Monday, February 5, 2018

The Wilby Conspiracy (1975)



"Don't you love your country?"
"Yes, but is it the same country?"

Prisoner #34, Shack Twala (Sidney Poitier) stands trial. It's Capetown, South Africa in the midst of apartheid. Thanks to the remarkable defense work by his lawyer Rina Van Niekirk (Prunella Gee), Twala is now free. Rina's boyfriend Jim Keogh (Michael Caine) wants to celebrate her victory and Rina invites Twala to join them. On their way to her apartment they encounter the Capetown police who are a little too eager to arrest another black person. Twala, Keogh and Rina get into an ugly fight with the police officers and escape. Rina helps Twala and Keogh flee to Johannesburg. Things begin to escale when two members of the secret police, Major Horn (Nichol Williamson) and Van Heerden (Rijk de Gooyer), are sent out to hunt down the fugitive duo. Twala knows of an Indian dentist Mukerjee (Saeed Jaffrey) who will help them, if his assistant Persis (Persis Khambatta) doesn't get in the way. But Twala is hiding something. Keogh soon learns about the Wilby conspiracy. Mukerjee, Twala and Wilby have a treasure trove of diamonds hidden in a sinkhole. This loot will help finance the Black Congress' revolution, something the secret police are hell bent on stopping. All Twala and Keogh need to do is get the diamonds, find Wilby and escape South Africa before it's too late. But that's easier said than done.

The Blu-Ray is a million times better quality than this image!

Directed by Ralph NelsonThe Wilby Conspiracy (1975) is a political thriller set in the oppressive era of apartheid. Based on the novel by Peter Driscoll, it explores the racial dynamics of the era while also serving as a thrilling chase movie. Some of the politics from Driscoll's original novel were stripped away from the movie but the final product still demonstrates the dangerous political climate of South Africa in the 1970s. The movie was filmed in Keny and at the MGM Pinewood Studios in England. It was far too risky to actually film on location in South Africa.

Actor Sidney Poitier hadn't been in Kenya since filming Something of Value (1957) and found a much different country on his return. He was warmly embraced by the locals and the government as a major movie star. Much had changed politically in Kenya over the past decades. The film has some amazing aerial footage and there is extensive use of small aircraft and helicopters. Chase scenes in the air and on the ground are thrilling to watch.

Independently produced in conjunction with United Artists, producer Martin Baum used to be Poitier's agent and he cast both Poitier and Caine for the film. Director Ralph Nelson had worked with Poitier on Lilies of the Field (1963) and Duel at Diablo (1966). For Caine this was his first "message film." In his memoir he wrote, "my experiences on the set of Zulu had made me an implacable opponent of the apartheid system and I was pleased to be able to make a contribution to highlighting its cruelty." Caine and Poitier were good friends and bonded even further during the making of the film. They both had a near death experience when a 50 pound camera broke loose, almost killing them both. If anything it drew them closer together and they've been friends ever since.

Even without some of the politics of Driscoll's original novel, The Wilby Conspiracy holds a powerful punch as it delivers the painful message of oppression. The film suffers at one point when the story begins lose its purpose and relies too much on the extended chase. Perhaps what was taken away from Driscoll's story should have been left in. The movie is part political thriller and part action drama and I found it wholly engrossing. Caine and Poitier's characters have a contentious relationship and it was intriguing to see what they both had to bring to two very different roles.

On a side note, in one of the scenes actor Nichol Williamson utters the Dutch curse word "godverdomme". My father, who lived in the Netherlands for a brief time, used this curse word, which translates into g-d dammit, whenever he was angry. I have never heard anyone else use it until I watched this film. My father passed away a couple of years ago (you can read my tribute to him here) and it briefly reminded me of him. It made me smile because even though he said it when it was mad, it was one of those quirks that was unique to my dad.

