Wednesday, October 15, 2014

Old Hollywood at the Museum of Fine Arts, Boston

Museum of Fine Arts, Boston
A Columbus Day visit to the Museum of Fine Arts, Boston cost us nothing but gave us many riches in return. Two exhibits in particular made this classic-film-loving-gal's heart sing.


The first exhibit was a collection of photographs by Yousuf Karsh entitled Karsh Goes Hollywood. This exhibition was in one of the lobbies near the information desk and food court. Not ideal but it gave the photographs much more exposure to museum guests than one tucked away would have.

Yousuf Karsh (1908-2002) was a renowned photographer who captured the portraits of many important figures including authors, musicians, dignitaries and actors among others. The MFA's exhibition focused on Karsh's photographs of classic Hollywood figures. These notable members of the Hollywood elite included: Judy Garland, Walt Disney, Laurence Olivier, Leslie Caron, Elizabeth Taylor, Lauren Bacall, Ingrid Bergman, Humphrey Bogart, Princess Grace, Alfred Hitchcock, Joan Crawford, Audrey Hepburn, Clark Gable, Anita Ekberg, Gregory Peck, Sydney Greenstreet, Bette Davis, Douglas Fairbanks Jr., Peter Lorre and Boris Karloff.

The 20 figures were presented in a "who's who" kind of fashion. A visitor would walk through the exhibit, examining each portrait and trying to guess the person. The pieces were not labeled but each came with a hint, usually a line of dialogue from a notable film the person was associated with. There was a key with the list of all the names for people to reference once they were done guessing.

Joan Crawford, 1948 - Yousuf Karsh

Lauren Bacall, 1966 and Elizabeth Taylor, 1946 - Yousuf Karsh

Yousuf Karsh exhibit at the MFA, Boston

Carlos checking out the Yousuf Karsh exhibit at the MFA, Boston

Anita Ekberg, 1956 and Clark Gable, 1948 - Yousuf Karsh 
Sydney Greenstreet, 1946 and Gregory Peck, 1946 - Yousuf Karsh

After the Yousuf Karsh exhibit, we made our way through the museum and found ourselves in the Contemporary Art section. Last time I was here, I saw this amazing Hollywood Stars Paper Dress. It wasn't there this time but I came across another piece that was equally dazzling.

Double Blue Barbra (The Jewish Jackie Series), 1992 - Deborah Kass

My good friend Frank had told me about the next exhibit and I'm glad he did because I would have missed it otherwise. Hollywood Glamour: Fashion and Jewelry from the Silver Screen showcases the costumes (evening gowns, dresses, evening jackets, etc.) and accessories from a very elegant time in film history. The pieces ranged from the late 1920s to the early 1940s with a primary focus on the 1930s. None of the pieces were, by themselves, notable but presented together it was showcase of glamour that would appeal to classic film fans and fashion devotees alike.

The exhibit was very crowded and considering the tight quarters it was difficult to maneuver around all the people to view each piece. It took a while but I managed to take in every single one. On a screen in the back, they looped film clips of the actresses wearing the pieces on display. It was quite exciting to stand next to a costume worn by Norma Shearer or Gloria Swanson. I nearly fainted when I saw Jean Harlow's dress from Bombshell.

Hollywood Glamour: Fashion and Jewelry from the Silver Screen Exhibit - MFA, Boston

Sign for the Hollywood Glamour exhibit 

Hollywood Glamour Exhibit

Joan Craword photo and Gloria Swanson, 1927 by Edward Steichen

Marlene Dietrich's hostess gown for Desire (1936), designed by Travis Banton


Mary Ellis' evening gown for Paris in Spring (1935), designed by Travis Banton 

Carole Lombard's evening dress for No Man of Her Own (1932), designed by Travis Banton

Betty Grable's evening gown in This Way Please (1937), designed by Edith Head


Betty Hutton's jacket and pants for The Perils of Pauline (1947), designed by Edith Head

Greer Garson's blouse and skirt for Julia Misbehaves (1948), designed by Irene

Norma Shearer's evening jacket for Her Cardboard Lover (1942), designed by Robert Kalloch

