKnight Books
400 pages – April 2019




The Pre-Code Era (1930-1934): When Sin Rules the Movies
by Mark A. Vieira
Turner Classic Movies and Running Press
256 pages – April 2019



An Illustrated History of Women and the Movies
by Jill Tietjen and Barbara Bridges
Lyons Press
400 pages– April 2019





by Caroline Jones
Carlton Publishing Group
160 pages – April 2019


Lady Triumphant
by Victoria Amador
University Press of Kentucky
406 pages – April 2019


An Animal Rights Memoir
by Brigitte Bardot with Anne Cecile Huprelle
Arcade
200 pages – April 2019


Every Film, Every Role
by Ellen Cheshire
Sonicbond Publishing
144 pages – May 2019


25 Movies to Make You Film Literate
by Vincent Lobrutto
Praeger
299 pages – May 2019




Life, Death, Love, Art, and Scandal at Hollywood’s Chateau Marmont
by Shawn Levy
Doubleday
384 pages – May 2019



Duke's Solutions to Life's Challenges
by the editors of the Official John Wayne Magazine
Media Lab Books
224 pages – May 2019



The Films of a Hollywood Giant
by Neil Sinyard
McFarland
238 pages – May 2019



The Corleone Family Cookbook
by Liliana Battle and Stacey Tyzzer
Insight Editions
208 pages – May 2019



by John Billheimer
University Press of Kentucky
360 pages – May 2019
AmazonBarnes and Noble




The Stars, the Films, the Filmmakers
by Donald Bogle
Turner Classic Movies and Running Press
264 pages – May 2019



by James L. Neibaur
McFarland
134 pages – May 2019



Actress and Humanitarian, from The 39 Steps to the Red Cross
by John Pascoe
McFarland
208 pages – May 2019



Every Movie, Every Star
by Sam Proctor
Sonicbond Publishing
144 pages – May 2019



A Life of John Buchan
by Ursual Buchan
Bloomsbury Publishing
496 pages – June 2019


Exquisite Ironies and Magnificent Obsessions
by Tom Ryan
University Press of Mississippi
320 pages – June 2019



A Contrarian History of American Screen Comedy from Silent Slapstick to Screwball
by David Kalat
McFarland
247 pages – June 2019


50 Leading Ladies Who Made History
by Sloan De Forest
Turner Classic Movies and Running Press
248 pages – July 2019


The Gabors Behind the Legend
by Sam Staggs
Kensington
352 pages – July 2019



A Remarkable Woman
by Anne Edwards
Lyons Press
448 pages – July 2019


Inspiration from the Goddess of Glam
by Michelle Morgan
Running Press
208 pages – July 2019


Movie Culture in the Age of Reagan
by J. Hoberman
The New Press
400 pages – July 2019


Displaying the Moving Image, 1926-1942
by Ariel Rogers
Columbia University Press
288 pages – July 2019


Male Beauty, Masculinity, and Stardom in Hollywood
by Gillian Kelly
University Press of Mississippi
224 pages – July 2019


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