While watching The Wilby Conspiracy I couldn't help but make the connection to The Defiant Ones (1958). Caine and Poitier as two fugitives on the run reminded me of Poitier and Tony Curtis as two chain-gang fugitives who escaped prison. I would recommend pairing those two films together. You could also pair The Wilby Conspiracy with another Poitier film set in South Africa: Cry, the Beloved Country (1951).




The Wilby Conspiracy (1975) is available from Kino Lorber on DVD and Blu-Ray tomorrow! When you purchase through my buy links you help support this site. Thanks!

Thank you to Kino Lorber for sending me a copy of the Blu-Ray for review.

Friday, February 2, 2018

Musings on Easy Rider (1969)



The other night my husband Carlos and I made a deal. If he'd watch one of my movies, I'd watch one of his. He had his pick and he chose Easy Rider (1969). I recently showed interest in this movie and he immediately perked up. Really? You want to watch it? he asked enthusiastically. Sure, I guess. What was I about to get myself into?

I had avoided this film for mainly one reason: the drugs. I'm not a fan. For me it's not an interesting as a plot device in pretty much any medium: books, TV, movies, etc. However, there seemed to be more to Easy Rider than just two guys getting high. And it's hard to argue the cultural impact of the film and its continued legacy. The image of Dennis Hopper and Peter Fonda on their motorcycles cruising through the American countryside is well... a very American image.

Easy Rider (1969) is a story about outsiders. Two lone wolves who don't fit in society and exist in a counterculture, one that the mainstream culture finds threatening. Captain America/Wyatt (Peter Fonda) and Billy (Dennis Hopper) are "born to be wild". They deal drugs and travel across state lines spending time in small towns, jails, hippie communes and brothels. Because of their long hair and the way they dress and comport themselves, they are continually harassed and stared at. Motels refuse to board them. Sleeping by the side of the road is the only way they can get some rest but even that proves to be dangerous.

This film resonated with me in ways I didn't expect. I have always been an outsider. Never in my life have I ever fit in. Ever. Even in communities I helped create, I've always been a member on the fringe with one foot out the door. I don't belong anywhere. I work best on my own rather than as part of a team or duo. It's always been the way. I need and want people in my life but it's hard for me to find anyone who truly understands. I've always felt alone in any sphere of my life: family, school, work, online community, etc.

Captain America and Billy are misfits of the truest kind. They stick together because they have that in common. But in reality they're polar opposites. Captain America is mellow and easygoing and Billy is wound tight like a spring. They need the companionship of someone who understands what it is to be misunderstood. And this film is so much about being misunderstood.

**Spoiler starts**
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In the days since I finished the movie, the ending has haunted me. I kept trying to negotiate my way out of it. Captain America and Billy didn't really die. Someone will find them, take them to the hospital. Everything will be okay. Their story will continue.

It can't be that easy to destroy them. All it took was two mean-spirited locals with a rifle. How can they get away with this? Why did this happen? I was taken aback when Jack Nicholson's character George, the drunk lawyer, was killed. But clung on when I saw Captain America and Billy were safe. What am I to do with this ending? Is this the fate of all misfits and outsiders? We'll be destroyed by those who don't understand us?

**************
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**Spoiler ends**

I'm still processing this movie and what it means to be alone in a world that doesn't understand. My husband and I are two individuals who are very much the same but also very different. We can't conceive of our partnership being a union of two people to become one. We are two different people. We need time to be together and time to be apart. I often use the phrases "separate but together" and "divide and conquer" when I discuss our relationship. We're kind of like Captain America and Billy. He's the mellow to my tightly-wound spring. We get what the other needs and we understand each other. It works.

If you have that moment in your life where you truly feel misunderstood, watch Easy Rider (1969). That'll be when you are most receptive to its message. Some will say it's just a drug-fueled movie with two iconic stars and a great soundtrack. But there is something deeper there if you're willing to discover it.
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Wednesday, January 31, 2018

My Cinema Shame Statement for 2018



In 2018 I will embrace my Cinema Shame! What exactly is Cinema Shame you ask? It's the regret you feel for not having watched that big movie everyone has seen, or the one that's won all the awards or that film you meant to get to but haven't... for years. There are numerous shades of cinema shame. I used to hide behind it but now I relish it for the new experiences it opens up.

