2013 Classic Film Holiday Gift Guide

This year's holiday gift guide is exclusively made up of items that I own and love plus a couple of extras. I think these will make great gifts for classic film lovers of all kinds. My guide does include some affiliate links. You don't have to shop with them but if you do thank you! And now on to the gifts...

For the Patriotic film buff who loves WWII history…

Warner Bros. and the Homefront DVD Collection contains three WWII musicals boasting an incredible array of talent including Bette Davis, John Garfield Barbara Stanwyck, Dennis Morgan, S.Z. Sakall, Humphrey Bogart, the Andrews Sisters, Ida Lupino, Eddie Cantor, Joan Leslie, Ronald Reagan, Olivia de Havilland and more. It's a great set of entertaining movies which demonstrate how Hollywood used their talents and resources to support the war effort.

For the Gone With the Wind (1939) devotee…

Kendra Bean's book Vivien Leigh: An Intimate Portrait is a labor of love and a great tribute to the actress best known for her role as Scarlett O'Hara. Many Gone With the Wind fans are enamored with Vivien Leigh and would love to have this gorgeous book as part of their library. This book details the actress' life and career and showcases many never-before-seen photographs. It's a collector's item as well as an informative read.

For the serious student of film history…

Room 1219: The Life of Fatty Arbuckle, the Mysterious Death of Virginia Rappe, and the Scandal That Changed Hollywood is one of my favorite books from 2013. Author Greg Merritt carefully examines the scandal that shook up Hollywood and changed film history forever. This makes the perfect gift for the studious film scholar who wants to learn everything there is to know about the early history of Hollywood. Read my full review of the book here.

For the movie musical fan who wants to grow their collection...

Introduce them to the wonders of movie musicals with this Best of Warner Bros. 20 Film Collection: Musicals set. It includes various WB and MGM musicals from The Jazz Singer (1927) to Hairspray (1988).  Read my full review of this boxed set here. This is a fun set for a musical movie marathon. You wont be able to watch them all in one day but it would be ideal for a (really) long weekend or staycation.

For the parent who wants to introduce their child to old movies...

Bluffton: My Summer with Buster Keaton by Matt Phelan. This graphic novel takes place in Bluffton, a small neighborhood in Muskegon, Michigan. A young Buster Keaton travels with his family to Bluffton each year to spend the summer. Keaton meets a local boy and the story is told from that boy's perspective. A little bit from my review:

Bluffton is intended for children ages 9-12... It's a great way to introduce children to an important figure in film history and to show them a time before electronic devices in which work and play were exclusively physical. Adults will revel in the nostalgia and the history and everyone will be transfixed by the amazing illustrations. This is a great choice for reluctant readers because of the accessibility of the illustrations, the story and the text.

For the very generous gift giver who wants to treat someone to something extra special…

Best of Warner Bros. 50 Film Collection (Blu-ray) Blu-Ray from Warner Bros. This set is amazing and one of the treasures in my home library. It retails at just under $600 (you can probably find a good deal online) so this is definitely for the gift giver who has some room in his or her wallet. It contains 50 movies plus extras on 52 Blu-Ray discs. Two flip-books holding the discs are inside and the movies are organized in chronological order. There are extra goodies including a fold-out poster and collectible postcards. The entire folds out and holds together with a magnetic closure. I've been meaning to review this one for a long time and I will soon! Movies include: Grand Hotel, Gone with the Wind, Wizard of Oz, Citizen Kane, The Maltese Falcon, Singin' in the Rain, A Streetcar Named Desire, Casablanca, Ben-Hur, North By Northwest and plenty more . Years covered are from 1932 to 2010.

For the frugal gift giver who wants their dollars to go the extra mile…

Give the gift of a TCM Greatest Classic Films or Greatest Classic Legends collection is a great way to treat a classic film fan to something special without breaking the bank. The Greatest Classic Film sets are by theme, director or pairing and include Literary Romance, Busby Berkeley Musicals , Family, Holiday, Astaire and Rogers , Hitchcock Thrillers, Murder Mysteries and more. The Greatest Classic Legends feature four films starring one classic film actor or actress. I own the Jean Harlow and Kirk Douglas sets! Some out-of-print titles can be found in these sets too making them even more valuable. You can usually find these for 30-50% off the retail price at Barnes and Noble or at the TCM Shop. Walmart has an exclusive line with 2 films instead of 4 which is even less expensive.


For the TCM fanatic…

TCM Bistro Mug - Green . I don't have this one yet but thanks to a kind friend who gave me a TCM gift certificate for my recent birthday, there is one on it's way to me! For a gift recipient who loves hot beverages and watching classic movies, there is no better way to show off their TCM pride than with a branded mug.

You could kick things up a notch and upgrade your gift to the Classic Cocoa Gift Set which includes the Bistro Mug, a blanket and hot cocoa mix.

For the film buff who lives for extras…

Lawrence of Arabia: 50th Anniversary Collector's Edition Blu-ray. I asked Carlos if he wanted to suggest something he owned for my holiday gift guide and he picked this. It's one of his most treasured possessions. It's a stunning boxed complete with a coffee table book, an individually numbered 70mm mounted film frame, a soundtrack CD and three Blu-Rays with the film and enough extras to keep you busy for several hours. If you buy the set at TCM's shop, they offer a set of magnets and a gift with purchase.

For the film trivia expert who thinks they know everything…

The Man Who Seduced Hollywood The Life and Loves of Greg Bautzer, Tinseltown's Most Powerful Lawyer by B. James Gladstone. Maybe your loved one and friend has read every book about every major movie star and director? Well, have they heard about Greg Bautzer the legendary lawyer whose list of Hollywood romances was as impressive as his list of elite clients. Read my full review of the book here. (Stay tuned as I'll be posting an interview with the author on this blog soon!)

For the discriminating classic film fan who is impossible to shop for…

A rental or streaming service! I have subscriptions to Netflix (streaming and 2 DVDs at a time) and Classicflix (1 DVD at a time). There is also the Warner Archive streaming service which is growing in leaps and bounds. I love having services like these available to me for random projects and for quick access to new-to-me films I learn about. Netflix offers gift subscriptions. If your recipient already has any of these services, you can always offer to pay for a few months on their behalf.

