Monday, April 4, 2016

On honoring my father's wishes and The Miracle of the Bells (1948)



Timing is everything.

My father passed away in August and since that time I have been in charge of his settling his affairs. Recently I took a day off to get a few errands done including delivering my parents' tax forms and paperwork to their lawyer. He's been in the business for 52 years and still does everything with pen and paper. When I entered his office I was struck by the lack of technology. He had a simple fold out desk, a basic chair, and paperwork scattered everywhere. There was no computer. He did everything the same way he had been doing it for the last half century. I delivered my parents' paperwork knowing that this is what my father would have wanted. He would have wanted his taxes to be done by the same lawyer who had been doing them for the family since the 1980s. He would have wanted them to be done with pen and paper. He would have wanted a paper check for his tax return. As my father's daughter I saw to it that his final tax forms were done the way he would have wanted because honoring the wishes of the dead is the responsibility of the living.

Later that same day I watched the RKO film The Miracle of the Bells (1948). It had been recorded on my DVR in December when TCM had their Frank Sinatra month and I forgot about it. I picked a film at random from my DVR and wouldn't you know it it's a film about carrying out the wishes of someone who has passed away. It's like the universe was waiting for this exact day for me to watch this movie.

It's a bizarre little film. Fred MacMurray plays press agent Bill Dunnigan. He brings the body of deceased actress Olga Treskovna (Alida Valli) to her hometown. She left him very specific instructions on what to do after she died. Olga wanted a funeral service held at St. Michael's church, 6 girls dressed as angels surrounding her casket, ringing of church bells and a burial at the top of a hill where her parents were laid to rest. Coaltown is aptly named because of the thriving mining business. The town is also the reason why Olga's parents died and why she died, the coal dust weakened her lungs and tuberculosis set in. Dunnigan's first encounters with the people of Coaltown is disheartening. No one remembers Olga, they speak ill of her father who was known as a town drunk and the funeral director (Harold Vermilyea) wants to squeeze every penny out of Dunnigan. His faith in humanity is restored when he meets Father Paul (Frank Sinatra, yes that Frank Sinatra) of St. Michael's church. Father Paul's humility, patience and willingness to listen allows Dunnigan to open up about Olga's story which the audience see through flashbacks.

Publicity photo of Fred MacMurray, Alida Valli and Frank Sinatra from The Miracle of the Bells (1948).

She's determined to become a star and knows she has very little time to achieve her goal. Dunnigan steps in as her savior in more ways than one.  As it turns out Dunnigan has discovered a wonderful new talent in Olga and works to get her the role of Joan of Arc in a film produced by Marcus Harris (Lee J. Cobb). Olga turns out a marvelous performance only to die the day after the film is finished. Harris threatens to shelve the film and reshoot it with another star. Dunnigan is determined to save Olga's legacy. He wants to make her funeral a national story. How does he do it? He pays 5 churches of Coaltown to ring their bells continuously for 72 hours hoping this will bring national attention to Olga and change Harris' mind about shelving the film. In order to make a difference Dunnigan will have to go big or go home.

The Miracle of the Bells (1948) might have an odd plot but this quirk film will draw you in and hold your attention. You can't help but root for the main characters even while you're scratching your head with confusion. The first scenes of the film show Dunnigan (MacMurray) bringing Olga's body to Coaltown and this sets a morbid tone to the film. It's not a weepy nor is the film overly sentimental. Which is odd because I think that was the intention in the first place. Because this film is so strange its quirks make it seem more genuine despite of itself. There are religious overtones but it's not heavy handed. Flashback scenes give us plenty of time to learn about Olga and to watch as her relationship with Dunnigan develops. They also give us a respite from the somber tone of the present day's situation.

This movie did not fare well despite it being based on the best-selling novel by Russell Janney. It suffered a financial loss at the box office and it was released when Frank Sinatra's career was on a downward spiral. Most people give this film unfavorable reviews however I liked it despite its flaws. Maybe you just have to be in the right mood to enjoy it.

The Miracle of the Bells (1948) is available on DVD and Blu-Ray from Olive Films.

Thursday, March 17, 2016

New & Upcoming Classic Film Books (5)

Summer is only a few months away. You need to stock up now so you'll have plenty to read on vacation! Need some suggestions? I’ve got you covered with a brand new list of upcoming classic film books. Publication dates range from February to May 2016.

Are you new to my list? Here are the details. Links lead to Goodreads or the publishers' page. Books include biographies, memoirs, scholary texts, coffee table books and more from a variety of publishers. All publication dates are subject to change.

Here are my previous round-ups :





Not to Be Missed: Fifty-Four Favorites from a Lifetime of Film
by Kenneth Turan
PublicAffairs
368 pages – January 2016

by A.O. Scott
Penguin Press
288 pages – February 2016


by James Bawden and Ron Miller
University Press of Kentucky
424 pages – February 2016


by Joel Grey
Flatiron Books
256 pages – February 2016


by R. Barton Palmer
Rutgers University Press
290 pages – February 2016


by Ben Nussbaum
i5 Press
96 pages – March 2016


by Laura Horak
Rutgers University Press
296 pages – February 2016


by Scott Higgins
Rutgers University Press
232 pages – February 2016



by Mia E. M. Treacey
Routledge
198 pages – March 2016



by Shirley MacLaine
Atria Books
224 pages – March 2016


by Amanda Ann Klein and R. Barton Palmer
University of Texas Press
366 pages – March 2016




