IOU

I owe you. No really, I do. Chances are you have either lent me a movie, given me a movie or suggested a movie to me and I've neglected your advice and help. So, you know what? Now is the time to make up for that. Next week is IOU week. Each day I'll review a film I owe someone a viewing of. That's seven IOUs. It won't make up for everything but at least it's a start.

Summer of Classic Films in Boston - June 2011

Boston, Massachusetts is a haven for classic film lovers. We have so many wonderful repertory theatres that showcase classic films on the big screens. Summer is usually when it gets hopping, with lots of films to chose from. So even if you are not a local, the Summer is a great time to come visit Boston! I decided to highlight some of the classic film goings-on in the Boston area month by month this summer. Let's start with June which is already jam-packed with wonderful offerings.

Update: Laura of Laura's Miscellaneous Musings posted some LA classic film screening highlights on her blog. Here is the list.

----------------------------------------------------------------

Paramount Theater - Boston


The Paramount Theater, a gorgeous Art Deco theater in the heart of Boston's theatre district, opened in 1932 but closed in 1976. My graduate alma mater, Emerson College, renovated the building (while I was attending) and the theater had a grand reopening in 2010. They are showcasing a Noir Nights festival with screenings of rare Noirs (some unavailable on DVD) in their Bright Family Screening Room. It's not the theater proper but it is a good excuse to get out to the city to watch some rare Noirs!

Tickets are $10, $7.50 for Members and Seniors and $5 for Students. You can also get a festival pass for $30 which gets you in for 4 of the films. There is a membership package for Arts at Emerson which is $60 and gets you 8 free tickets to lots of shows, plus discounted tickets, discounted parking, etc. Sweet deals all around.

The Dark Mirror (1946)
June 9th (Thursday) - 6pm
June 12th (Sunday) - 7:15 pm

Cry of the City (1948)
June 9th (Thursday) - 7:45 pm

So Evil My Love (1948)
June 10th (Friday) - 7:00 pm

Alias Nick Beal (1949)
June 10th (Friday) - 9:00 pm

Tight Spot (1955)
June 11th (Saturday) - 7:00 pm

Beyond a Reasonable Doubt (1956)
June 11th (Saturday) - 9:00 pm
June 12th (Sunday) - 5:30 pm

----------------------------------------------------------------

Brattle Theater - Cambridge

Tickets are $9.75, Matinees before 5 pm are $7.75. Students $7.75 with ID. Seniors $6.75. Children under 12 $6.75. You can also purchase one of many different membership packages.

Treasure of Sierra Madre (1948)
June 18th (Saturday) - 12:30 pm
June 19th (Sunday) - 12:30 pm

DOUBLE FEATURE! Two movies for the price of one.
The Maltese Falcon (1941)
June 19th (Sunday) 3:00 pm

The Asphalt Jungle (1950)
June 19th (Sunday) - 5:00 pm


Restored Print!
The African Queen (1951)
June 24 (Friday) - 5 pm, 7:15 pm
June 25th (Saturday) - 12:30 pm, 2:45 pm, 5 pm, 7:15 pm
June 26th (Sunday) - 12:30 pm, 2:45 pm, 5 pm, 7:15 pm
June 27th (Monday) through June 30th (Thursday) - 5 pm, 7:15 pm each day

 ----------------------------------------------------------------

Harvard Film Archive - Cambridge

Tickets are $9, $7 for Students and Senior Citizens. Some screenings are $12 or even free (check the website)! Cash only folks. Don't bring the credit card. And you can buy in advance so show up early.

(this is only a sampling)

Luis Buñuel Series

Viridiana (1961)
June 18th (Saturday) - 7pm

Land Without Bread (Las Hurdes: Tierra SIn Pan) (1933)
June 19th (Saturday) - 7pm

Belle de Jour (1967)
June 25th (Saturday) - 7pm

 ----------------------------------------------------------------

Coolidge Corner Theater - Brookline

Fiddler on the Roof (1971)
June 20th (Monday) - 7 pm

----------------------------------------------------------------

 Somerville Theater - Somerville

The Somerville Theater is hosting a Classic Film Series from June through August. Here are the June selections!

Captains Courageous (1937)
June 19th (Sunday) 11 am
June 20th (Monday) 5pm and 8pm

Double Indemnity (1944)
June 26th (Sunday) 11 am
June 27th (Monday) 5pm and 8pm

I'm engaged!

Carlos, whom I've written about many times before, and I got engaged on Sunday. He proposed by our favorite beach and I said yes. Carlos is a wonderful man and one of the joys we share is our mutual love for movies. I can't imagine spending the rest of my life with a better man!

We're No Angels (1955)

Finishing a blogathon 5 months later is okay... right?!

We're No Angels (1955) is a Christmas story like no other. It's the turn of the 20th Century and three Devil's Island convicts find themselves on a tropical island colonized by France. They need money to catch a ship back to Europe but find themselves without any resources. So what are three convicts to do? Steal and kill of course! Joseph (Humphrey Bogart), Albert (Aldo Ray) and Jules (Peter Ustinov) target the Ducotel family who run a local shop. But the mother Ducotel (Joan Bennett), father Ducotel (Leo G. Carroll) and the lovesick daughter Isabelle (Gloria Talbott) are sweet, kind and charming. What are three ruthless convicts to do when they are being treated nicely on this Christmas Eve? They still need to make it home! Will they be able to kill this nice family?

This is one of the few Humphrey Bogart films in color. The only other one I can think of is The African Queen. And boy is there a lot of color. So make sure that if you are a Bogie fan that this film is in your repertoire. While Bogie is charming as the swindler of the convict pact (he's the brains behind the operation) and Peter Ustinov is also charming as the goofy and lovable safecracker, it's Aldo Ray that caught my attention. Why? Because he doesn't look like he belongs in a film from 1955. He looks like he's straight out of the 21st Century. He's got that All-American look that is All-American now but not back then. Big broad shoulders, big arms, lots of height, buzz cut hair and tattoos. That's NOW. He stuck out like a sore thumb to me. Robert Mitchum and Kirk Douglas were buff in a barrel-chested kind of way. Aldo Ray had some real bulk to his muscles. Wow!

Moving on... This is a very enjoyable film. It's black humor with a wholesome feel and a bit of sex thrown in. We're No Angels can be a bit slow paced. I won't hide the fact that I fell asleep twice while watching the film (it could be a lullaby!). It's not explicitly Christmas. In fact, the tropical setting and the focus on the Convict-Family plot makes you forget the holiday theme a few times in the film. However, I think that non-Christmas films that take place at Christmas are great for Holiday viewing.

Three Angels came to earth that night and all around the stars were bright.