What I learned from Gentleman Jim (1942)

Errol Flynn as James "Gentleman Jim" Corbett

Sometimes it takes a certain message delivered at just the right time to make a big impact. Gentleman Jim (1942) changed my life. And it really shouldn't have happened with this film. If you know me, you know that I avoid historical biopics like the plague, especially ones from the early days of film history. They are usually over-the-top, unrealistic and stretch the truth beyond what seems possible. I don't even know how I came across Gentleman Jim. Maybe I watched it on TCM one day? Maybe I was on an Errol Flynn kick? Maybe I watched it because I love sports movies? If you look at lists of the greatest films of all time, you won't find Gentleman Jim on it. It's a decent movie but it's not one of the best. But when I watched it years ago it taught me one of the most important life lessons that I've had at the forefront of my mind ever since: no one will hand you opportunities, if there is something you want in life you need to make it happen for yourself.

"There's only the lucky and the unlucky. Those that happened to grab the right moment and those that didn't." - Alexis Smith as Miss Ware

Directed by Raoul Walsh, Gentleman Jim is based on the life of heavyweight boxing champion James J. Corbett. The story starts in San Francisco 1887. Jim Corbett (Errol Flynn) lives on the south side of the city and grew up sparring with his older brothers. He and his best bud Walter (Jack Carson) are bank clerks by day and boxing enthusiasts by night. Corbett wants to train at the exclusive Olympic Club and finds a way to get in when wealthy socialite Miss Ware (Alexis Smith) needs help bringing gambling money to her dad. Corbett makes a name for himself quickly as a boxer with potential. Everyone calls him Gentleman Jim for his penchant for wearing finery, outside of the ring of course. His meteoric rise is supported by his boxing enthusiast and fun loving dad Pat (Alan Hale). All the bouts in the ring lead up to the big match with current heavyweight champion John L. Sullivan (Ward Bond) .

The story is based on Corbett's autobiography The Roar of the Crowd although it takes some artistic liberties. Three studios were interested in the rights for the movie but Warner Bros. won out. Sports editor for the Chicago Herald and Corbett expert Ed Cochrane was a technical advisor on the film. Errol Flynn was trained by junior welterweight champion Mushy Callahan who also doubled for him in some shots, especially those with the fancy footwork. Flynn did a lot of his own boxing. The work was strenuous enough that he suffered a mild heart attack while making the movie.

8 years ago I wrote a piece on this blog called Gentleman Jim and Opportunities. In it I wrote "He's an Irishman from humble origins and we want to see him rise to the very top. Why? Because we want the same for ourselves. We want those opportunities. We want to be the best. We want to overcome our circumstances and triumph." Flynn's Corbett is an opportunist in that he both finds opportunities and makes them when he has no other option.

Skeptics will say, oh you could have learned that lesson somewhere else. And it's not like the concept was new to me. But for some reason this movie really drove it home. Ever since I watched Gentleman Jim I have made opportunities for myself. I learned how to spot good opportunities and not to be scared to try something new, even if it makes me so nervous that I get sick to my stomach and have anxiety for days. I'm always stronger on the other side and I never regret taking the chance. I learned over the years that it's okay to ask. The worst you can hear is no. And now I'm never afraid to ask because it just increases your chances of getting an opportunity you wouldn't have had before.

Amazon – Barnes and Noble – Warner Bros. Shop

Warner Archive Wednesday - On (random) Wednesdays, I review one title from the Warner Archive Collection. I bought Gentleman Jim (1942) during one of WAC's 4 for $44 sales. I just had to have this one!

Rowan & Martin's Laugh-In 50th Anniversary and Second Season

On January 22nd, 1968, 50 years ago today, the Rowan and Martin's Laugh-In premiered for its very first season. After a successful pilot aired the previous year, NBC, in beautiful downtown Burbank, ordered a full series. You bet your sweet bippy that Laugh-In became one of the zaniest shows ever to grace the small screen. With it's wacky skits, rapid fire jokes, political commentary, self-deprecating humor, and it's sock it to me gags, the show quickly became a hit with audiences. It was all verrrrry interesting. The name Laugh-In pokes fun at the protests and gatherings of the era which included sit-ins and love-ins. You didn't know that? Well look that up in your Funk and Wagnall's!

