Here is a look back at the highlights of Out of the Past ~ A Classic Film Blog through the months of 2009.
January
My first ever recipe post with a meal straight out of The Fortune Cookie (1966)
I try to make sense out of all those "Heaven" movies
I declared my adoration for Ernest Borgnine
February
My very first giveaway. TCM 31 Days of Oscars Notebooks
I take some friends to see Pillow Talk (1959) on the big screen.
My most controversial post ever: I declare never to participate in blog awards
March
I get people thinking about Susan Peters
I show off my own entertainment center and ask fellow bloggers to do the same.
Norma Shearer Week!
April
Norma Shearer Week continues into April
I turn a Ball of Fire (1942) review into a recipe
I become smitten with Pamela Tiffin
May
An Ode to My Father
Latino Images in Film series and giveaway in conjunction with TCM's festival
June
Guest Blogger month with lots of great contributions from: Mercurie, Jonas, Alex, Tommy, Nicole, Donna, Kate Gabrielle, Paulie, Steve-O and Sarah.
July
Karl Malden breaks my heart
Then I fall in love with Carlos and watch The Hustler (1961) for him.
August
I watch Rebel Without a Cause (1955) outside in a park
I drag Kevin's butt to see The Arrangement (1969) at the HFA
September
I take a bit of a break this month. Lots going on but managed to post a few things.
October
I get to see director Stanley Donen in person twice! For Seven Brides for Seven Brothers (1954) and Two for the Road (1967)
Carlos and I see Phantom of the Opera (1925) in an armory with live musical accompaniment. Just in time for Halloween.
November
Casablanca Squared happens!
I become fascinated with Charles Emmett Mack (McNerney) who shares my birthday
December
I finally FINALLY watch It's a Wonderful Life (1946) and I liked it.
I make a menu out of Christmas in Connecticut (1945)
I bite my thumb at that mean blogger and at last put up my Anita Page - The Easiest Way (1931) post.
Happy New Year to you all!
Thursday, December 31, 2009
Wednesday, December 30, 2009
George Sanders, Zsa Zsa and Me
George Sanders, Zsa Zsa, and Me
by David R. Slavitt
9780810126244
Northwestern University Press
2009
Slavitt has a lot to say. In this book, he gets an opportunity to get those thoughts on paper and into the public's hands. Slavitt is a film critic (local to me since he lives in my area) who has shmoozed with and panned lots of greats from the classic film world. You may think from the title that this book is just about George Sanders his wife Zsa Zsa Gabor and Slavitt. Well, you are completely wrong. While George Sanders' life is the foundation of this book, it is really a free platform for Slavitt to talk about his days as a critic and his interactions with various people in the film world.
While reading this book, to me it seemed like Slavitt was a pretty angry guy. What saves the book for me is that he's a no-nonsense, straight-talking critic who isn't afraid to tell you what he thinks. For that reason, and that reason alone ,I kind of admire the man. George Sanders is a figure of both admiration and curiousity for Slavitt. Sanders was a charming, intelligent man who didn't realize his talent and settled for making lots of not-so-great films and as the final words of the book read: "Sanders' performance [in Viaggio] and All About Eve earned him a crumb of immortality. It's more than most of us get." Slavitt touches upon a lot of aspects of Sanders' life including his odd relationship with Zsa Zsa Gabor who he claims is a sort of angel of death in the lives of her husband Sanders and his brother Tom Conway.
There is a laundry list of other stars mentioned throughout the book and I can guarantee you none of them are put on a pedestal and adored. Slavitt sees them as real people who may or may not have done extraordinary things, but not as untouchable ethereal stars. People mentioned in the book include Alfred Hitchcock, Kim Novak, Natalie Wood, Tony Curtis, Suzanne Pleshette, Jennifer Jones, Frank Sinatra, Marilyn Monroe, Audrey Hepburn, Otto Preminger, etc. Slavitt gives us insights that you won't find anywhere else. He tells us about how he disliked Suzanne Pleshette for snubbing his wife in an elevator and he tried to get out of a breakfast with Alfred Hitchcock because he couldn't stand The Birds and didn't want to face him. He also comments on a rumor started by Ava Gardner about her ex-husband Frank Sinatra's lack of sexual prowess. This book is not for the faint of heart. Pretty much everyone is a target for some disdain on Slavitt's part, except for George Sanders. If anyone is on a pedestal in this book, it's him.
