Monday, April 3, 2017

Alive and Kicking (2016)



What do classic movie fans do when they want to pursue their passion in other avenues? They wear vintage clothes and shoes. They style their hair in mid-century up-dos or slicked back styles. They collect big band albums and jazz records. They frequent estate sales and thrift shops. They attend historical revivals. And... they swing dance. Did you know that the resurgence of interest in classic movies of the home video era was instrumental in revitalizing swing dancing?

"Once they see those films, they really want to do it."

Let's start from the beginning. Swing dancing originated in Harlem during the Great Depression. It was a street dance with roots in the Charleston dance style of the 1920s. This dance was influenced greatly by the music of Louis Armstrong, Count Basie and Duke Ellington. The African-American community brought swing dancing to the ballroom. Herbert Whitey's Lindy Hoppers, made up of dancers including Norma Miller, Frankie Manning and others, brought it to Hollywood in films like Hellzapoppin' (1940), the Marx Bros.' A Day at the Races (1937) and shorts like Groovie Movie (1944). Swing dancing transcended its Harlem roots to become a nation-wide phenomenon. While the Lindy Hop is the most popular, many styles found their niches including West Coast and East Coast swing, Boogie-Woogie, Collegiate Shag, Jive, Rock n Roll, Blues dancing and countless others.

"It was the one relief you had from the bad times." - Norma Miller on dancing during the Great Depression

Swing dancing went out of fashion in post-WWII America. New dances came into fashion and swing dancing was soon forgotten. Movies came to the rescue in the home video era starting in the 1980s and escalating into the 1990s. People watched swing dancing on screen and felt the urge to do it themselves. The craze caught on again and legends like Frankie Manning, who had retired from dancing and became a postal worker to make ends meet, were in demand again. According to dance historian Rusty Frank, the movies Swing Kids (1993) and Swingers (1996) and the widespread appeal of Gap's 1998 Khaki Swing commercial  firmly established swing dancing as part of American culture again. However this time around it wouldn't become a mainstream fad. Instead it would find a home in a community of enthusiasts who put their heart and soul into this rediscovered dance style.

"Nobody does social dancing than Lindy Hop." - Norma Miller

Susan Glatzer's new documentary Alive and Kicking (2016) explores the culture that grew from the resurgence of swing dancing. In today's technology age, everyone is constantly connected yet disconnected. Dancing forces you to be out of your head and into your body and to connect with someone face to face. It's the ultimate rebellion against the isolation of modern life because it forces you to me intimate with strangers. This documentary explores swing dancing as a community, a spiritual experience, as therapy, as a secret conversation between two people and as a way to bridge the generations. Swing dancers come in all shapes, sizes, ethnicities, genders and ages. They travel the world to compete against and to connect with other dancers. While there's some money to be made by winning competitions, most dancers work full-time jobs and swing dance on the side or they make a living through teaching their art.

 "Swing dancing is the pursuit of happiness." - Evita

Alive and Kicking isn't a historical documentary. Nor is it instructional or specifically about swing dancing competitions. It truly is about the culture of the dancers. Interview subjects include swing dancing legends Frankie Manning, Norma Miller and Dawn Hampton as well as young up-and-comers Evita, Emilie and Rebecka and Steve and Chanzie. We learn about what motivates them, why they love dance and how they approach the lifestyle and prepare for competition. The film mainly focuses on these rising stars but it also includes interviews with many other dancers and experts. I enjoyed learning about these young dancers as much as I did about the legends. Manning and Hampton have since passed away and Norma Miller is still with us at the swingin' age of 97. Fun fact: you can watch all three of these dancers in the Lindy Hop scene of Malcolm X (1992).

"Happiness is just a few steps away."

This documentary includes many dance numbers with a focus on the Lindy Hop style, an improvised dance which is also highly technical. I appreciated this documentary for what it taught me about the culture and the dancers. I would have loved to learn more about the technical aspects of the dance but that was not the intention of the film. It did make me want to take a swing dancing lesson or two!

Alive and Kicking is a contemporary documentary but I think it'll appeal highly to the vintage community as well as to classic movie fans. It revitalized my interest in the vintage life and awakened my curiosity about swing dancing.

Alive and Kicking (2016) will be in theatres and available online April 7th. Visit the official website for more information. Thank you to Magnolia Pictures for the opportunity to review this film. Stay tuned as I'll be sharing my interview with writer, director and producer Susan Glatzer as well as swing dancing legend Norma Miller soon.


Friday, March 31, 2017

My Top Picks for the 2017 TCM Classic Film Festival


Me at the 2016 Francis Ford Coppola hand and footprint ceremony

I can't believe it. I'm going to the TCM Classic Film Festival for the fifth time. In a row! After going to the 2013 TCMFF, it was inevitable that another festival would be in my future. But who knew I'd be going so many times? Not me.

And for the fifth time I'll be attending TCMFF as a member of the media. That means I'll be providing you with lots of coverage here and on my social media (follow me on Twitter, Facebook, Instagram and e-mail me if you're interested in my uncensored Snapchat coverage).

Without further ado, here are my top picks for this year's festival.

Thursday 

Red Carpet for In the Heat of the Night (1967) - I'll be missing quite a lot on Thursday in order to block off some time for the red carpet premiere. This is my favorite part of the festival. I'll either be in the bleachers or on the red carpet interviewing celebrities. More details to come. I'm most excited about the red carpet this year because Sidney Poitier will be there. Seeing him in person is a dream come true.

