Anne Bancroft: A Life by Douglass K. Daniel

Anne Bancroft: A Life
by Douglass K. Daniel
University Press of Kentucky
408 pages
September 2017
Hardcover ISBN: 9780813169682

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"Personally and professionally, she was determined to live by her own terms." - Douglass K. Daniel

If ever there was a woman who was born to be an actress it was Anne Bancroft. Born in 1931 and raised in the Bronx, Bancroft was second generation American from sturdy Naples stock and her heritage was obvious from her given name: Anna Maria Louisa Italiano. The acting bug bit at a very young age and Anna would find any excuse to entertain. She could sing, dance and act and along with her God given talent she was also incredibly driven.

She didn't waste a minute getting started on her new found profession. Fresh out of high school, she attended the American Academy of Dramatic Arts and studied under Lee Strasburg. She got her first professional acting role, complete with a new name, Anne Marno, in the live television show Torrents of Spring. Eventually she dropped Marno for Bancroft and headed for Hollywood. Her ultimate goal was to be a movie star but her career would take her down a long and winding journey from TV, to Broadway and to Hollywood and back again. Even with the ups and many downs of her acting career, Bancroft never lost the passion and fire that drove her to pursue her art.

In the first comprehensive biography on the life and career of Anne Bancroft, author Douglass K. Daniel explores just what it took for this talented actress to make her mark. Bancroft started in Hollywood just as the studio system was winding down. She signed a contract with Twentieth Century Fox but that was short lived. Daniel writes,

"The major studios were moving toward shedding their contract talent in the face of financial uncertainty. The independence that came with picking and choosing roles could not be separated from the loss of security represented by regular employment."  
- Douglass K. Daniel

Relegated to small roles in films like  Don't Bother to Knock (1952), her film debut, or B-movies like New York Confidential (1955). Bancroft didn't fit a mold and while Hollywood struggled place her in roles that suited her talents. It was Bancroft's stage work that breathed new life into her film career. She had successful runs on Broadway with Two for the Seesaw, co-starring Henry Fonda, and The Miracle Worker, with Patty Duke. She lost the film role for the former but managed to get it for the latter and eventually went on to win the Academy Award for her role as Anne Sullivan. More parts came and went.  In Daniel's biography, we learn about her work in  The Slender Thread (1965), 7 Women (1966) and others leading up to her break out role as Mrs. Robinson in The Graduate (1967). That film immortalized her but didn't necessarily boost her career. Other notable films discussed include The Hindenburg (1975), Fatso (1980), which she wrote, co-starred and directed, The Elephant Man (1980), Garbo Talks (1984), Agnes of God (1985), 84 Charing Cross Road (1987) and more.

"Mel and I are adamant. Our work is public, our other life is not." - Anne Bancroft

Bancroft's personal life was harder to pin down. She treasured her privacy and was adamant about keeping a work-life balance. In the biography reader learn a little about her first marriage to Martin May, a strange union that would end almost as soon as it began. Bancroft went on to find happiness in her second marriage to actor/director/producer Mel Brooks. They met while Bancroft was performing on the TV show Kraft Music Hall and immediately hit it off. Brooks and Bancroft collaborated on projects including Silent Movie (1976) and To Be or Not to Be (1983). Brooks achieved a level of success that Bancroft did not. She scaled back to one project a year after the birth of their only child Max only to realize later that career and motherhood could go hand in hand. Brooks and Bancroft seemed like an odd pair but their relationship worked on many levels. They were intensely private about their personal lives, had strong work ethics, respected each other as husband and wife and as performers. They were married until her death in 2005 and Bancroft worked up until the very end. Even as the roles got smaller and projects felt more stifling, her passion to be an entertainer never diminished.

Anne Bancroft and Mel Brooks

Throughout her career, Bancroft struggled to find good parts in good movies. She faced many obstacles as a woman and eventually as a woman of a certain age. Today we talk about gender inequality in the film industry and Anne Bancroft can be seen as an early spokesperson for women in film. In 1984 she said,

"People don't write wonderful parts for women because women have not been given a chance to live wonderful lives that people want to write about, and because most of the writers are men." 

Anne Bancroft: A Life by Douglass K. Daniel is an extensive look at an actress who lived life on her terms and offers readers insight into a woman who battled to have the career she wanted.

Thank you to University Press of Kentucky for sending me a copy of the book for review.

This is my first review for my Summer Reading Challenge.

Love, Cecil

"I started out with very little talent but I was so tormented with ambition." 

