Friday, July 17, 2009

"You're too hungry..." ~ The Hustler (1961)

The Hustler (1961) is not about pool. It's about one man, "Fast" Eddie Felson, and pool just happens to be the medium through which his story is told.


When a new person comes into your life in a significant way things inevitably change. If you are lucky, that new person improves your life and your outlook on it. This is what I call the "new-person dynamic" and so many great stories in literature and film are based around this concept. Personally, I have found that this dynamic always proves to be enriching. Everyone brings their own perspective and one can't help but see things differently when exposed to that other perspective. Think about the important people in your life that were introduced to you at one point and how they changed your life afterwards. Now think about your favorite film and how the new-person dynamic was a catalyst for the story. Kind of eye-opening isn't it?

The most interesting part of The Hustler (1961) for me is the love story between Eddie (Paul Newman) and Sarah (Piper Laurie). And no it's not because I'm female and I'd rather see love-dovey scenes than watch people play pool and gamble. Rather, it's because when Sarah is introduced into the story Eddie's character begins to evolve. The film starts off at a very slow and quiet pace and when Sarah and Eddie meet the rest of the film gradually quickens until it reaches it's climax. Without Sarah, Eddie would just be another hustler playing for a big pay-off. With Sarah, we watch Eddie's interactions with her and we start to learn how tortured these two characters are.

My favorite line of dialogue in the movie is spoken by Sarah when Eddie takes Sarah to her apartment and kisses her passionately outside her door. She pulls away from him and says to him, "You're too hungry". They've only known each other for a few hours and already she has discovered Eddie's major weakness and has revealed to us the most important part of Eddie's character. Eddie is a constant state of consumption. He downs JTS Brown (Bourbon Whiskey), he incessantly gambles in pool and he's is constantly striving to be the best hustler. This constant hunger proves to be his downfall. He continues to consume even though it puts his relationship with Sarah at risk.



I'm really very happy I watched this film. I had been avoiding it for years and it took that new-person dynamic in my own life for me to give it a chance. This film happens to be my new beau Carlos' favorite film. Just sensing his enthusiasm about The Hustler and talking to him afterwards about the different themes in the story, enriched my experience with the film. I hope this means I get to watch lots of other movies that have been off my radar but have been on his.

Wednesday, July 15, 2009

Lookie what I found!

I was in Portland, Maine on Sunday with Carlos and we happened to come across a little store called Pandemonium.


And just look what they had in their window display. A Gone with the Wind (1939) lunchbox! It was so endearing I just had to snap a picture of it.

Now I'm not a big Gone with the Wind fan, but if I were I would have pulled out some cash for this little darling!

TCM will be airing a documentary called "1939: Hollywood's Greatest Year". It will be on again July 31st and it's available On Demand for Comcast customers. This year produced many superb films, GWTW and The Wizard of Oz just to name 2 biggies.

So what 1939 film would I like to see in lunchbox form? A Norma Shearer film of course!

Idiot's Delight (1939) - Image - Clark Gable being carried away by his blonde entourage after singing Puttin' on the Ritz. Elegant wigged Norma Shearer is in the background smiling.

What is your favorite 1939 film? What film would you like to see on a lunchbox? I'd love to hear your thoughts.


Thursday, July 2, 2009

God Speed Karl Malden (1912-2009)

My heart hurts. One of my favorite actors Karl Malden passed on yesterday. To me, Karl Malden made every film he was in better just for being in it. He was a great character actor who excelled in comedy and drama, he could play good guys and bad, and he did all of this with such great intensity. He was a big lumbering teddy bear of a man and my heart always got warm fuzzies when I would watch him on screen. I'm so sad that I never really got to pay tribute to him on this blog while he was alive.

Malden is famous for being "that guy" in films like A Streetcar Named Desire (1952), Gypsy (1962) and On the Waterfront (1954). And that's only the tip of the iceberg. If you look at his filmography, you'll see he's been in numerous top-notch films.