Now here are some of my favorites from Warner Archive...

For the lover of American nostalgia…

The Andy Hardy Collection: Volume 1 from Warner Archive

The Andy Hardy Film Collection: Volume 2 from Warner Archive

Spend some time with the Hardy family. There is Andy Hardy (Mickey Rooney), he's got energy to burn and skirts to chase, Judge Hardy (Lewis Stone) who is the voice of reason even if he sometimes gets sidetracked and who can forget Mrs. Hardy (Fay Holden), Aunt Milly and Marian Hardy. The series evolved over time but many things stayed constant. Andy Hardy's many romances gave some young starlets including Lana Turner, Judy Garland, Esther Williams and two of my personal favorites: Bonita Granville and Susan Peters a chance to shine.

For the B-movie detective enthusiast…

Falcon Mystery Movie Collection, The Volume 1 from Warner Bros.

The Falcon Mystery Movie Collection, Volume 2 from Warner Bros.

Spend some time with the Falcon as he solves murders and makes the ladies swoon. Actor George Sanders plays Falcon in the first three films until his brother Tom Conway takes over in the fourth film and in the ones that followed. Both Sanders and Conway are excellent in these B-murder mysteries and these films are great for rainy days.

For the Robert Benchley fan or lover of film shorts…

The Robert Benchley Miniatures Collection from Warner Archive

 
These are hilarious! Robert Benchley was the quintessential humorist of the early 20th Century. This three disc set includes 30 of his humorous miniatures from 1935 to 1944. Some of my favorites include How to Sleep, How to Train a Dog, A Night at the Movies and How to Read. You might not love them all but you'll find plenty in this set to enjoy. Fans of Robert Benchley's brand of humor will love to have this set in their home library.

Peter Pan (1924) with Live Musical Accompaniment by Jeff Rapsis

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On November 17th, Carlos and I headed to the Somerville Theatre to watch the silent film Peter Pan (1924) on the big screen with live music performed by my favorite accompanist, the talented and tireless Jeff Rapsis.

Watching this film was a treat considering how special it is. Peter Pan (1924) was the first film adaptation of J.M. Barrie's famous play by the same name. The play was also adapted by Barrie into a full-length novel which I listened to as an audio book before I attended this screening. I wanted the original story to be fresh in my mind while I watched the film. (You can check out my review of the novel on my book blog.)

Betty Bronson as Peter Pan
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Author J.M. Barrie was directly involved in the production of this film. All of the inter titles are taken directly from the play's text, Barrie had approval of the actress who would play Peter Pan (it went to Betty Bronson after a very lengthy audition process) and because of his involvement the story stays as true to the original as possible. All of the special effects are done with as much creativity and ingenuity as possible in a time well before computers became a part of filmmaking. The children fly with the aid of wires that are virtually invisible, close-ups of Tinker Bell were filmed with actress Virginia Brown Faire alongside larger-than-life props and Nana the dog comes to life with the help of stage actor George Eli and a custom dog suit. If you are familiar with the original story, Nana the dog has remarkable abilities. She can bathe the children, feed them, tuck them in and otherwise care for them. It would not have been possible to accurate portray Nana with a real dog. However, a trained actor in a very elaborate dog suit will do just the trick. The costume comes complete moving eyes and mouth and a wagging tail. There are other animal/animal-like costumes in the film too, most notably the crocodile. The costumes are creepy by contemporary standards and they take some getting used to. The audience at the screening nervously laughed when Nana the dog made her first appearance. But once we all came to accept the weird looking dog, the other weird looking costumes seemed to fit in just fine. Legendary Edith Head is listed as an uncredited textile designer for this film. I wonder if she worked on the animal costumes?

This film is stunning in what it could achieve with costumes, camera tricks, props and clever set design.

George Eli in costume with Philippe De Lacy
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There were two versions of the film made: an Americanized one and a British one. Even though the original story is absolutely British, the filmmakers thought an edited version would be more welcomed by an American audience. The term "British Gentleman' is swapped out for "American Gentleman" and there is an American flag and a rendition of the Star-Spangled Banner is performed.

The cast is made up of actors who are relatively obscure today. The most recognizable name is that of Anna May Wong who plays Tiger Lily. Actresses Betty Bronson (Peter Pan) and Mary Brian (Wendy) and actor Jack Murphy (John Darling) got their start with this film.

The most bizarre and tragic trivia fact about the movie is related to the two young actors who play the Twins, real life twin brothers Winston Doty and Weston Doty. Not only were they born on the same day, they also DIED on the same day. The Doty Twins were victims of the New Year Flood of 1934 and perished at the tender age of 20. So sad!

There is another interesting bit of trivia which had the makings of a tragedy but eventually achieved a happy ending. Disney made Peter Pan into an animated feature film and released it in 1953 (J.M. Barrie died in 1937). And in one of those stories that make us all shake our fists at the mass media corporation, Disney sought to destroy all copies of Peter Pan (1924) so there would be nothing to compete with their film. And for many years everyone thought they had mostly succeeded with there only being some defective copies available. In the 1990s, one original copy, in good condition, was discovered at the George Eastman House. It was restored and all existing copies of this film are from that one original.

Now onto the screening! Jeff Rapsis gave a very informative introduction before the film. A lot of the information I shared in this post came from both this introduction and his posts about the film on his blog. Rapsis gives us much needed context which has proven to be crucial for a contemporary audience to be able to understand and appreciate a film from so long ago. Rapsis is passionate about the films he screens, always very personable and approachable, loves to interact with his audience and always very creative with his music. The music during this screening was excellent. I loved how Rapsis did variations of the Pirate Song (Yo ho ho and a bottle o' rum) during the climactic scene which features a face-off between Captain Hook and his band of pirates and Peter Pan, the Darlings and the Lost Boys. 