I highly encourage you to read this if you have an interest in the life of George Sanders or if you want a different look at classic Hollywood. The book has no real structure and it moves strictly through wandering thoughts with everything coming back to Sanders.
I also want to take a moment to mention The Siren's series on George Sanders. She, like Slavitt, is fascinated by Sanders and has written some excellent pieces on him. Here are a few to check out:
Life with Zsa Zsa, or the Importance of Closet Space
Surreal Sanders: The Private Affairs of Bel-Ami (1947)
George and Bernard: Notes on a Scandal
George Sanders: "Caddishness of Homeric Proportions"
George Sanders on the Kind of Thing to Give the Public
Special thank you to Northwestern University Press for sending me a copy to review. And a special thanks to Slavitt for mentioning Northeastern University Press (Boston)! I used to work there as an undergrad, a couple of years before it closed it's doors and it was nice to see it mentioned.
by David R. Slavitt
9780810126244
Northwestern University Press
2009
Slavitt has a lot to say. In this book, he gets an opportunity to get those thoughts on paper and into the public's hands. Slavitt is a film critic (local to me since he lives in my area) who has shmoozed with and panned lots of greats from the classic film world. You may think from the title that this book is just about George Sanders his wife Zsa Zsa Gabor and Slavitt. Well, you are completely wrong. While George Sanders' life is the foundation of this book, it is really a free platform for Slavitt to talk about his days as a critic and his interactions with various people in the film world.
While reading this book, to me it seemed like Slavitt was a pretty angry guy. What saves the book for me is that he's a no-nonsense, straight-talking critic who isn't afraid to tell you what he thinks. For that reason, and that reason alone ,I kind of admire the man. George Sanders is a figure of both admiration and curiousity for Slavitt. Sanders was a charming, intelligent man who didn't realize his talent and settled for making lots of not-so-great films and as the final words of the book read: "Sanders' performance [in Viaggio] and All About Eve earned him a crumb of immortality. It's more than most of us get." Slavitt touches upon a lot of aspects of Sanders' life including his odd relationship with Zsa Zsa Gabor who he claims is a sort of angel of death in the lives of her husband Sanders and his brother Tom Conway.
There is a laundry list of other stars mentioned throughout the book and I can guarantee you none of them are put on a pedestal and adored. Slavitt sees them as real people who may or may not have done extraordinary things, but not as untouchable ethereal stars. People mentioned in the book include Alfred Hitchcock, Kim Novak, Natalie Wood, Tony Curtis, Suzanne Pleshette, Jennifer Jones, Frank Sinatra, Marilyn Monroe, Audrey Hepburn, Otto Preminger, etc. Slavitt gives us insights that you won't find anywhere else. He tells us about how he disliked Suzanne Pleshette for snubbing his wife in an elevator and he tried to get out of a breakfast with Alfred Hitchcock because he couldn't stand The Birds and didn't want to face him. He also comments on a rumor started by Ava Gardner about her ex-husband Frank Sinatra's lack of sexual prowess. This book is not for the faint of heart. Pretty much everyone is a target for some disdain on Slavitt's part, except for George Sanders. If anyone is on a pedestal in this book, it's him.
I highly encourage you to read this if you have an interest in the life of George Sanders or if you want a different look at classic Hollywood. The book has no real structure and it moves strictly through wandering thoughts with everything coming back to Sanders.
I also want to take a moment to mention The Siren's series on George Sanders. She, like Slavitt, is fascinated by Sanders and has written some excellent pieces on him. Here are a few to check out:
Life with Zsa Zsa, or the Importance of Closet Space
Surreal Sanders: The Private Affairs of Bel-Ami (1947)
George and Bernard: Notes on a Scandal
George Sanders: "Caddishness of Homeric Proportions"
George Sanders on the Kind of Thing to Give the Public
Special thank you to Northwestern University Press for sending me a copy to review. And a special thanks to Slavitt for mentioning Northeastern University Press (Boston)! I used to work there as an undergrad, a couple of years before it closed it's doors and it was nice to see it mentioned.