Mae West's dress for Every Day's a Holiday (1938), designed by Elsa Schiaparelli

Jean Harlow's evening gown for Bombshell (1933), designed by Gilbert Adrian

Joan Crawford's dress for This Modern Age (1931), designed by Gilbert Adrian

Gloria Swanson's evening dress for What a Widow! (1930), designed by Rene Hubert


Line-up of costumes


Jewelry display including pieces owned by Ginger Rogers, Myrna Loy and Joan Crawford

Fashion illustration

Letters and other art

Film clip being screened of Carole Lombard in No Man of Her Own (1932)
This is not the best exhibit I've ever encountered. The costumes on display were chosen more for their overall look together (many pieces were gold lamé) rather than their importance or significance. And the crowd of museum goers inside the exhibit were rather rude. Even with the experience's shortcomings, it was still a delight to see a splendid showcase of glamour from a bygone era.

The Karsh Goes Hollywood  and Hollywood Glamour exhibitions can be seen at the MFA in Boston until March 8th, 2015. 

Thursday, October 9, 2014

Ann Dvorak: Hollywood's Forgotten Rebel by Christina Rice

Ann Dvorak: Hollywood's Forgotten Rebel
by Christina Rice
Hardcover - 370 pages
9780813144269
University Press of Kentucky
October 2013

Barnes and Noble
Indiebound
Powell's
Amazon

Ann Dvorak: Hollywood’s Forgotten Rebel by Christina Rice is one of the finest books I have ever read. It's taken me a long time to sit down and write this review because frankly I've been intimidated by it. As a biography of an obscure figure from film history’s past, it’s a simply a masterpiece. From the brief preface you can already tell that the author has a passion for all things Ann Dvorak. Author Christina Rice’s reputation precedes her though and she is known among many classic film enthusiasts as the leading expert on Ann Dvorak. She runs AnnDvorak.com and in 2013 she did daily posts on Dvorak that lasted the entire year. Such an elusive and poorly known figure as Ann Dvorak was required someone with determination and passion to tell her story. There's no one else who could do it justice.

Author Christina Rice puts together the puzzle of Dvorak's life so we can see the bigger picture, even though there are plenty of pieces missing. In other words, the author does a lot with a little. Children usually carry on the legacy of their parents. For those with fame and recognition, their name is held up by future generations who appreciate their work. Dvorak was childless and a forgotten figure of film history by the time she died in 1979. She was lost to us until the home video era and a resurgence in interest in Pre-Code films. Dvorak was rediscovered when so many of us fell in love with her via Three on a Match (1932) and Scarface (1932) among other films.

Ann Dvorak
Photo Source


Dvorak never became a big star but it wasn't for lack of charm or talent. She was rebellious against a studio system that often punished her with suspensions and lackluster roles. Even before Bette Davis and James Cagney, Dvorak stood up against Warner Bros. and the notorious Jack Warner. Dvorak went from child actress to dancer to supporting actress to lead actress, demonstrating along the way her capability to adapt and transform. But true stardom was not meant to be.

Another reason for Dvorak's star's limited rise was because she always prioritized her romantic relationships over her acting career. She was especially invested her her first marriage to actor Leslie Fenton. Their honeymoon took her away from Hollywood for a year but she relished her time abroad. Fenton's influence can be seen in Dvorak's penchant for traveling, reading and even esoteric hobbies such as bacteriology. Dvorak was married three times and her last marriage to Nicholas Wade brought her to Hawaii where she would live out the rest of her days in relative obscurity.

Rice's biography of Ann Dvorak is a wonderfully thorough look at the actress' life and career. Much time is spent on Dvorak's complicated relationship with her mother, who was also an actress and an intriguing figure in Dvorak's life. There are plenty of photos throughout the book and lots of detail about Dvorak's films as well as her TV and theater work. The book starts with a fascinating introduction which serves as a snapshot of Dvorak's life but also demonstrates the author's passion and tenacity for the project.

I highly recommend this book to anyone. Classic film fans and Ann Dvorak admirers will appreciate it as a primary source. I also think readers who appreciate well-written biographies about interesting women of the past will find a lot to enjoy in this book.

