You Otto See It: The Man With the Golden Arm

It was a strange coincidence that I watched Guys and Dolls (1955) and The Man with the Golden Arm (1956) back-to-back. Guys and Dolls is a musical about a gambler who gambles with love and stars Marlon Brando. Frank Sinatra co-stars as an illegal crap game organizer. Sinatra had been vying for the title role of Sky Masterson and lost out to Brando. Brando does most of the singing, which seems a utter shame given Sinatra's God-given talent. But Sinatra gave Brando his comeuppance the following year when he quickly snagged the role of Frankie Machine in The Man with the Golden Arm away from Brando, who was the first choice for the film. Sinatra steps out of his realm and does an amazing job as a dealer, finally clean from his heroin-addiction, trying to get his life back on track by becoming a drummer and staying away from drugs and cards. But his old life, and the people in it, keep getting in his way.

As I've said before, I absolutely love it when actors step out of their comfort zones and do something completely different. While it didn't work so much for Brando, it definitely worked for Sinatra. This is one of the best films I have ever seen and it has much to do with Sinatra's performance (which I'm sure Otto Preminger had a hand in).

I decided, instead of gushing on and on about this film, that I would keep it short. I'll give you 5 reasons to watch this film.

1) Frank Sinatra's astounding performance. He was nominated for the Best Actor Oscar for this film.

2) The opposition between motherly yet sizzling hot Molly (Kim Novak) and the pathetic and conniving Zosh (Eleanor Parker). They play off each other very well even though they don't share very many scenes.

3) The musical score by Elmer Bernstein. I hardly ever notice music, but I did with this film. The music interacts with the motions of the scenes. Beautiful.

4) Otto Preminger's direction and Sam Leavitt's cinematography. Everything just falls into place.

5) Saul Bass' title sequence art. It's beautiful. He's well known for the title sequences in numerous Preminger and Hitchcock films. For Man with the Golden Arm, Bass created a minimalist black background cut by moving white bars. It's beautiful for its simplicity. See below. (thanks to Frank & Kevin for their help on this!)

New Blog Feature!

I thought to myself, why not take my obsessive Facebook status-updating compulsion and tie it into my blog? So thus, I started a new feature called "Newsreel ~ What I'm Up To Now". I'll just provide little snippets of what's going on in my personal world. And maybe I'll add some random thoughts. I promise to keep it all classic film-related (and amusing). Check it out on the sidebar!

Jungle Red!

I hadn't originally planned to see the newest incarnation of The Women (2008), but that's what I was doing last Sunday evening. As I spoke before about this subject (see previous post), there have been good and bad remakes. I didn't expect to like this one, but luckily when I went to the theater, I left all preconceived expectations behind and opened myself up to what was going to grace the screen. And guess what ? I kind of liked it!


There are some obvious flaws. First of all, the dialogue. The original, The Women (1939), had the most amazing cutting, witty and catty dialogue. Plus the pacing in the original is fast, where as its much slower and more casual in the remake. My biggest gripe is that while Cukor did such an excellent job showcasing all of the talent in the original, the remake did not take advantage of its ensemble cast as it should have. Poor Bette Midler gets only a couple minutes of screen time and her whole plotline is reduced to one flighty conversation. Gah!


Most of the bloggers who have reviewed the 2008 version did not like it. And I can see why. The original is just so great that it really can't be matched. But the remake is very conscious of its predecessor, making references to it throughout the movie. On its own however, the film was very enjoyable. My favorite was the climax scene (spoiler alert to those who aren't familiar with the original story), when Mary decides to get back together with Stephen. It happens in a delivery room when one of the characters is having a baby. It was so funny I near fell out of my chair laughing. And the remake made MUCH better use of the author character (Nancy Blake played by Florence Nash and Alex Fisher played by Jada Pinkett-Smith). The Sylvia Fowler character is very 3-dimensional in the remake. She can be evil, but she has a history and she's a good person at heart. Whereas, the Sylvia Flower in the original is a conniving stock character that Rosalind Russell played oh so well. In the same way Russell did in 1939, Annette Benning really does steal the picture. All in all, it was an enjoyable film.



And of course, I painted my nails my version of "Jungle Red" in honor of the movie!

The Friend Dynamic

Watching a movie with friends is a totally unique experience. It's multi-layered and full of surprises. I recently had several opportunities to watch some classic and contemporary films with friends. To Catch a Thief, North by Northwest, A Girl Cut in Two, Baby Mama, among others. In fact the picture on the left is of Kevin, H. and Lisa who joined me to go see Metropolis recently (see my previous post). If I had watched any of these films by myself, at home, (which I have), I would only remember the story and not the experience. But it's a whole other story when I watch movies with friends.

I sat down and thought about how friends shape the movie-watching experience. I decided in order to understand it, I had to somehow make sense of it. So I broke the basic experience into three sections. Starting with pre-show bonding, followed by communal viewing and ending with post-show bonding. All three phases are crucial to provide the ultimate experience.

Pre-show bonding is taken for granted by many. In fact, it irks me when people are late (including myself, which is often the case) and pre-show bonding is either reduced to a couple minutes of rushed conversation or none at all. This is the time before the movie where you share your excitement for what's up ahead. If it's a new movie, you talk about what you've heard about the film, the director or its actors or even reviews and friend's recommendations. If it's a movie you've seen before, you share with others your last experience watching it and what interesting tidbits you have to offer. All of this increases the anticipation of watching the film and adds to a heightened sense of enjoyment. 15-20 minutes of pre-show bonding is ideal.

Communal viewing is probably the most elusive and indescribable of the three phases, although I'll try my best to talk about what I have a grasp on. The most obvious thing is laughter. When someone laughs, I find myself laughing too. Sometimes it's a joke that I would find funny so I share in the laughter. Or its just a serious scene that ended up being silly. Or it's not funny at all, but laughter is a way to react physically to it. Others laughter makes me ultra-aware of what just happened on screen. I get to thinking, why did he or she find that interesting? Then, more often than not, I'm the only one laughing, because I get something others don't. Not because I'm super-intelligent, but just because I'm weird. Maybe they're wondering why I'm laughing too?

Post-show bonding is probably the most satisfying. It's a few minutes of talk during the credits then more talk either right outside the theater or at some bar or coffeehouse. If you're lucky and watch a film at someone's home, post-show bonding can last for a good amount of time, without the worry of having to catch the bus or getting out of the cold. During post-show bonding, you get to find out what others thought of the film. What they enjoyed, their reservations or frustrations or what it reminded them of. Some of the mystery behind those random bouts of laughter slips away. People thank whoever organized the outing and promises are made to have similar outings in the future. 20-30 minutes of post-show bonding should be required.

I'm sure I'm missing many key elements to this experience, but I wanted to make sure I at least got some thoughts in writing before it escaped me. Because as nice as it is to snuggle up at home and watch a good movie, it's even better when you are surrounded by good friends.