Requiem For a Heavyweight (1962) or The Man Who Knew Too Much (1934) - The older I get the less ambitious I am about my TCMFF schedule. Both of these look like great screenings but Requiem is playing at the Chinese Multiplex and that means I can get to my hotel room a lot sooner. The Man Who Knew Too Much is all the way over at the Egyptian. That might be the deciding factor in this case because otherwise it'll be difficult to pick between the two.

Friday 

Hand and Footprint Ceremony: Carl and Rob Reiner - I've been to the last 4 imprint ceremonies, 3 of which I covered on my blog (Jerry Lewis, Christopher Plummer and Francis Ford Coppola). These are a blast and I don't want to miss that one. If for any reason I can't get into this event, I have Cry, the Beloved Country (1951), starring Canada Lee and Sidney Poitier, on my list as a back-up.

Panique (1946) - I love French cinema and I'm starting to explore older classics. Directed by Julien Duvivie, the film is based on the novel by Georges Simenon and his son Pierre Simenon will be on hand for a pre-screening interview.

I'm not sure what to watch after Panique because I'll need to get in line early for...

Red-Headed Woman (1932) - This is by far my favorite Pre-Code. There's no way I can miss this one. If that means I have to skip a programming block, so be it.

High Anxiety (1977) - I'm looking forward to this Hitchcock spoof. Mel Brooks will be in attendance. This might sell out much like Blazing Saddles did a couple of years ago. So I have Cat People (1942) as my back-up. I love Cat People so it will be a difficult decision to watch a new-to-me comedy versus my all-time favorite horror classic.

Zardoz (1974) - I've never had the stamina for midnight screening but I might make a go of it this year. TCMFF usually hosts two midnight screenings during the festival. Both tend to be crazy and wacky cult classics made all the better with a live audience. Zardoz, starring Sean Connery in the most bizarre outfit ever to grace the screen, looks like it could be a lot of fun to watch with a crowd.

Saturday

The China Syndrome (1979) - I can't pass up an opportunity to see Michael Douglas in person.

The Art of Subtitling - This Club TCM event sounds really interesting. Bruce Goldstein of Rialto Pictures will be on hand to the discuss the history subtitling foreign classics.

America America (1963) - This is a sleeper on the list and a lot of others who have shared their top TCMFF picks are skipping this one. But I'm definitely going. This is a wonderful film by one of my favorite directors Elia Kazan. Film critic Alicia Malone will be interviewing one of the film's stars Stathis Giallelis at the event. The movie deals with oppression, immigration and family. I reviewed this film back in 2011 and am eager to see it again.

Best in Show (2000) - I know, I know. This is a contemporary movie. But it's so hilarious and I'll need something light after watching America America. Some of the cast will be in attendance and I have my fingers crossed that Parker Posey, whom I idolized as a teenager and still do, will be a surprise guest. Even if she isn't there this will still be a great film to see on the big screen.

The Graduate (1967) - This is one of those big classics that is missing from my film history knowledge. I've seen parts of it including the ending but haven't seen it all the way through. It'll be shown at Grauman's Chinese which is my favorite of all of the TCMFF venues. Screenwriter Buck Henry will be interviewed before the screening.

Sunday

Cock of the Air (1932) - I'll be waking up bright and early to get in line for this one. Recently restored with a controversial bit added back in, and with contemporary actors filling in with the missing soundtrack, this Pre-Code looks a fun curio.

I'm taking it easy on Sunday, will have an early lunch then will be headed early to Club TCM for...

Conversation and Book Signing with Dick Cavett - Cavett has interviewed everybody and has a lot of stories to tell. He's pretty interesting too. Did you know he used to be a gymnast? And that he wrote monologues for Jack Paar and Johnny Carson? I've read two of Cavett's books, Talk Show and Brief Encounters. Both are collections of essays from his New York Times column. I've listened to both books on audio and would be eager to have either one in print and signed by the man himself.

Hell is for Heroes (1962) - This war movie features four of my favorite people: Steve McQueen, Bob Newhart, James Coburn and Bobby Darin. Newhart will be at TCMFF to attend this screening and I'm excited to see him again. (Fun fact: I accidentally ran into Newhart's Book Expo America book signing several years back. When I turned around Robert Duvall was at the next booth signing his book. It's one of my favorite memories of celebrity sightings.)

Lady in the Dark (1944) - I'll be ending the festival with a screening of this Technicolor musical starring Ginger Rogers. I know nothing about this film and will keep myself "in the dark" so this can be a truly new experience for me.

My picks are subject to change. I've already changed by mind about 5 times before I made this list and I will probably change my mind again. What's great about the festival is that there are plenty of back-up choices. The worst thing about the festival is that you'll miss out on the majority of events.

See you in Hollywood!

Monday, March 27, 2017

Stars in Springtime

Even though we still have snow on the ground, I'm celebrating the fact that Spring is officially here! This month I've been sharing photos of classic film actors and actresses (mostly actresses) enjoying the blooms of the season and warmer weather. My series appeared on Twitter and Google+ with the hashtag #StarsinSpringtime but I thought I'd share some of the highlights of that series here. Enjoy.

Alan Ladd

Audrey Hepburn

Barbara Stanwyck

Bonita Granville

Buster Keaton

Cary Grant

Catherine Deneuve

Deborah Kerr

Doris Day

Dorothy Lamour

Francoise Dorleac

Gina Lollobrigida

Humphrey Bogart

Ingrid Bergman

Jean Harlow

Lauren Bacall

Mary Astor

Maureen O'Hara

Myrna Loy

Rita Hayworth

Robert Mitchum

Rock Hudson

Ruby Keeler

Sandra Dee and Bobby Darin

Sophia Loren

Susan Peters

Tony Curtis

Veronica Lake

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