Sadie McKee (1934)

Franchot Tone, Akim Tamiroff, Joan Crawford and Edward Arnold in Sadie McKee (1934)

On the heels of Dancing Lady (1933), MGM teamed up off screen couple Joan Crawford and Franchot Tone for another on screen romance in Sadie McKee (1944). But it seems like Hollywood wouldn't let Crawford be the apple of one eye. She has to be desired by several. Crawford stars as Sadie McKee, a maid working for the wealthy Alderson family. Michael Alderson (Franchot Tone) has returned home to discover that Sadie has blossomed into a beauty. But Sadie is in love with the formerly employed Tommy (Gene Raymond). The two run off to New York together and plan to marry. Sadie befriends Opal (Jean Dixon), a street-wise dame with a penchant for a good time. While the two are waiting for Tommy to show up at the courthouse for the wedding, he runs off with show girl Dolly (Esther Ralston). Sadie is destitute of both money and love. She starts a new life as a show girl (plus a little more) to make ends meet. That's when she meets the incredibly wealthy and incredibly drunk Jack Brennan (Edward Arnold). Brennan is smitten with her and through marriage offers her an opportunity to get ahead. Sadie takes advantage of this even though it puts her in the precarious situation of taking care of an alcoholic. She also suffers the disdain of Brennan's friend and her old acquaintance Alderson and Brennan's staff including his butler Finnegan (Leo G. Carroll). Sadie takes on the task of saving Brennan from himself, closing one chapter in her life and starting a new one.

From the very beginning it's established that Sadie McKee is the ideal physical specimen of womanhood. She has enough sass and sex appeal to keep men interested. And the three men she lures are all grossly inadequate. Tommy can't be held down, Brennan suffers from advanced alcoholism and Alderson is a spoiled rich playboy. Although Sadie is swayed by her emotions. she's the only one of the four who seems to have her shit together. She also has the support of her best friend and frequent voice of reason, Opal. The role of Sadie McKee fits Joan Crawford's persona perfectly. She embodied the spirit of the working girl who moves up the ranks and proves her worth. It's satisfying to watch her in parts like this. One could say that Sadie McKee is the pre-code precursor to Mildred Pierce (1945).

1934 brought on a tougher enforcement of the Hays Production Code. Sadie McKee slips in just in time and there are a few elements that classify it as a pre-code film. For example, the unmarried Sadie and Tommy sleep in the same bedroom together, albeit with her in the bed and him on the chair. Sexpot neighbor Dolly, played by Esther Ralston, channels Mae West and lures Tommy away from Sadie. When Dolly and Sadie have a showdown later in the film Dolly suggests that Sadie is a glorified prostitute. Pre-Code expert Danny Reid also points out that when Opal and Sadie are at city hall waiting for Tommy, a police officer approaches them and asks if they're getting married. He says it in a way that both suggests they might be marrying each other but also that they're waiting for their fiancees. I'd also like to point out the scene in which Finnegan the butler, played by Leo G. Carroll in his first on screen role, undresses a drunk Brennan (Edward Arnold), preparing him for bed. It's an oddly intimate scene that lingers just enough to give time for the audience to wonder.

Sadie McKee is based on a story by Vina Delmar who wrote many novels, short stories and screenplays including The Awful Truth (1937). She appears in the trailer for Sadie McKee as you can see below. The story suffers from trying to do too much. It starts off as a sweet romance between two people who escape the upstairs-downstairs life for a fresh start in New York City. Then it takes a twist when it becomes a story of a poor show girl who marries a rich alcoholic. Then it takes a somber tone when the first couple are reunited. And then of course Franchot Tone's continual attraction and momentary disgust for Sadie/Crawford adds several more plot points. One could say that Sadie McKee is an epic that didn't quite reach it's potential.


Even with its many flaws this is a gem of a film. Its such a joy to see cast members like Crawford, Tone, Arnold, Carroll, Raymond, Ralston and Dixon in action. Not to mention one of my personal favorites, Akim Tamiroff who plays night club owner Riccorri. I'll watch him in anything. Also in the movie are singer Gene Austin and the jazz duo Candy and Coco who all make their screen debut and play a couple of numbers in the movie.

Sadie McKee ad from The Film Daily April-June 1934

Sadie McKee got mixed reviews but still proved profitable enough for MGM that after a batch of successful films Crawford was able to renegotiate her contract. According to Joan Crawford biographer Donald Spoto, Crawford said, "I was pretty unhappy with the way the picture was cut. Perhaps it will make sense, but I doubt it."

