Dark Victory (1939)

Dark Victory (1939) is a tear-jerker to end all tear-jerkers. Judith Trahearne (Bette Davis) has been diagnosed with Glioma by Dr. Frederick Steele (George Brent). Glioma is a type of brain tumor that when malignant almost certainly means a death sentence. It's pretty serious and we as the audience are full aware of this as we watch Judith deal with her impending death at the tender age of 23. This film showcases Bette Davis' talent as an actress. She's expressive, emotive, delivers dialogue well and her character is so believable that it seems only Bette Davis was meant for this role. In the role department, Humphrey Bogart didn't fare as well as George Brent or Geraldine Fitzgerald in this movie. Bogie plays Michael O'Leary (he again tries an accent, this time Irish and doesn't quite manage to get it right), Judith's resident stable man and horse trainer. He looks after her prize racing horse, tends to all the horses in the stable as though they were his children and coaches Judith in her equestrian pursuits. He appears in the beginning of the film, a couple of times throughout and towards the end but only has one notable scene towards the climax of the film when Judith is in utter despair. It's at this point Michael reveals his love (in my opinion it's only lust) for Judith and she in turn reveals her tragic fate. It's not the best role for Bogie but he did well with it. The role is definitely not as bad as Ronald Reagan's character Alec who is a perma-drunk party-goer who acts like a leech around Judith, filling her (and himself) up with drinks and only sticking around when the going gets fun. At least there is Ann King (Geraldine Fitzgerald) as the voice of sympathy and caring to balance things out. This really isn't Bogie's movie, it's Bette Davis'. It's a movie that almost didn't get made because Jack Warner didn't want to make it. Lucky for us, Bette Davis didn't take no for an answer.

Virginia City (1940)

Bogie? As a Mexican Bandito? What the heck was Warner Bros. thinking?

It's interesting that a 24-movie boxed set devoted to Humphrey Bogart showcases various films in which Bogie is overlooked or misused. Case in point, Virginia City (1940) a Michael Curtiz movie that would have been another Errolivia (Errol Flynn & Olivia de Havilland) vehicle were it not for de Havilland being fed up with Errolivia pictures altogether. Curtiz wasn't an actor's kind of director. He didn't care for them and they didn't care for him. And Jack Warner, one of the heads of Warner Bros. studio, wasn't an actor's kind of guy either. Jack Warner was particularly notorious for making actor's lives miserable by "guiding" their careers with a heavy hand. Olivia de Havilland had quite a difficult time with him and she had to fight tooth and nail to be lent out to play Melanie in Gone with the Wind (1939). And Bette Davis's career was put on hold when she went into an all out battle against Warner Bros. and what she deemed were the pathetic roles they were giving her (I actually prefer the blonde and spunky Bette Davis to the older more cynical brunette Bette). Humphrey Bogart didn't have the greatest time with Warner Bros. either. They didn't know what to do with him and tossed him around from picture to picture giving him a variety of small roles. Eventually the movie-going public caught on to the wonder that is Bogie and his fame exploded. But before then, he was stuck in roles like Mexican bandito John Murrell in Virginia City (1940). Paul, over at Art, Movies, Wood and Whatnot... loves this movie and recommended it to me after I watched Dodge City (1939). Dodge City is a Curtiz-Errolivia picture which in my opinion is better than Virginia City. Both films are very similar and seeing as they are 1 year apart, I felt like Virginia City was a follow up to Dodge City. Each film is named after a city although Dodge City spends more time in the actual city whereas Virginia City has more wanderlust. Both films feature the save-the-day hero Errol Flynn who has an appropriate (if not fiesty) love interest. Both also feature a young boy being hurt (the death of innocence out in the West?) and a bandit or troublemaker who takes the law into his own hands. But it's only in Virginia City in which you will see see Bogie, with a Spanish-style mustache trying to talk in a Mexican accent but failing miserable as his iconic New York accent breaks through.

The Amazing Dr. Clitterhouse (1938)

It's the movie that Humphrey Bogart dubbed "The Amazing Doctor Clitoris" so would it be appropriate to say that this film tickled me pink? Perhaps not.  All joking aside, this is probably one of my top favorite films. Edward G. Robinson plays Dr. Clitterhouse, a well-dressed and highly-intelligent doctor who services the society crowd of New York City. He's developed a scientific fascination with crime that starts with him robbing wealthy ladies of their jewelry why they are distracted by champagne (or other drinks) and conversation during lavish parties. Then he takes it another step further, joining a group of criminals, including Rocks Valentine (Humphrey Bogart). He takes their temperature, draws their blood, checks their blood pressure and monitors their physical reaction to their criminal activity. But he gets in too deep and Rocks (Bogie) is about to make things really difficult for him. Robinson is exquisitely dressed with fine suits, scarves, cuff links, pocket squares, starched collars, white bow-ties, the works. Even Bogie, as a less well-off racketeer, is dressed very well. In fact, I stopped and asked Carlos (who works in the men's clothing industry)  what exactly Bogie was wearing on his collar and tie. Turns out he wore a Tie Pin and a Collar Pin, both are practical items but in this case they have an added dose of bling. Here you have a two-bit criminal who likes to show off his success in stealing jewels and furs by displaying a bit of sparkle on his person. I hadn't noticed all the accoutrement until this viewing which just goes to show you that all viewings are not created equal.