Dan Rowan and the beautiful Dick Martin (or so-and-so)

Announcer Gary Owens

"A wonderful world of fantasy. That's what Laugh-In brought to the public." - Gary Owens

Comedians Dan Rowan and Dick Martin met in 1952 when Rowan was a used car salesman and Martin was a bartender. They both had an interest in acting and comedy and when a mutual friend suggested they work together as a comedy team at nightclubs, the Rowan and Martin act was born. They worked their way up the ranks as a comedy duo. In the summer of 1966, they covered as guest hosts on The Dean Martin Show. The exposure catapulted them and producers took notice. NBC needed something to replace the recently canceled show The Man from U.N.C.L.E. and to compete with rival network programming Gunsmoke and The Lucy Show. Variety shows were popular in the late 1960s and would be easy to produce and inexpensive. Producer George Schlatter and Ed Friendly developed the concept and produced it under their joint production company. NBC booked a one hour special for September 1967. After premiering as a series, Laugh-In went on for 140 episodes and 6 seasons before being canceled in 1973. The show was insanely popular and helped launch the careers of regulars like Goldie Hawn, Dave Madden and Lily Tomlin. Many writers worked for the show, including SNL's Lorne Michaels, and went on to successful careers in the business. It won several Primetime Emmys and two Golden Globe awards.

Judy Carne in beautiful downtown Burbank

Henry Gibson

"Blow in my ear and I'll follow you anywhere."

Laugh-In was one-of-a-kind with rapid fire delivery of humor. Inspired by burlesque and vaudeville, a series of skits and gags were stitched together. The end result was a show that jumped from joke to joke at almost a blindingly fast pace. In the earlier days of TV, the only way to put together a show with so many small parts the editors had to splice the footage with a razor and piece it together. Because of this a master was created for each episode which helped preserve the show for future audiences.

Arte Johnson

Alan Sues

"This won all those Emmys?"- Don Rickles

I started watching Rowan and Martin's Laugh-In last year with episodes airing on the TV network Decades. The zaniness took some getting used to but once I warmed up to the show I was hooked. So far I've dipped into pretty much every season of the show. Time Life recently released season 2 in a DVD set and having seen the episodes I have to say this one is the highlight of the series. It contains some of the best moments from the show and the cast of regulars had great chemistry.

Chelsea Brown and Goldie Hawn

Ruth Buzzi and Arte Johnson in the Gladys and Tyrone Skit

"Anne Bancroft is an undergraduate."

On season two you can expect some great comedy and a plethora of extra special guests. Dan Rowan, the straight man, and Dick Martin, the daft womanizer, are lovingly referred to as the big kids. I adore them as a comedy team. Today you can't get away with two middle-aged men dressed in tuxedo, with Rowan puffing away at a cigarette or pipe, delivering some rather adult jokes. Although technically the stars, its the motley crew of comedic talents that steal the show. These include announcer Gary Owens, actresses Ruth Buzzi, Goldie Hawn, Judy Carne, Jo Anne Worley and Chelsea Brown and actors Alan Sues, Arte Johnson, Henry Gibson, Dave Madden and Dick Whittington.

Arlene Dahl

Don Rickles, AKA the best special guest ever in the history of mankind

Recurring skits on the show include:

Cocktail Party — The Flying Fickle Finger of Fate — News: past, present and future — Gladys the spinster and Tyrone — Sock it to Me —  Here Comes the Judge —  C.F.G. Automat —  It's a Mod, Mod, Mod, Mod World with the painted go-go dancers —  Discovery of the week — Good night Dick — the Joke Wall

My favorite recurring skit? The cocktail party of course!

Classic film enthusiasts will love spotting some of their favorite stars as special guests on the various episodes. And anyone who was anyone made an appearance was on the show. Some of the guests on season two include:

Eve Arden —Jack Benny — Mel Brooks — Rosemary Clooney —  Joseph Cotten — Robert Culp— Tony Curtis — Arlene Dahl — Bobby Darin — Sammy Davis Jr. — Phyllis Diller — Kirk Douglas — Douglas Fairbanks Jr. — Zsa Zsa Gabor — James Garner — Greer Garson — Mitzi Gaynor — Frank Gorshin — Hugh Hefner — Bob Hope — Lena Horne — Rock Hudson — Van Johnson — Martin Landau — Peter Lawford — Jack Lemmon — Gina Lollobrigida — Ann Miller — Bob Newhart — France Nuyen — Otto Preminger — Vincent Price — Don Rickles — Cliff Robertson — Rod Serling — Sonny Tufts — Robert Wagner — John Wayne — Shelley Winters and more...

"Raquel Welch Smothers Brothers."