Carlos and I had a lot of fun at the screening. It was a great film, great music and incidentally the popcorn so delicious we devoured it all in a couple of minutes. Note to local fans of the Somerville Theatre, they are celebrating their 100th anniversary next year. The celebration will include lots of classic movies, including some silents with live music performed by Jeff Rapsis! I'll be attending as many of those screenings as I possibly can.

Peter Pan (1924) is available on DVD from Kino Lorber. It's also in the public domain and available to watch in it's entirety on YouTube. I included the movie below. Enjoy!

Warner Archive Wednesday ~ Hildegarde Withers Mysteries Collection

The Hildegarde Withers Mysteries  was a B-movie detective serial from RKO. It consists of six films each of which follow busybody schoolmarm Hildegarde Withers as she assists the disgruntled Inspector Oscar Piper in various murder investigations. They are based on the popular Hildegarde Withers novels by author Stuart Palmer (who also wrote some of the scripts for another B movie detective serial: The Falcon).

Edna May Oliver plays Miss Withers in the first three films, Helen Broderick plays her in the fourth and the series finishes with Zasu Pitts in the fifth and sixth films. Each of the three actresses bring their own unique spin to the Hildegarde Withers character. The only consistency you'll find is with James Gleason who plays Oscar Piper in all six films.

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 Withers to Piper: "Stop acting like a movie detective!"

Penguin Pool Murder (1932) - A school field trip, lost hat pin, a love triangle, a sad
aquarium and a curious penguin.  The story starts off with a fairly straightforward scenario: an unhappily married woman and her lover encounter her husband at an aquarium and the husband is killed. But the situation proves to be a lot more complicated than we originally thought. Visiting school teacher Hildegarde Withers (Edna May Oliver) assists Inspector Oscar Piper (James Gleason) in the investigation, much to his initial dismay. This film features the saddest aquarium you will ever see. It's difficult to watch the aquarium scenes and not weep for those poor creatures who are trapped in dirty tanks and cramped pools.

Murder on the Blackboard (1934) - A murdered teacher, a secret stash of liquor, an Irish lottery, and musical notes. Withers calls upon Piper when a music teacher is murdered at her school. This film is probably the most frightening of all three and squeamish viewers should be glad that this is the 1930s and you won't find the gore that a modern day forensics drama would gleefully dish out. By the second film Withers and Piper are a crime-fighting team and Piper, while still critical of Withers, relies on her more as a detective and continues to do so in the following films.

Personal note: This story hit a little too close to home because of a recent real-life incident in which a local school teacher was murdered at her school.

Source: Warner Archive Tumblr

Murder on a Honeymoon (1935) -A seaplane, poison cigarettes, a movie producer, mistaken identity and a curious dog. Miss Withers goes on vacation to the Catalina Islands but she can't seem to escape murders. The seem to follow her everywhere! A man is poisoned on the plane and everyone on board is a suspect. Because the person killed is tied into a trial in Inspector Piper's jurisdiction, he travels to Catalina and Withers and Piper join forces to solve the mystery. This one is probably my favorite of the bunch and the last one for Oliver as Withers. Look for Matt McHugh, Frank McHugh's brother, who plays one of the pilots of the seaplane.

Murder on the Bridle Path (1936)- Horses, a recently released convict, a sickly man, a betrayal and revenge. Helen Broderick plays a sophisticated and well-dressed version of Withers. She was my favorite of the three actresses who played Withers although Edna May Oliver really establishes the character and both Broderick and Pitts take the character in different directions. It's a rather weak film but interesting nonetheless.

The Plot Thickens (1936) - A museum, an astrology obsessed cop, upstairs/downstairs conflict and a stolen antique cup. This complicated and convoluted plot that starts off with a man murdered because he was mistaken for someone else and an antique cup from an art museum is stolen. Both Withers and Pipers try to solve both mysteries simultaneously. Zasu Pitts plays a clumsier and more aloof Hildegarde Withers.

Forty Naughty Girls (1937) - A plagiarist, a musical, a director with a roving eye and a bait-and-switch. Hildegarde Withers and Oscar Piper are on a date! All fancied up, in clothes that really don't suit them, Withers and Piper head to the theater to see the Forty Naughty Girls musical on stage. They are not in their seats long before they are both called to investigate a murder backstage. Interesting premise but ended up being the weakest and most boring of all of the films. Not a great way to wrap up the series. While I adore Zasu Pitts, I feel like she was miscast as Withers.

There is noticeable romantic tension between Withers and Piper. Piper proposes at the end of the first two films and they are on a date in the last film. They never consummate their relationship so while they act like a married couple, the tension between this spinster and confirmed bachelor elevates the comedy.

I enjoyed the first three films, felt the fourth one was so-so and the last two films left me very disappointed. The change in actresses for the Withers character hurt the series overall. James Gleason's portrayal of Oscar Piper is wonderful and the only real substantial thing that holds the series together and gives it some consistency. I recommend this film for hardcore 1930s or B-movie detective serial enthusiasts only. If you want to try out a mystery serial, I recommend the Charlie Chan or The Falcon series instead.

The Hildegarde Withers Mysteries Collection is available on DVD MOD from Warner Archive. It's a two disc set with all six films.

Warner Archive Wednesday - On (random) Wednesdays, I review one title from the Warner Archive Collection. I received the Hildegarde Withers Mysteries Collection from Warner Archive for review.

 

The Kitty Corner Interview

The lovely Carley of The Kitty Packard Pictorial has a series called The Kitty Corner in which she interviews classic film bloggers. She asked me to participate and I was absolutely thrilled to do so. It was such a fun interview and Carley was a gracious interviewer.

Check out the interview here.

Ruggles of Red Gap (1935)

Ruggles of Red Gap (1935) is a charming movie, adapted from the 1915 novel by Harry Leon Wilson which also became a popular Broadway show. Directed by Leo McCarey, a fine director who explored many social issues in his films, this Paramount movie has a superb cast including Charles Laughton, ZaSu Pitts, Mary Boland, Charles Ruggles, Roland Young and Leila Hyams.

This is just the feel-good film that is perfect for lifting ones spirit on a gloomy day. And that's just what this film did for me. These past few weeks have consisted of tightly packed schedules with few breaks and many opportunities for anxiety attacks. When I finally got a break, I needed a film to make me feel good about life and that's just what Ruggles of Red Gap did for me.