There are three Malden films that I especially enjoy because of him specifically....

Baby Doll (1956) - Malden plays Archie, the frustrated cotton gin owner that just wants to consummate his marriage, but goes crazy because he can't. You can see the frustration popping out of his veins!

Parrish (1961) - Malden plays Judd Raike, the cold-hearted greedy Tobacco tycoon. Read my review of the film here.

Come Fly With Me (1963) - Malden plays Walter Lucas, a widower flying coach to Europe, who falls in love with a beautiful young stewardess. The stewardess, Bergie, falls in love with him before she finds out he's a millionaire. I don't blame her for falling in love with him, because I did a little too.

God Speed Karl Malden....

Tuesday, June 30, 2009

Guest Post Sarah ~ Romeo & Juliet (1936) & West Side Story (1961)

The last entry for June's Guest Blogger Month extravaganza comes from the lovely Sarah from Cinema Splendor. Sarah's posts are always fun to read and she just about dazzles and amuses everyone who visits her delightful blog. She's also the biggest Natalie Wood fan on the planet! Hope you enjoy this entry.
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Disclaimer – it may help if you know the stories of Romeo & Juliet and West Side Story to read this post :)

So we all know that West Side Story is a modern retelling of the Shakespeare classic Romeo and Juliet. While they are similar, they also have their differences and my job is to show them to you! Raquelle made me...just kidding, I volunteered :)


Maria and Juliet both have fake deaths.
In R & J, Friar Laurence gives Juliet a potion to make her appear to be dead though she is really in a deeeeeep sleep. Deep enough to make her not have a pulse. Don't quite know how that one worked out, but okay...


Romeo doesn’t get the memo that Juliet isn’t really dead, so when he goes to see her ‘body’, he gets all upset and drinks poison to be with Juliet. She wakes up like, 3.5 seconds later and discovers Romeo all drawn out next to her. She has vice versa thinking and stabs herself with Romeo’s dagger to be with him.

WSS is totally different however because Anita gets upset after being harrassed by the jets and tells them that Chino shot Maria for loving Tony. Tony catches wind of this, runs out into the streets calling Chinos name begging him to shoot him too so he'd be with Maria. Tony and Maria find each other and while running towards each other all Bo Derek and Dudley Moore in 10 , guess what; Chino heard Tony yelling his name and shoots him. Insert a few dramatic moments and Maria walks away. The End. It isn’t shown or explained if Maria really did kill herself, so that’s one difference between the two stories.

Paris/Chino and the relationship between Tybalt/Bernardo and Nurse/Anita are completely different.

Paris in R & J has been arranged to marry Juliet. Chino in WSS has been arranged to marry Maria. Obviously both gals fall in love with other guys and these two are just left to their own devices.

Chino – kills Tony after he finds out about his relationship with Maria meaning he will probably end up in jail for quite a while.

Paris – After Juliet kills herself, he’s just sort of left in the dust. Poor Paris :(

Also, Tybalt is Juliet’s cousin. Nurse is kind of a confidant for Juliet. In the Shakespeare story, they’re not romantically involved, although Nurse shows some affection for Tybalt at the masked ball. Also, when Tybalt dies in the street fight, Nurse is visibly upset at his death. However, in West Side Story Anita and Bernardo are clearly lovers. Both Nurse’s and Anita’s reactions are similar in that they are both very upset at the deaths.

Romeo and Juliet are actually married while Tony and Maria are fake married.
R & J go to Friar Laurence (the same guy who give Juliet the “it’ll make you look dead” potion) to get married, like for real. Nobody knows about their holy matrimony except Nurse. Tony and Maria have a do-it-yourself wedding in the bridal shop (how appropriate) resulting in the scene that everybody hates and think its such a corn-fest, but…I kinda love it.

Do you see the “cross” above them? ;)


Mama will make him ask about your prospects.
Many!
If you go to church…
Oh, always.
Yes…Papa might like you.


Heh. Watch it here.

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