Guests performed skits, delivered one-lines and jokes while poking fun at the fact that they were on the show. An appearance on Laugh-In could do wonders for a guest. Presidential candidate Richard Nixon appears on season 2 in a short clip asking "sock it to me?" His appearance was credited with helping him win the election. His opponent Hubert Humphrey refused to be on the show and the rest is history.

Second Season

Amazon — Barnes and Noble — Best Buy

First Season

Amazon — Barnes and Noble — Best Buy

Time Life's Rowan and Martin's Laugh-In Season 2 DVD Box set includes 26 episodes on 7 discs. The first disc includes three interviews with Dick Martin, Gary Owens and Ruth Buzzi. All 26 episodes have been remastered and the set comes with a small booklet highlighting the content on each disc. I encourage you to pick this up because it's infinitely much more enjoyable to watch these restored episodes on DVD than on Decades where the quality is poor and the episodes are highly edited to fit in more commercial time.

Amazon —Time Life

Last year Time Life also released a 50th Anniversary set featuring all 140 episodes and 6 seasons of the show.

Thank you to Time Life for sending me the second season set to review!
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The Miracle Worker (1962)

Anne Bancroft and Patty Duke in The Miracle Worker (1962)

It seemed like an impossible task. How does one teach a young girl who is blind, deaf, and mute how to communicate with the world? It would take a teacher of great strength who would persist against all odds. It would take a miracle worker.

As a toddler, Helen Keller (Patty Duke) contracts a serious illness which leaves her blind then deaf. There are few resources for the Keller family and they raise her as best as they know how. Mother Kate Keller (Inga Swenson) dotes on her child, Captain Arthur Keller (Victor Jory) fusses over the situation and their oldest son James (Andrew Prine) thinks it's all a hopeless cause. Years pass and Helen has gotten worse. Spoiled by parents and servants who want nothing but to calm her down, Helen is in a chaotic state. Unkempt, erratic and with little understanding of the world around her, the Kellers are at their wits end. They take a chance on a teacher who offers to work with Helen. As soon as Annie Sullivan (Anne Bancroft) arrives she gets to work on Helen. Trying to teach her words through sign language, decorum through example, and everything through repetition. It's an exhausting task as Helen fights her tooth and nail and the Kellers, including Aunt Ev (Kathleen Comegys), get in the way more than they help. It seems like Annie has the most difficult job in the world: to teach Helen how to communicate and to be a part of the world around her.

Inga Swenson, Victor Jory, Andrew Prine, Patty Duke and Anne Bancroft in a scene from The Miracle Worker (1962)

The Miracle Worker (1962) is based on William Gibson's play about Helen Keller and her teacher Anne Sullivan. Much of the inspiration comes from Keller's own autobiography. Gibson's play debuted on live television on Playhouse 90 and went on to become a popular Broadway production starring both Anne Bancroft and Patty Duke. Bancroft won a Tony Award for her performance. It was inevitable that The Miracle Worker would be adapted to film. According to Anne Bancroft biographer Douglass K. Daniel, William Gibson was dismayed by the play-to-film failure of his work Two for the Seesaw and wanted to make sure that didn't happen again. He collaborated with producer Fred Coe and director Arthur Penn. The three started a production company called Playfilm Productions and United Artists financed and distributed the film.

Bancroft and Duke almost didn't get their parts. United Artists wanted Audrey Hepburn or Elizabeth Taylor to ensure a financial return on their investment. Duke was almost not considered because it was thought she was getting too old for the part. Thank goodness Gibson stood his ground because Bancroft and Duke deliver masterful performances and I can't imagine the film without either of them.

Patty Duke and Helen Keller

The film was nominated for 5 Academy Awards including Best Director (Arthur Penn), Best Writing (William Gibson) and Best Costume Design (Ruth Morley). It's no surprise that Anne Bancroft won for Best Actress in a Leading Role and Patty Duke won Best Actress in a Supporting Role. Bancroft was not at the ceremony to accept her award and actress Joan Crawford accepted it on her behalf. Duke was the youngest actor to win a non-honorary Oscar until Tatum O'Neal broke the record in 1974.

The Miracle Worker (1962) is a film that grabs hold of you and won't let you go. It requires all of your concentration which you will so willingly give because the subject matter is fascinating. The film itself is not a miracle rather a result of hard work and a lot of talent. When I watched it I felt equal parts exhausted and enlightened. It's a complicated and brilliant film that breaks you down and builds you back up.

Amazon - Barnes and Noble - Best Buy - Olive Films

The Miracle Worker (1962) is available on DVD and Blu-Ray from Olive Films.

Thank you to Olive Films for sending me a copy of this film to review!