Charles Laughton stars as Marmaduke "Bill" Ruggles, a British butler whose superior, the Earl of Burnstead (Roland Young), lost him in a poker game. The winners of that game were the American Couple Egbert (Charles Ruggles) and Effie Floud (Mary Boland). These nouveau rich country folk from Red Gap, Washington are in Paris to soak up some culture courtesy of their oil fortune. Effie is particularly interested in climbing the social ladder and thinks Ruggles will be a wonderful trophy to show off to her friends back home. Ruggles is uncomfortable working for Americans, breaking the traditions he's worked so hard for years to uphold, and it shows in the sometimes obvious and sometimes subtle facial expressions Laughton gives to the Ruggles character.

"Well, well you old tarantula!"

Something happens to Ruggles when he moves to Red Gap with this new couple. His new superior Mr. Egbert Floud's personality starts to rub off on him. Egbert doesn't have the same appetite for sophistication hat his wife does. He wants only to be his fun-loving cowpoke self.

"Hey, we just met. Squat-ez vous."

When the townsfolk confuse Ruggles for a Colonel of the British Army instead of just a butler, Ruggles finds an opportunity to reinvent himself and live the American dream of freedom, prosperity and success.

"...miraculously there comes a man. A person of importance, however small. A man whose decisions and whose future are  in his own hands." - Ruggles

Ruggles falls for the local spinster Prunella (ZaSu Pitts) and starts to make his own plans for life other than being a butler. All the performances are splendid. I loved Laughton, Pitts, Boland and Ruggles especially. Roland Young and Leila Hyams have interesting supporting roles and I love the character of Belknap-Jackson played by Lucien Littlefield.

"I tell you that Belknap-Jackson is a Boston Cream Puff!"

At one point the film takes a rather strange patriotic turn. There is one scene in which a bunch of guys in a Red Gap tavern are struggling to remember what Lincoln said during his Gettysburg Address but Ruggles knows every word. According to what I found online, this scene was very emotional for Charles Laughton and he remembered it fondly. During filming the British Laughton was considering applying for American citizenship.

This film is a wonderful comedy which is elevated by it's exploration of social issues of class and personal freedom. There are sober moments, times when you laugh out loud at the exploits of the Floud couple and when your heart is touched by tender scenes between Ruggles and Prunella Judson (Pitts). At the end of the film, I found myself crying in the best possible way there is to cry. McCarey's Make Way for Tomorrow (1937) made me cry hysterically but Ruggles of Red Gap made me cry tears of joy.

Please watch this film if you can. If stories can still move you emotionally and you haven't grown completely numb to them, let this film in. You'll be a better person for it.

Ruggles of Red Gap is one of the many movies Universal acquired from Paramount. It's part of the Universal Vault Series on DVD-R. I rented it from ClassicFlix (they don't have it for sale). There is also a Blu-Ray version. Both DVD and Blu-Rays look to be out of print or their availability is limited. I'm hoping to purchase this one but can't find where I can get a new copy!

ETA: Laura of Laura's Miscellaneous Musings tells me that Universal Vault Series are sold exclusively on Amazon but there is talk of making them available at other retailers in the future.

Twenty Movie Musical Marathon & a Boxed Set Review

While I was at the TCM Classic Film Festival, the lovely folks from Warner Bros. let me chose one of their boxed sets to review. I chose their 20 Film Collection: Musical set because it had a lot of films that I hadn't seen yet. 

The Best of Warner Bros.: 20 Film Collection - Musicals boxed set contains 20 musicals spanning just over 60 years of time from 1927 to 1988. The set has a slipcase and on the back is a list of all the movies inside. There are three sets within which break up the movies into three different time frames: 1927-1951, 1951-1964 and 1967-1988. It's obvious from looking at the discs that they were meant for other DVD packages. Some say "Disc One" so you know there is a Disc Two with extras that lives in another DVD set somewhere. Most of the DVDs in this set have extras anyways so I didn't count this as any great loss.

Inside the set there is also a full color booklet. Each page of the booklet is devoted to a movie and has an image from the film, the title, a paragraph about it and lists Academy Award nominations and/or wins wherever relevant. This is a nice added bonus to this set.

The Jazz Singer (1927) - This was my first time seeing The Jazz Singer and I was genuinely surprised by how much I enjoyed this film. I'm not sure why but I was expecting a creaky clunker with little or no entertainment value but instead I got something quite different. The Jazz Singer is considered to be the very first talkie. It's really a part talkie and was intended to only have synchronized singing but with Al Jolson's ad libs there was some dialogue too. It's based on Al Jolson's own life and follows his rise to become a great entertainer.

The Broadway Melody (1929) - I had seen this film before and enjoyed it but on this viewing I became frustrated with Anita Page's character Queenie and felt compelled to smack her on several occasions. It's not a perfect early musical but definitely one to watch if you are interested in the time period and in the history of early talkies.

42nd Street (1933) - I have seen 42nd Street a few times before and the title song always seems get stuck in my head when I do watch it. The cast is magnificent: Ruby Keeler, Dick Powell, Allen Jenkins, Una Merkel, Guy Kibbee, etc. It's notable especially for the Busby Berkeley choreographed/directed sequences and for the wonderful songs.

The Great Ziegfeld (1936) - Oh my, this was quite a long movie wasn't it? This was my first viewing and going in I didn't realize it would clock in at 3 hours! The film is about the life of producer Florenz Ziegfeld and stars the dapper William Powell. His wives are played by Luise Rainier (perhaps the only surviving cast member?) and Myrna Loy, who doesn't appear until half way through the movie. This was a very entertaining film but overly long. I loved seeing a very young Dennis Morgan singing in one of the musical numbers.