A big thank you to the University Press of Kentucky for sending me this book to review.

Tuesday, September 30, 2014

Hedy's Folly: The Life and Breakthrough Inventions of Hedy Lamarr, the Most Beautiful Woman in the World

Hedy's Folly: The Life and Breakthrough Inventions of Hedy Lamarr, the Most Beautiful Woman in the World
by Richard Rhodes
97807636385534383 – Hardcover
9780307742957 - Paperback
272 pages
Doubleday
November 2011

Barnes and Noble
Powells
Indiebound

“Her energy, curiosity and generosity were enormous.” – Robert Osborne on Hedy Lamarr

Louis B. Mayer dubbed her “the most beautiful woman in the world.” Hedy Lamarr dazzled audiences from all over the world with her good looks and her charm. When she was away from the studio, Lamarr spent much of her free time working on her inventions. She was a great thinker and although she didn’t have much of a formal education Lamarr proved that genius comes in all forms.

Hedy's Folly: The Life and Breakthrough Inventions of Hedy Lamarr, the Most Beautiful Woman in the World by Richard Rhodes explores Lamarr’s life, her hobby and her greatest contribution: the invention of spread spectrum, otherwise known as frequency hopping. Or at least that’s what you would think was the main focus of the book. The title and the cover’s arresting image of Hedy Lamarr sitting on a torpedo are misleading. This book tries to do three things:
  1.  to lure in Hedy Lamarr fans who may or may not know about her contribution to technology
  2. to tell the parallel stories of Lamarr and her co-inventor George Antheil with equal time given to each
  3. to fulfill any obligations for the Arthur P. Sloan Foundation grant which funded the research of this book. (The foundation funds research on science and technology) 
Rhodes is successful at doing all three of these things. However, the title and cover leads readers to believe this book is primarily about Lamarr. It's not. I think it’s important to know this first before you start the book. Once you know what to expect, then it proves to be an interesting read.

Hedy Lamarr was born Hedwig “Hedy” Kiesler in 1914 in Vienna, Austria. Her father encouraged her interest in technology and she picked up inventing as a hobby at an early age. By her late teens she was already an actress on stage and film and at 18 she married munitions dealer Fritz Mandl. Mandl was much older than Lamarr but she was attracted to his business savvy and intelligence. Lamarr would listen in on conversations Mandl had during business luncheons and dinners. Mandl’s lengthy discussions about advances in military technology inadvertently gave Lamarr a valuable education on bombers, torpedoes, submarines, cruisers and weapon systems.

Lamarr’s marriage to Mandl was a toxic one. He valued her opinions on business matters but that was the extent of his respect for her. Mandl was controlling and did not want Lamarr to pursue her acting career. Lamarr had gotten much notoriety for appearing nude in the film Ektase. Mandl became obsessed and would often use the notoriety of the film against her. He spent a fortune trying to buy and destroy all the prints of the film he could get his hands on. Unfortunately for him but fortunate for us, he wasn’t able to get rid of them all. The situation became too much for Lamarr. She needed her independence. There are differing accounts about how she escaped the “prison” that was their marriage but escape she did. She left for London and it was there she met Louis B. Mayer. Mayer had seen her perform on stage and was struck by her beauty. He signed Lamarr, then 22, to an MGM contract and Mayer’s wife Margaret Mayer changed her name to Hedy Lamarr. Lamarr comes from Barbara La Marr, an MGM actress, also known for her beauty but who met an early and tragic demise. With a new contract and a new name, Lamarr was headed for Hollywood.

In 1940, Lamarr was introduced to George Antheil by Hollywood costume designer Adrian and his wife actress Janet Gaynor. Antheil was a pianist and composer who worked on different music technologies including player pianos. Lamarr and Antheil were both influenced by deaths in their respective families. On the death of her father, Lamarr reflected “I had met death for the first time and death had shown me among other things, how brief life is”. Antheil was similarly affected by the death of his brother Henry. These tragic events along with the onslaught of WWII (and a couple horrifying instances of children becoming victims of torpedo attacks on ocean vessels) spurred Antheil and Lamarr’s interest in improving military technology.