Cecil Beaton (1904-1980)

Cecil Beaton was many things. He was a photographer, a writer, a painter, a set decorator, a costume designer and a socialite. But if we were to put him in one master category it would have to be that of artist. Beaton was an aesthete to the highest degree. Born with an appreciation for all things beautiful, Beaton was drawn to art in its many forms. His first love was the theater and he loved looking at photographic portraits of stage actresses. This led to his personal ambition to photograph them himself. He set out to learn photography but a traditional education was not for him. Beaton did poorly in school and rarely attended lectures while in college. Everything he learned about art was self-taught. He mastered techniques in photography through sheer determination. Before the word "selfies" ever became part of our daily lexicon, Beaton made taking self-portraits an almost daily practice. His two sisters were his models and with them he learned how to master the art of styling, staging, and posing.

Beaton went on to have a long and industrious career in fashion and art. He was a tireless worker, always on the go and game for anything. His work took him to Hollywood, a place that brought him an opportunity to work with some of the best subjects in the world. Beaton stylized the sets and costumes for films like Gigi (1958) and My Fair Lady (1964). He shot iconic portraits of legendary stars like Katharine Hepburn, Gary Cooper, Marilyn Monroe, Orson Welles, Sylvia Sidney, Douglas Fairbanks Jr., Leslie Caron, Marlon Brando, Marlene Dietrich, Judy Garland, Vivien Leigh, Laurence Olivier, Audrey Hepburn, Ingrid Bergman, Barbra Streisand, Merle Oberon, Lillian Gish and Grace Kelly. His favorite model was Greta Garbo. Not only was she the ideal subject for his photography, he was immensely drawn to her as a person. The two had tumultuous friendship which led to a brief affair. Beaton was a complicated fellow, never settling down and besides his relationship with Garbo, he preferred the company of men. He wasn't afraid to be a dandy in a time when homosexuality was illegal in his home country of England.

Cecil Beaton's portrait of Gary Cooper

Cecil Beaton's portrait of Greta Garbo

New from Zeitgeist Films and directed by Lisa Immordino Vreeland, Love, Cecil chronicles the life and career of the man whose style made an indelible mark on the 20th century. We learn about his often tumultuous relationships with his family growing up and with his friends, lovers and collaborators. There is even footage of George Cukor discussing how the two didn't get along while making My Fair Lady. The film includes interviews with a variety of experts including magazine editors, photographers, historians, designers, museum curators, artists and people who knew Beaton well including his biographer, a former model, his former butler and the director of the first documentary on Beaton's life entitled Beaton by Bailey. We also hear from Beaton himself through archival footage and from his journal entries, read by actor Rupert Everett.

This is a multi-faceted look at an artist who had the capacity to delight and to shock. He was opinionated, disapproving and sometimes rude. As a contributor to Vogue, he once made the mistake of incorporating an anti-Semitic slur into one of his article sketches. The issue had to be scrapped. To make up for his grievous error, Beaton contributed to the WWII effort as a war photographer. He traveled all over the world, working tirelessly and was even in a serious airplane crash. Beaton's work was published in many outlets including one on the cover of LIFE magazine.

Classic film enthusiasts will be interested to learn about Beaton's contributions to the visual spectacle of two very important mid-century films: My Fair Lady and Gigi. Beaton worked on others but these are the two focused on in this documentary. I was particularly taken with the beautiful portraits Beaton shot of many of my favorite actors and actresses.

Love, Cecil is a dynamic exploration of an artistic genius whose passion for beauty influenced everything he did. Highly recommended.

Love, Cecil recently opened at the Film Society of Lincoln Center in New York City. It will be playing in Chicago, Los Angeles, Boston, Atlanta and many other cities across the country through July and August and into the fall. Visit Zeitgeist Films' official website for dates and locations.

Recommended viewing: Pair Love, Cecil with another Zeitgest Film documentary Bill Cunningham: New York (2010). I found these two figures, both fashion photographers, both complicated individuals, to be very similar in many ways.

Seven Brides for Seven Brothers (1954) Blu-Ray from Warner Archive

"The film is magic and still astounds today." - Howard Keel, 1996

How does one accidentally produce one of the greatest musicals ever made? MGM managed to do just that with Seven Brides for Seven Brothers (1954). Intended to be a B-movie musical, MGM threw more of their time and money into another musical, Brigadoon, slashed the budget for Seven Brides and left director Stanley Donen with the task of creating a backwoods period piece musical on the MGM lot with painted backdrops and no on location shooting. Thank goodness they at least kept the Cinemascope and Ansco Color! It's not that MGM wanted Seven Brides to be a failure. Even a B-musical was going to be a quality production. This film included songs by Johnny Mercer, an original score, choreography by Michael Kidd, two established leading stars Howard Keel and Jane Powell and a stable of up-and-coming talent as well as expert dancers and acrobats. All the ingredients came together to make a powerhouse musical that would entertain generations to come. The original title for Seven Brides was Sobbin' Women, a reference to a musical number and key plot point. But who would go see a musical about crying women? Pass. Then the unintentionally suggestive A Bride for Seven Brothers was considered then wisely scrapped. A simple tweak and Seven Brides for Seven Brothers was born. MGM released Seven Brides just as the current wave of musicals was reaching its end. It went on to receive 5 Academy Award nominations and won the Oscar for Best Music, Scoring of a Musical Picture in 1955.