The Wizard of Oz (1939) - I have always thought this movie was just plain weird. However, I have had a change of heart and that is primarily because I recently read the L. Frank Baum's The Wonderful Wizard of Oz earlier this year and fell in love with it. What made me want to read the book? Anne Hathaway did a marvelous reading for an Audible audiobook series. I really wanted to listen to her narration so I ended up reading the book that way. Also, I have been curious about why Dorothy wanted to go back to dreary old Kansas ever since I heard Director John Waters question this in the documentary These Amazing Shadows (2011). You can read my book review and my thoughts on Dorothy's attachment to Kansas here.

Yankee Doodle Dandy (1942) - A new favorite! I can't believe I hadn't seen this film before. Another biopic musical, this time about the life of entertainer, playwright and songwriter George M. Cohan. 

This film reminded me how much I adore both James Cagney and Joan Leslie. Cagney's sister plays the Cohan sister and I found it very amusing that Walter Huston plays the patriarch of the Cohan family. Great film, wonderful musical numbers, great cast, entertaining all around. Will definitely be watching this one again.

An American in Paris (1951) - This movie has always felt a bit flat to me. My opinion didn't really change with this viewing. The visuals are great, Gene Kelly's dance numbers are divine and it is an amusing movie to watch but the story is a bit of a bore and I have little interest in the characters.

Show Boat (1951) - I had never seen this one before and it wasn't high on my list of films to watch. I tried to keep an open mind and watched it. It was meh. I found the musical numbers in the beginning to be entertaining but I found the film to be tiring. I enjoyed Joe E. Brown's performance and I thought Ava Gardner's character was the most interesting part of the film!

Singin' in the Rain (1952) - Pink. That's all I could think of during this viewing. PINK! I was watching a YouTube video in which a popular athlete says that he thought some bridesmaid's dresses his wife was going to chose for their wedding was too 1920s because they were Pepto Bismol pink. Well clearly he was a fan of Singin' in the Rain because there is a lot of pink worn in the film. Debbie Reynolds, Jean Hagen, even Gene Kelly all wear pink in one scene or another. Repeat viewings of favorites always bring something new to the table.

Seven Brides for Seven Brothers (1954) - This musical is one of my top favorite films so I'm glad to finally own a copy. I think it will look spectacular if it ever gets release on Blu-Ray. On this viewing I paid special attention to the choreography. The barn-raising dance scene is one of the most exquisitely choreographed and well-executed dance numbers ever. The impressive acrobatics just add to the entertainment. Every time I watch this movie I am reminded why I should never watch a wide-screen movie in pan-and-scan. Thanks for that TCM!

A Star is Born (1954) - There are quite a few gaps in my viewing of major motion pictures and I filled one in by watching A Star is Born. Yes, this is Judy Garland’s movie but I was much more fascinated with James Mason’s performance. There are two discs in the set and the version included is the full before 30+ minutes were cut for the theatrical release. About 5 minutes were missing and those were filled in with audio and publicity photographs. The ending almost came as a surprise until I remembered Don Draper in Mad Men talking about it in a scene from the show. Oh well! Not a new favorite and I still found it a bit too long but I appreciated seeing it in full.

The Music Man (1962) -  I was already disposed to not like this film but I was over by two things: the performance of the adorable little Ronny Howard and the film’s glorious ending. The Music Man in question is a traveling con artist and while he tries to swindle the townsfolk of River City out of their hard-earned money, he ends up giving the people something much more valuable in return: hope and a belief in themselves. This touched me greatly and I had a good sob by the film’s end.

Viva Las Vegas (1964) - I’ll watch anything that takes me back to the Las Vegas of the 1960s. If they ever invent time-traveling vacations, I would book a trip to that time and location straight away. I’m not a fan of Elvis but I nonetheless enjoyed this film immensely. I adore Ann-Margret and the music and dance numbers were a lot of fun. The plot is pretty interesting too! Overall this was a very enjoyable film to watch.

Camelot (1967) - Oh boy. I was majorly disappointed in this film and it's hard for me to articulate why It never captivated my imagination or attention and I didn't care for the songs. I was more fascinated by the on-screen and real-life affair between Vanessa Redgrave and Franco Nero.

Willy Wonka and the Chocolate Factory (1971) - 

Perhaps my previous history with The Wizard of Oz made me a bit wary about this musical adaptation of a children’s book. I’m glad I watched it because what an entertaining film! It was a great study of how greed transforms us and how we should reevaluate what’s truly important to us. I’m not sure I would have enjoyed the film as much as I did if it wasn’t for that moral to the story. I was particularly fascinated the curious fact that this is the only film Peter Ostrum, the actor who played Charlie, ever did. What a way to both start and finish an acting career!

Cabaret (1972) - This was my first viewing and I was oddly fascinated by this film. 

This was my first viewing and while I was oddly fascinated by this film at the end I felt dissatisfied. I didn’t care for the vision of the 1930s through 1970s lenses and found myself annoyed by most of the characters. It was an entertaining movie, great plot and wonderfully raunchy musical numbers.

That's Entertainment! (1974) - Let’s just get one thing straight. This is a documentary type film that celebrates MGM. And it’s in a set celebrating Warner Bros. This confused me immensely and while it’s a great addition to a musical boxed set I thought it stuck out like a sore thumb in this set in particular. Lots of folks rave about That’s Entertainment and I had never seen it before. It was a bittersweet experience watching all those stars (Fred Astaire, Frank Sinatra, Elizabeth Taylor, Mickey Rooney, Jimmy Stewart, James Cagney, etc.) walking around the decrepit and abandoned MGM lot, talking about their glory days. However, even with my MGM-Warner Bros. objection, I think this is a great introduction for people who are not familiar with earlier musicals. I laughed when Frank Sinatra called the show girls from Broadway Melody of 1929 “overweight”. Yeah, okay buddy.

Victor Victoria (1982) - I don’t know why I compare Victor Victoria with Cabaret but I did and I found myself loving the former much more than the latter. Maybe because they were both nostalgic, featured Americans abroad and had gay characters. I have a new appreciation for the divine Julie Andrews after watching this film. The film is only a little campy, has loveable characters and great musical numbers. Enjoyable all around and I can’t wait to watch it again.