Lamarr provided the ideas and Antheil the implementation. Together they worked on a few inventions but the one that showed the most promise was for remote-controlled torpedos. Their main objective was to avoid frequencies from being jammed or intercepted by enemy forces. They came up with the idea of spread spectrum or frequency hopping. Rhodes explains,

“Hedy’s original idea is simple to state: if a radio transmitter and receiver are synchronized to change their tuning simultaneously, hopping together randomly from frequency to frequency, then the radio signal passing between them cannot be jammed.”

Lamarr and Antheil worked on getting their idea, submitted it to the National Inventors Council and eventually received a patent. The technology was rejected by the Navy but was kept on file for many years. Even though the technology could have been very useful during WWII but it proved to difficult to implement. The technology was rediscovered in the 1950s and evolved over the years. In the late 1970s, spread spectrum technology became public and in the 1980s there was a push to use this in non-government capacities. This led to the development of microwave technology, cell phones, LANs, wireless cash registers, bar-code scanners, bluetooth and WiFi among other technologies. Rhodes describes “the advent of the cellular phone: allowing many different phones to talk at once by arranging for them to hop in many different sequences thus staying out of each other’s way.” It’s amazing to think how Hedy’s idea and Antheil’s technological detail contributed to our Information Age!

This book has its flaws. It tends to be rather simplistic and repetitive especially in the first half of the book. It’s difficult to get over how that title and cover misleads you into thinking this book is something it’s not. However, it’s well-researched and Rhodes does a great job explaining all of the technology without overwhelming the reader. I got confused a few times but there was enough explanation for me to grasp the basic concepts of the technologies. It was interesting to see how Lamarr and Antheil’s work developed over time into other ideas and devices. Hedy Lamarr was aware of the importance of the Kiesler-Antheil patent, as it was called, and was frustrated by the lack of recognition. She did receive some recognition before her death but this book serves as a great tribute to the fine work accomplished by Lamarr and Antheil.

Disclaimer: I purchased this book from Random House (Doubleday).

Update: Listen to author Richard Rhodes' interview with NPR here.

Monday, September 29, 2014

Stars & Their Hobbies ~ Wrap-Up

Hobbies of the Stars (Source)

September is coming to a close and that means it's time to wrap up my Stars & Their Hobbies series. I hope you've enjoyed this series as much as I have! It's been a lot of work. Even though the posts are relatively short, some of them required up to 2-3 hours of research. My goal for each post was to include the following: a photo of the star doing their hobby, a quote from them about their hobby and some fun trivia. This ideal scenario wasn't possible for every post but gosh darn it I tried! Below are some interesting (and some strange) hobbies that didn't make it into the mix.

Anne Shirley enjoyed sand skiing.
Lew Ayres was an amateur astronomer.
Billie Dove collected rare perfumes.
George Montgomery made furniture.
Lila Lee flew airplanes.
Gary Cooper was an amateur taxidermist.
Mel Torme had so many hobbies that it led to a divorce.
Dorothy Lee collected toy dogs.
Lyle Talbot and Ann Dvorak studied bacteriology.
Robert Mitchum wrote poems, songs and jokes.

Jerry Lewis played the drums.

Vincent Prince loved cooking and wrote cookbooks.

Tony Curtis had a collection of pipes.

Lewis Stone's hobby was cabinet-making.
Rock Hudson had a vast collection of films.

In addition to Steve McQueen, Paul Newman and James Garner were both race car enthusiasts.


A big thank you to Laura, Jessica, Terry, Kate Gabrielle, Neil, Jonas, and Sebina for all of the tips! They helped make this series possible.

If I find more ideas for posts in the future, I'll make sure to revive this series.

Now I leave you with an MGM short from 1939 entitled Hollywood Hobbies. It features two young tourists exploring Hollywood on a tour and spot some MGM stars along the way.




My series Stars & Their Hobbies explores how notable actors and actresses from Hollywood history spent their free time. Click here  to view a complete list of entries.

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