by Richard B. Jewell
University of California Press
296 pages – March 2016


by Miriam J. Petty
University of California Press
312 pages – March 2016


by Cheryl M. Willis
McFarland & Company
March 2016


by Edwin M. Bradley
McFarland
277 pages - March 2016


by Cindy De La Hoz
Running Press
176 pages – April 2016


by Charles Silver
Museum of Modern Art
256 pages – April 2016


by Vincent Price and Leo Hershfield
Open Road Media
(e-book) 156 pages – April 2016


by Donald Dewey
Rowman and Littlfield Publishers
272 pages – April 2016


by Harlan Lebo
Thomas Dunne Books
384 pages – April 2016


by Graham Tarrant
Summersdale
160 pages – April 2016


by Marty Feldman and Eric Idle
Rare Bird Books
320 pages – April 2016


by Ian Brookes
BFI
272 pages – April 2016


by Simon Callow
Viking
624 pages – April 2016


by Sean K. Smith
Hatherleigh Press
112 pages – April 2016


by David Bordwell
University of Chicago Press
160 pages – April 2016


by Michael Sheridan and David Harvey
Skyhorse Publishing
276 pages – April 2016


by Nathaniel Crosby and John Strenge
Dey Street Books
224 pages – May 2016


by Jon Solomon
Oxford University Press
640 pages – May 2016


by James S. Williams
SUNY Press
320 pages – May 2016


by Breixo Viejo
Oak Knoll Press
268 pages – May 2016


by Mark A. Vieira
Running Press with TCM
336 pages – May 2016


by Annika Geiger
i5 Press
96 pages – May 2016


by Brian J. Snee
University Press of Kentucky
174 pages – May 2016


by Barry Avrich
ECW Press
400 pages – May 2016


by Tom Smith
Peter Owen Publishers
160 pages – May 2016


by Mick Broderick
Columbia University Press
208 pages – May 2016


by Emilio D’Alessandro and Simon Marsh
Arcade Publishing
384 pages – May 2016



by Jeremy Arnold and Robert Osborne
Running Press with TCM
304 pages – May 2016


by William Paul
Columbia University Press
432 pages – May 2016

Did any of these books catch your eye? Tell me in the comments section below. I'm currently reading Conversations with Classic Film Stars.

Monday, March 14, 2016

The Good, the Bad and Me: In My Anecdotage by Eli Wallach

The Good, the Bad, and Me: In My Anecdotage
by Eli Wallach
Mariner Books
320 pages/9 hours, 42 minutes
May 2006

My current enthusiasm for all things audiobooks has me seeking out every classic film related recording on Audible I can find. But that wasn’t enough. After listening to Dick Van Dyke’s audiobook Keep Moving, I wanted to hear more from the stars themselves. There is something very intimate about listening to a famous person tell you their story that you don’t get from just reading their words on the printed page. Having their voices transmitted right into your ear as they tell you story after story is an amplified experience. And for those stars who have shuffled off their mortal coil and left the world of the living, an audiobook recording of their memoir is as close to them as we can get.

Eli Wallach has been a favorite of mine for years. Not only did I admire his talent and devotion to his craft, he always struck me as a genuine and quirky kind of a guy. (Did you know Wallach collected antique clocks? ) Wallach was lovable and charming even when he so effortlessly played villains on screen. In his 2006 memoir The Good, the Bad and Me: In my Anecdotage, Wallach takes us on a journey through his life and career. We start with his early years as a Jewish kid growing up in Brooklyn and we follow him as he finds his calling as an actor, goes to college in Texas, serves in the medical corps during WWII and meets the love of his life Anne Jackson. He even tells us how he learned about the birds and the bees in the most frank yet lovable way. Wallach’s narrative slows as he relates the details of his theater and film work. There is much here about his training as a method actor as well as the differences between acting for theater and acting for film. Wallach loved the immediate gratification of working on stage but was also lured by the rich rewards, fame and money, of film work. He shares lots of behind-the-scenes stories and reflects on his past experience with all the wisdom and self-reflection that comes with living a long life.

Classic film fans will love hearing anecdotes about Wallach’s movie work. He shares a lot of stories about The Good, the Bad and the Ugly (1966) , the film that inspired his memoir’s title, The Misfits (1961), The Magnificent Seven (1960), How to Steal A Million (1966) and his first film Baby Doll (1956) . Audiences will love to hear his stories about notable figures including Marilyn Monroe, Sergio Leone, Clark Gable, Audrey Hepburn, Elia Kazan, Tennessee Williams and more.

Wallach was a charming storyteller and it’s easy to be captivated by him in this book. His voice demonstrated the wear and tear of old age but there is still a magic that comes from listening to the man himself tell his own story. You can almost see the twinkle in his eye as you listen to his words. Besides the many stories about his film work, I was particularly taken with his reflections on his home life. Wallach explains the complexities and challenges that come with being married to an another actor and raising small children. Wallach and Jackson struggled yet found balance in their work and marriage. They highly respected each other’s careers and although Wallach was the bigger star he made sure not to neglect her acting work. Wallach lovingly remembers the births of each of his three children and I particularly love the anecdote of him heating up milk bottles while pretending he was Louis Pasteur.

Eli Wallach and Anne Jackson (source)


Even though I already owned a paperback copy of The Good, the Bad and Me, I’m glad I invested in the audio version. If you enjoy Wallach’s films and appreciate him as a person, listening to this audiobook will be a special treat. If you’re like me, you’ll find yourself tearing up when the book is over. And as an added bonus, Anne Jackson makes a small cameo in the recording.

I purchased this book at Audible. It seems to be the only place online where you can find it. The original audiobook recording is most likely out of print.

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