Monday, December 21, 2009
He Made Me Watch It ~ It's a Wonderful Life (1946)
On a cold Saturday evening, Carlos and I snuggled on the sofa had some mint Hot Cocoa (with some peppermint Schnapps for some added warmth) and watched It's a Wonderful Life (1946). After my 29 year + semi-voluntary boycott, I now join a legion of people who have watched and enjoyed this film. I am now one of many, rather than one of few.
I was very impressed by Jimmy Stewart's multi-dimensional performance as reluctant townie George Bailey. He certainly had his regular aw-shucks demeanor and it suited the character really well, but you see Bailey go through a wide range of emotions, from hopefulness, disappointment, love, anger, frustration, hopelessness, etc. And I have a tremendous soft spot for Jimmy Stewart. He is one of a serious of male actors who I look up to as fatherly figures. If Jimmy Stewart is crying on screen, I am crying off screen. George Bailey's desire to travel the world gets eclipsed by his responsibilities to his father's business and to his hometown of Bedford Falls. If Bailey leaves the town, the evil Potter (played by the completely unrecognizable Lionel Barrymore), will take over. We can't take the good out of the town and leave it to the evil. Oh no siree. And while Bailey's accomplishments probably eclipse that failure in his life, I still feel sad for him. Part of me really wants to see Bailey escape Bedford Falls and travel the world because people should allowed to live out their dreams. This film, and Capra's message, certainly is about the merit of the individual but in the end, Bailey had to sacrifice himself for his community. Bailey is a 1940's Jude Fawley if you ask me.
With really important films, especially ones that have an impact on myself and/or on others, I always go back to my inner Derrida. I want to deconstruct the film just the way he would. So I asked myself, "what makes It's a Wonderful Life so effective?". And my answer: opposites. Throughout the film, we see George Bailey and all the good he does for everyone in Bedford Falls. It isn't just enough to see it. We need to feel it too. So let's throw in a villain. Mr. Potter, the evil, greedy business magnate who is trying to take over Bedford Falls with his iron fist and cold heart. You put Mr. Potter side-by-side with George Bailey and Bailey looks a positive saint, even more so than he already did. Now you could have the film continue with just Mr. Potter battling George Bailey and you would have your standard run-of-the-mill good guy versus bad guy story. The clincher is the addition of the angel. And it's not just the angel himself. It's what the angel shows Bailey, but more important what is shown to us as the audience. We see Bedford Falls as it would exist WITHOUT George Bailey. Deconstructionism teaches us that the presence of something is intrinsically linked to it's absence. We really appreciate something when we understand it's absence as well as it's presence. It's a difficult concept to explain but once you comprehend it, it sticks with you for life and you can never shake it. We get the important of George Bailey in Bedford Falls because not only we see it but we see what life in the town would be like without him.
So what was my personal reaction to the film? I enjoyed it immensely and was very moved by it but I am okay with only watching it once in a great while. Maybe that's why this is such a Christmas classic. Once a year is probably enough for some folks. I hurt a lot for Jimmy Stewart/George Bailey and winced, cringed and hid my face in my hands/blanket at every moment of dramatic tension. It was a difficult film to watch. Carlos kept reassuring me that everything was going to be okay but it didn't help when I saw him get emotional. By the end of the film I had tears streaming down my face. Maybe it was for the best that I hadn't watched this film at the Brattle theatre. It's always embarassing to have one's tear-soaked face exposed by the bright lights that turn on when the end credits roll.
Now that I've thoroughly depressed you (or angered you, whichever), I would like to wish everyone a Merry Christmas!
P.S. Why did no one tell me Gloria Grahame was in this film?!
Subscribe to:
Posts (Atom)
Popular Posts
-
For anyone who loves the 1940s music, dance and overall style, discovering Soundies is an absolute treat. What is a Soundie you may be ask...
-
I saw this the other day on Twitter. Really? That's a fact? I don't buy it. Okay maybe it's the case with Panic in the Streets...
-
Holiday Affair (1949) Janet Leigh's film career began when retired actress Norma Shearer saw a photograph of the young Leigh dressed i...
-
I've returned with an exciting new edition to my classic film book round ups. Every time I curate these lists I worry that this will be ...