The official Cinema Shame website and podcast called out for cinephiles to list their shame statements for 2018. These are the films we plan to take on this year. Having watched all the Rocky movies last year for the very first time, I’m ready to tackle some more. (I discussed the Rocky films on the Cinema Shame podcast. Listen to part one and part two and let me know what you think!)


A few years ago I made a list of big movies I hadn’t seen and planned to see that year. I failed miserably and watched none of them. That’s even more shameful that not having seen those films in the first place. I plan to correct that this year. This is a Cinema Shame list I shall conquer!
Instead of picking a random smattering of titles I haven’t gotten to yet, I decided to be a bit more methodical with creating my list. I picked 8 movies from 8 different sources of Cinema Shame.


A movie featuring my favorite actor – The Grass is Greener (1960)

I’ve seen a lot of Robert Mitchum movies but he had such long and varied career that I feel like I’ve only hit the tip of the iceberg. The Grass is Greener is one of the few comedies he made and I still can’t believe I haven’t seen it. In addition to Mitchum it stars Cary Grant, Deborah Kerr and Jean Simmons, all actors I enjoy watching on screen. I need to get my hands on this movie STAT.

(Watched and reviewed)



A movie featuring my favorite actress – Assignment in Brittany (1943)

I’m almost done with the full list of Susan Peters’ feature films except for one glaring exception: Assignment in Brittany (1943)! What’s holding me back? I spoke to former child actor Darryl Hickman about this very film a couple of years ago and still haven’t seen it. Shame! It’s time to find a bootleg copy and get watching.






A movie on the AFI Top 100 list (and one my husband keeps bugging me to watch with him) – 2001: A Space Odyssey (1968)

I’m not quite ready to tackle Star Wars yet (probably my biggest Cinema Shame) but I thought I’d add another major science fiction movie to the mix. Stanley Kubrick’s masterpiece has escaped me for years possibly because I don’t tend to gravitate to Sci Fi. But this year I plan to keep an open mind and watch this one for the first time.




A rarity I own but have never watched – The Wild Party (1929)

I have a nice little collection of rareities and among them is a bootleg copy of The Wild Party. It’s Clara Bow’s talkie debut and one that I’ve had my eye on. I own it, why not watch it? I need to dust off my burned disc and pop it into the player like yesterday.






A movie on FilmStruck – Le Samourai (1967)

I’m not too familiar with Jean-Pierre Melville’s work and I haven’t seen many Alain Delon movies. I love French films and this one sounds right up my alley. So why haven’t I seen this yet? I need to get on it before I have to return my film buff card for a cone of shame

(Watched and reviewed)


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A movie I missed at the TCM Film Festival – Fiddler on the Roof (1971)

I was saving my very first viewing of this movie for the 2014 TCM Film Festival. Director Norman Jewison was in attendance for a Q&A. Unfortunately I got sick and couldn’t make it to that screening. This is an uber classic that I’ve been reluctant to admit I haven’t seen yet. There is no time like the present to fix this.

(Watched and reviewed)





A movie from the Warner Archive – Get Carter (1971)

The very first movie I added to my watchlist when I subscribed to Warner Archive Instant was Get Carter (1971) and then I proceeded to not watch it even though I really wanted to. Film watching is funny that way. Sometimes we’re overwhelmed with choices that even a good one staring us right in the face gets looked over.





A movie that’s been languishing on my DVD Netflix queue – The Wild Bunch (1969)

In fact this was on that original shame list from a few years back that I never got to. It’s been sitting in the middle of the 300+ (almost 400) DVD Netflix Queue for years. Time to bump it up to the top!

(Watched and reviewed)







What's on your Cinema Shame list for 2018? Tell me in the comment section below!

How I'll feel after tackling this list.

Many thanks to Jay Patrick of the Cinema Shame website and podcast for the prompt!

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