Little Shop of Horrors (1986) - I had seen this before but my husband hadn't so I decided we could watch this together. This film is the stuff of nightmares. I think I enjoyed it much more on my second viewing. The songs are wonderful, it's quite a unique story and I do enjoy a good Greek Chorus! Also, certain Family Guy episodes make much more sense after you've seen this film.

Hairspray (1988) - I knew almost nothing about this film when I sat down to watch it which I think was the best way to experience it. Hairspray is more a film with music rather than a musical film. It has John Water's signature touch: it's both bizarre and fun. I love the 1960s nostalgia but my favorite thing about the movie is it's message: don't ever be afraid to be who you are. That alone makes this film a winner.

With the Holidays right around the corner, this boxed set would make a perfect gift!

The Best of Warner Bros.: 20 Film Collection - Musicals
Available at the following online retailers:

Barnes and Noble

Turner Classic Movies Shop
Warner Bros. Online Shop

The Man Who Seduced Hollywood by B. James Gladstone

The Man Who Seduced Hollywood
The Life and Loves of Greg Bautzer, Tinseltown's Most Powerful Lawyer
by B. James Gladstone
ISBN 9781613745793
Hardcover 352 pages
Chicago Review Press
May 2013

Barnes and Noble
IndieBound
Powell's

“... Bautzer’s legacy is the way he created a public image in order to advertise his services and the swashbuckling way he practiced law. He planned his life as if it were a movie. He wrote the script, cast himself as the star, and directed it himself.” - Gladstone

I confess that I've never heard of famed Hollywood lawyer Greg Bautzer. Now thanks to B. James Gladstone's book I'm fully informed about this fascinating man. Bautzer was a quintessential charmer who used his people skills to woo beautiful women and win court cases. His list of romantic conquests is as impressive as his list of clients. Bautzer had relationships with actresses Lana Turner, Ginger Rogers, Joan Crawford, Dorothy Lamour, Merle Oberon, Jane Wyman, Ann Sheridan, Simone Simon and that's only part of the full list.  Bautzer's clients included Howard Hughes, Marion Davies, Ingrid Berman, Robert Mitchum, Farah Fawcett, Jeanne Crain, Kirk Douglas and more. One of his clients and friends was actor Robert Wagner who wrote the foreword for this book.

Bautzer handled many high-profile Hollywood divorce cases most notably the very complicated one between Ingrid Bergman and her first husband Petter Lindstrom. There was adultery, a pregnancy, child custody issues as well as a morality clause in Bergman's film contract. Bautzer also handled Nancy Sinatra's divorce from Frank Sinatra but still managed to befriend Frank after the fact (that's an accomplishment if there ever was one!). He also handled wills and estates of big tycoons like William Randolph Heart and Howard Hughes as well as financial transactions of major corporations like TWA, CBS, Warner Bros., MGM, Paramount and the Flamingo casino in Las Vegas. He faced notorious gangster Bugsy, got punched by actor George Hamilton and tried to pick a fight Humphrey Bogart. Needless to say, there are countless stories about all the romances, fights, legal battles, friendships and partnerships that Bautzer had in his long life and career. Bautzer wasn’t perfect. He had a short temper, was obsessed with winning and eventually became an alcoholic. He wasn’t very good at monogamy either and didn’t take naturally to fatherhood. However, he was a talented lawyer who wanted loyalty above all else, loved his clients and would do anything for them. He was generous too and even waived legal fees if his clients were in financial straits.

The author B. James Gladstone is the Executive Vice President of Business and Legal Affairs for Lionsgate Entertainment.  In this book, he’s covering the life of a figure who is both a legend and a hero to him. I couldn’t quite tell if Gladstone had ever interactive with Bautzer during his lifetime but he did have a brief friendship with actress Dana Wynters before her death in 2011. Wynters was Bautzer’s third wife, the mother of his only child Mark Bautzer and proved to be an invaluable resource to Gladstone in writing this book.

This book is an endlessly enjoyable read full of interesting stories about a figure who is very captivating. It follows Bautzer’s life story chronologically for the most part but some chapters dip in and out of different time periods. Some chapters focus on big moments, relationships and trial sin Bautzer’s life and career. These chapters profile Bautzer’s relationships with the following key figures: Lana Turner, Bugsy Siegel, Howard Hughes, Ingrid Bergman, Humphrey Bogart, Dorothy Lamour, Marion Davies/William Randolph Hearst, Robert Evans (Paramount), Kirk Kerkorian (MGM), Dana Wynters, etc.

Bautzer was a key figure in many deals, transactions, divorces and meetings. Because of him certain movies were made and certain careers rose and flourished. While not essential to one’s film history education, I think it’s very interesting to read about the other people who worked Hollywood during it’s golden era. It wasn’t just actors, actresses, directors and producers. Many people in the industry and on the peripheral influenced film history in many ways.

I loved the story of how Bautzer borrowed $5,000 to start his career. He used that money to dress nicely, get the best tables and the best restaurants so he could pique the interest of the Hollywood elite and open doors to both meet them and work with them.

I did find one error in the book. The author recounts a story that Bautzer himself told many times of Marion Davies requesting a black Rolls Royce so she can take it to the 1953 New York wedding of JFK and Jacqueline Bouvier. The wedding was actually in Newport, Rhode Island. I thought maybe it was just a location error until the story also said that Davies had the car waiting for her at Grand Central Station. It's very possible that the story was actually about Peter Lawford and Patricia Kennedy's New York wedding in 1954. I did a little digging and found out that Davies was a guest at that wedding. Davies might have also gone to the JFK-Bouvier wedding too. I've been told that the author is looking into it and it will be clarified when the paperback is released.

Thank you to Meaghan of IPG for sending me a copy of this book to review!

Interview with Greg Merritt, Author of Room 1219

I've had the pleasure of interviewing Greg Merritt, the author of one of the best books I've read this year: Room 1219: The Life of Fatty Arbuckle, the Mysterious Death of Virginia Rappe, and the Scandal That Changed Hollywood. If you are interested in the topic and haven't read this book already, I implore you to seek out a copy! (Here are some places where you can buy the book: Barnes and Noble, IndieBound, Powell's) It's a fascinating, well-written and well-organized book about one of the most important scandals in Hollywood history. You can read my review of the book here. Now on to the interview!