Seven Brides is often given a bad rap by contemporary audiences for poor gender politics. As a woman and a feminist, I wholeheartedly disagree. Yes Milly (Jane Powell) is basically tricked into taking care of 7 men when she only bargained for one. And yes the six brothers kidnap their six future brides. And yes Adam (Howard Keel) is backwards in his opinions about women and their roles in society. But if you focus on just those points then you miss the entire plot of the movie. The whole story is about how these seven brothers learn how to respect women. Their transformation is led by Milly. She's feisty, opinionated, and strong-willed. She never backs down. Disgusted by how the seven brothers keep house and keep themselves, she whips them into shape. After a disastrous trip into town, she teaches them how to properly court women and mind their manners. Milly's lessons are taken into account by all the brothers only to be sabotaged later when Adam, in the Sobbin' Women number, convinces the younger Pontipees to kidnap their women. When they do, Milly casts them out of the house to sleep in the barn. She's not afraid to tell them straight to their faces that their actions are abhorrent. She refers to them as animals and brutes. The women are separated from the men until Spring time and basically until they can figure out how to appreciate women. And for stubborn Adam it takes the birth of his daughter and the influence of his youngest brother, played by Russ Tamblyn, to see the error of his ways.

Six years ago, I watched Seven Brides for Seven Brothers and wrote about it as part of my Weddings in Film series. One of the biggest takeaways for me was how this movie conveyed the importance of communication in relationships. In that piece I wrote:

The disappointment in Milly and Adam's newlywed life stems from two major faults in their courtship: lack of communication and lack of time to get to know each other. But even a misunderstanding like that can be worked on with lots of future communication, patience, understanding, compromise and love.

Seven Brides for Seven Brothers (1954) is now available on Blu-Ray for the very first time thanks to the good folks at the Warner Archive Collection. The two disc set includes a bunch of extras which I have listed below:

Disc One:

• Song Menu
• Captions
• Audio Commentary by Stanley Donen (2004)
• MGM Jubilee Overture (1954) (aka the best dressed orchestra you'll ever see in your life). With MGM Symphony Orchestra led by Johnny Green and featuring songs from MGM musicals. (Remastered in 1080p HD, 16x9 2.55 anamorphic aspect ratio with 5.1 DTS HD Master Audio)
• 43 minute documentary "Sobbin' Women: The Making of Seven Brides for Seven Brothers, hosted by Howard Keel (1996, updated 2004 to include more interviews) - features Howard Keel, Jane Powell, Russ Tamblyn, Stanley Donen, Julie Newmar, Jacques d'Amboise, Ruta Lee and more. 
• Radio City Music Hall Premiere - July 22, 1954
• MGM's 30th Anniversary (1954 MGM Newsreel) 

Disc Two:

• Rarely-seen 1.77:1 alternate Widescreen Version (1080p HD)
• Song Menu
• Captions

According to George Feltenstein, Seven Brides was one of 5 MGM movies shot twice. Once in Cinemascope and shot again in Widescreen. All of the scenes were shot twice and staged slightly differently each time. A sharp eye will spot the differences especially in the barn raising sequence. This version was shelved for years and even though it would have worked beautifully for television, a pan-and-scan version of the Cinemascope was used instead. A true injustice!

On the Warner Archive podcast, Feltenstein goes on to say that in the process of developing a 70mm print of Seven Brides for distribution in England, the original negative was damaged. Also Ansco color tends to turn green as it ages. Felteinstein referred to the restoration of Seven Brides for Blu-Ray as one of the most ambitious projects ever taken on by the Warner Archive.

I've seen Seven Brides for Seven Brothers in many formats over the years. At home with my DVD, on TCM, streaming on Filmstruck and on the big screen at a local repertory house. The Warner Archive Blu-Ray is the most stunning presentation of this movie I've seen so far. If you are a fan of this wonderful musical, run, don't walk, to add this new Blu-Ray set to your movie library.

Further reading: Check out my post on Ruta Lee on the Inside the Envelope DVD Netflix blog and find out what she had to say about working on Seven Brides for Seven Brothers!

Seven Brides for Seven Brothers (1954) is available on Blu-Ray from the Warner Archive Collection. When you use my buy links you help support this site. Thanks!

 Warner Archive Wednesday - On (random) Wednesdays, I review one title from the Warner Archive Collection. Thank you to Warner Archive for sending me the Blu-Ray of Seven Brides for Seven Brothers (1954) to review!