Raquel: What made you decide to write a book about the Arbuckle-Rappe scandal?

Greg Merritt. Photo by Kevin Horton

Greg Merritt: I thought of it as the ultimate Hollywood scandal, but I assumed it had already been covered thoroughly. I started to look into another tragedy that plays a small role in Room 1219, the murder of pioneering director Frances Boggs. That led me to Arbuckle’s story, and I learned how inadequate the previous books were and how frustrated silent film fans were with them. I began doing my own research. Soon I was hooked. The more things I found, the more I knew I had to tell this story.

Raquel: Your book is incredibly well-organized and you go into lots of great detail. How did you decide to organize the book the way you did and how did you keep track of all the information you accumulated?

Greg Merritt: Thanks. At its heart, this is a mystery story. And in order to reach a conclusion about what occurred in room 1219, the reader needs to know not just the facts of the case but also what sort of people Arbuckle and Rappe were. So, much of the book alternates between his and her biographies and the story of the developing case. This allows the reader to gain a greater appreciation for how much Arbuckle and Rappe lost – her life and his reputation and career. The “standard” structure would insert the crime story into Arbuckle’s biography. If so, you wouldn’t get to the case until around the book’s halfway point and then you’d be inundated with it for the next ten chapters. I think my approach makes for a more illuminating and interesting book. Once I had the structure plotted. I’d research a chapter, write its first draft, and then move on to researching and writing the next chapter. So my journey was very similar to the reader’s. Still, I was always finding things that fit in either earlier or later and thus constantly revising earlier chapters and saving things for later chapters. This created a bit more work, but I was engaged with the text throughout the process, as opposed to spending three years researching before even beginning the first chapter.

Raquel:  What was the most surprising thing you discovered when you did the research for this book?

Greg Merritt:  The wealth of information on Virgina Rappe, which I’ll expand upon below.

Raquel: Arbuckle was indirectly linked to a scandal prior to Rappe’s death. Can you tell us a little bit about the Mishawum Manor scandal that you talked about briefly in your book?

Greg Merritt:  There were a lot of stories about Hollywood “orgies” around this time, and most of them were shocking headlines and little else. This one was deserving of its title. In 1917, at the end of a tour celebrating Arbuckle’s signing with Paramount, there was a sort of after-party in a bordello near Boston. Arbuckle wasn’t there. But some Paramount executives were, including Jesse Lasky and Adolph Zukor, and so were some underage prostitutes. Relatives of the prostitutes came forward shortly thereafter, threatening to bring a civil suit against the film executives. The potential complainants were bought off for a whopping $100,000 in Paramount hush money. Okay, that’s that, right? No. Four years later the story erupted in the national press, uncovered as part of a political scandal. It became known as the “chicken and champagne orgy,” and there were screaming headlines that associated Arbuckle with it even though he was in a Boston hotel room with his wife when it occurred. The story hit the news on July 11, 1921, less than two months before the Labor Day party. So, it primed the tarnished Paramount executives to quickly sever ties with Arbuckle after his arrest. It also fed the press fascination with Hollywood “orgies” and the public outrage with “immoral Hollywood.” All in all, it was bad news (and very bad luck) for Arbuckle.

Raquel: In your book, you devote a chapter to the life of Virginia Rappe. Was it difficult to find information about her and what was the most interesting thing about her you discovered?

Greg Merritt:  Surprisingly, no. Previous writers have offered barely anything about her life other than the worst rumors about her, and yet there was a wealth of information in newspaper databases waiting to be discovered. She was adept at promoting her modeling, fashion design, and acting careers. She was profiled in the Chicago Tribune in 1908 when she was a seventeen-year-old model, and she continued to give interviews or pen her own articles (for example, offering advice to young women) throughout the remainder of her life. One of the most interesting things about her is how innovative her fashions were. For examples, she had a tuxedo coat to win “equal clothes rights with men” and a dovish peace hat to promote pacifism during World War I. In some ways, just as Arbuckle was the archetype male movie star with his partying entourage and ostentatious spending, Rappe was the prototypical Jazz Age woman: an unmarried, outspoken entrepreneur. Both images would later be twisted to sinister meanings.

Raquel: Arbuckle was married three times and was estranged from his first wife Minta Durfee during the scandal. What can we learn about Arbuckle from his marriages?

Greg Merritt:  First, he was attracted to younger brunette actresses. That was true of all three of his wives and the girlfriends we know about. It was also true of Virginia Rappe. Each of his marriages was unique. Arbuckle’s mother died when he was twelve, and Durfee was a matronly influence in his life. When he married for a second time, in 1925, he was struggling with his career and self-image. As a result, that was his most volatile marriage. In 1932, one month after his third marriage began, his film acting career was resuscitated. He was at peace with himself and content being a husband and step-father. Unfortunately, that period was short-lived before his death in 1933.

Raquel: Arbuckle had a close friendship and working relationship with Buster Keaton. Was this a really important relationship in his life and if so, why?

Greg Merritt:  Very much so. They were kindred spirts. Their film characters contrasted, but the actors shared similar senses of humor (much more than simple slapstick). Arbuckle’s best movies were made with Keaton as his co-star on-screen and chief collaborator off-screen. They also both fondly remembered the years of 1917-20 when they hit up the hottest spots in New York City and Southern California as their best. For both, it was an extended adolescence.

Raquel: How did the Arbuckle-Rappe scandal affect Hollywood?

Greg Merritt:  There were four principal ways. First, the studios began instituting morality clauses in the contracts of their talent. Second, whereas before the public could be satisfied with studio-approved puff pieces in fan magazines, suddenly people wanted to know what movie stars were really like. Third, it ended Arbuckle’s silent film acting career in September 1921. The genre of feature-length comedies was just beginning to take shape then. So, we never got to see what great comedies Arbuckle could have made if he was acting the following years, like Charlie Chaplin and Buster Keaton. Finally, as I cover in detail, it led to a wave of censorship which the movie industry countered with self-censorship, leading eventually to the Production Code.

Raquel: I really loved the Labor Day Revisited chapter in your book in which you layout different scenarios of what could have happened. Could you tell us more about how you put all of those scenarios together and how you came to your own conclusion about what happened that day?

Greg Merritt:  I had no preconceptions about this case, and I came to that chapter only after writing the twenty-two that preceded it. Then I started eliminating some of the possible explanations for what happened. Many things, which either the defense or prosecution had focused on extensively, were easy to dismiss. They just weren’t relevant to the central question: How did Rappe’s bladder rupture while she was in room 1219, either for the brief period she was alone or the longer time afterwards when she was there with only Arbuckle? I was left with just a few possibilities of what could have happened to cause her injury, and from there I focused on what most likely occurred. Some long-overlooked coroner’s inquest testimony was particularly illuminating.

Raquel:  What was your favorite part of the process of researching/writing Room 1219?

Greg Merritt:  It was fun to research and writer Chapter 21, “Legends,” which explores all of the salacious things that have been attached to this case over the decades. It was illuminating to see why the myths grew about Arbuckle and Rappe and what supposedly occurred in room 1219.
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Thank you Greg Merritt for taking the time to answer my questions and thank to you Meaghan Miller from IPG for arranging the interview!

Safety Last (1923) with Live Musical Accompaniment by Jeff Rapsis

Last Sunday, Carlos, a few friends and I went to the Somerville Theatre to watch Harold Lloyd's Safety Last (1923) on the big screen with live music performed by my favorite accompanist Jeff Rapsis. Rapsis has been performing alongside numerous silent films throughout the Summer and Fall for the Somerville Theatre. The last one I went to was Ben Hur (1925) (you can read about that experience here). Jeff's performances are always top-notch and you are guaranteed to have a good time. He honors the silent films by showing them in the best way possible: in their original format if possible, on the big screen in a proper theatre and with live music. It's the way these films should be seen and makes for the most enjoyable experience. Jeff improvises his music paying close attention to what's happening on the screen and how the live audience is reacting to the film. He's a marvel, passionate about what he does and his performances are growing in popularity. I commend the Somerville Theatre for taking a chance and hosting these events.

Before each screening, Jeff Rapsis always plays some music to entertain the audience as they find their seats and wait for the show.

I was so pleasantly surprised as to how many people showed up for this event! Jeff Rapsis always brings in a good crowd but this is the first time I've been to one of his performances where the house was packed. It made me really happy to see this.

I brought friends to this screening. New friend RJ and my film loving friends Kevin and Lisa attended. As I mentioned before, my husband Carlos was there. I can always count on Carlos to support me in pretty much any of my classic film adventures. If he's free, he's willing to go with me no matter what film is showing. I think it's really important to have supportive friends and family who are willing to try something different because they see how much passion you have for it. A big thanks to RJ, Kevin, Lisa and Carlos for attending.

Jeff Rapsis had performed music for other Harold Lloyd films in his series for the Somerville Theatre. The Freshman (1925) screening had been a big hit (I wish I had attended!) and a lot of patrons came back for Safety Last. This screening was introduced by Annette D'Agostino Lloyd (no relation) who is a Harold Lloyd expert and has written a biography on him. She discussed the film and gave people some background on Harold Lloyd and two other stars in the film Bill Strother and Lloyd's wife Mildred Davis. 

Then it was time for the show! It has been quite a few years since I've seen Safety Last (1923) so it almost felt like I was watching it for the first time. And what an experience it was. We all laughed so much. This film is so exquisitely funny, has great comedic timing and I found myself slapping my forehead a few times at some of the hilarious situations the characters get themselves in. For those of you unfamiliar with the film, Harold Lloyd plays a young man who is engaged to a girl. He sets out to the city to make a good living so that he can marry his love. He gets stuck in a dead end job at a department store and uses all of the money to send back his girl trinkets to make her think he's doing better than he is. His buddy (Bill Strother) helps him out of a bind when Lloyd has to pull off a big publicity stunt to get his department store lots of new business. The stunt? Climbing the department store's building, freehand! His buddy was supposed to do it for him but was otherwise engaged in a chase with an angry police man with whom he had a previous encounter. There was no other options for Lloyd except to do it himself. And of course, hilarity ensues.

All of my friends enjoyed it and Kevin even told me it was a new favorite film for him. The biggest surprise for me was Carlos who was laughing so hard throughout the whole film. Lloyd's character works in the department that sells fabric to ladies who want to make their own dresses. A lot of hilarious moments in the film come from Lloyd's interaction with his lady customers. Then it hit me! No wonder Carlos is cracking up. He works at a men's clothing shop and also has to deal with customers and their crazy demands. The film was resonating with him because of that connection. Huzzah! This made me so happy.

Carlos trying to mimic Harold Lloyd climbing up a building. Davis Square, Somerville, MA

The music performed by Jeff Rapsis was spectacular as always. There was one scene in which the Department store is having a sale and Harold Lloyd's counter is overwhelmed by frantic customers. A big lady stands in the back and pushes her way through the crowd. Rapsis gave her special music to both complement her and her actions. I laughed! It was so funny. Rapsis told me later that at one point he even stopped playing music for a few second so that the audience could enjoy their laughter. His music was great. It really complements the film and the live experience. I feel like each performance is customized for us but also to glorify the film. At the end, Rapsis got a huge round of applause and he always takes a moment to honor the film and to thank the audience. If you want to learn more about Rapsis' scoring of Safety Last and his previous experiences with the film and its music, check out his blog post.

Rapsis makes time after each screening to talk to any of the audience members one-on-one. He always recognizes me and gives me a big hug when I see him. So many people attend his performances so I feel special that he remembers who I am. He told me about his upcoming Peter Pan (1924) screening in November and I definitely plan to go to that one. It'll be close to my birthday so perhaps I can work it into a birthday celebration of some sort.

A big thank you to Jeff Rapsis and the Somerville Theatre for hosting such a wonderful event!

If you are interested in attending these screenings, check out the Somerville Theatre website or Jeff Rapsis' blog for upcoming shows. They are special event priced at $15 and are a great time!