Interesting fact: The Library Hotel in New York City plays Sadie McKee on a loop on a TV in their rooftop lounge. I've attended a few parties in that space and that movie is always on. I couldn't find any information why that film in particular was selected for the loop. It's a curious choice especially considering their rooftop bar is just around the corner. Maybe they thought a sobering film about alcoholism might encourage patrons to drink less.

Sadie McKee (1934) is available from the Warner Archive Collection. You can buy the DVD-R from the WB Shop by using this link.

Warner Archive Wednesday - On (random) Wednesdays, I review one title from the Warner Archive Collection. Thank you to the Warner Archive for sending me a copy of Sadie McKee (1934) for review!

Film Noir: Light and Shadow

Film Noir: Light and Shadow
edited by Alain Silver and James Ursini
Paperback ISBN: 9781495058974
February 2017
352 pages
Applause Theatre and Cinema Books

Amazon - Barnes and Noble - Powells

Purchase Film Noir: Light and Shadow at the Backwing online store for 25% off and free shipping.

Film noir is a rich source for academic study. It lends itself to close examination, dissection, comparison, research and deep thought. For classic film buffs and academics alike, studying film noir is a pleasure. Not only do watching these movies bring us joy but the exploration into the nuances of the genre is just as rewarding.

Film noir experts and authors Alain Silver and James Ursini teamed up to create Film Noir: Light and Shadow, a new anthology that collects essays written by film professors and other writers. Silver and Ursini have collaborated on various other film noir books. In this tome, the essays focus on the visual aspects of the film noir genre. All elements of the visual style of noir are explored including visual motifs, lighting, camera movement, positioning, framing, use of close-ups, title sequences and landscape. Other topics include symbolism, song and dance, dream sequences, the portrayal of romance, gangsters, cinematography, expressionism, TV noir and more. There are a few articles on film noir elements in movies outside the genre including It's a Wonderful Life and Hitchcock's canon. Many of your favorite films noir are discussed including The Killers, Out of the Past, Double Indemnity, In a Lonely Past and more.

The book doesn't rely solely on text to explain the visual elements of film noir. There are over 700 images in the book including title sequences, publicity photos and a variety of screen caps. The book contains fourteen original essays as well as some updated previously published pieces. Included among the authors are Richard Edwards, who taught the TCM and Ball State University online course on film noir back in 2015, as well as Cheri Chinen Biesen, Imogen Sara Smith and others.

I've partnered with Applause Theatre and Cinema Books to offer my readers an opportunity to check out this book. I'm hosting a giveaway for 2 copies of Film Noir: Light and Shadow. This contest is open internationally and runs until midnight EST on Wednesday July 5th. Two winners will be chosen on Thursday July 6th and contacted via e-mail. Good luck!

Giveaway is now over! Congrats to the winners Maddy A. (favorite film noir: Crossfire) and David N. (favorite film noir: The Big Heat). Thanks to everyone who entered!

If You're Not in the Obit, Eat Breakfast (2017)

"__________ is still alive?!" 

Just fill in the blank with the name of a very elderly actor, actress or entertainer and this is a question I hear on a regular basis. As someone who has an interest in classic movies and 20th century culture and entertainment, I cherish the fact that some of my favorites are living legends. It makes me happy to see so many of them in their 90s and 100s thriving and in many cases still working. It pains me when people relegate the status of old people as useless or simply close to death. People fear growing old and dying so when they see an elderly person their defenses go up and they lash out. It's my belief that we should respect and treasure the elderly. They bear the wisdom of the decades and we have much to learn from them about living life.

This is why it is so important that everyone watch HBO's new documentary If You're Not in the Obit, Eat Breakfast (2017). This doc explores several figures both in and out of the entertainment industry who are living life to the fullest in their 90s or 100s. The documentary follows legendary comedian Carl Reiner, 95, with the help of his nephew George Shapiro, as he seeks out the stories of those who are thriving in their advanced years. The title of the documentary is inspired by this often repeated quote:

"Every morning before having breakfast, I pick up my newspaper, get the obituary section and see if I'm listed. If I'm not, I have my breakfast." - Carl Reiner

Carl Reiner, George Shapiro, Mel Brooks, Norman Lear

Many familiar faces can be found in the documentary. Tony Bennett who recently turned 90 serenades us with a song. Reiner chats with long-time friends producer/comedian Mel Brooks, 90 and TV producer Norman Lear, 93. Their casual chats produce some of the best moments in the film. Reiner has a hilarious conversation with Betty White about age, having purpose in life and sexuality. At 94 she says, "I don't want to be a burden to anybody. Except possibly Robert Redford." Dick Van Dyke, 90 never lost his goofiness or energy over the years. There are numerous scenes with him in the documentary including sit down chat with Reiner but we also see him heading to Capitol Records to record songs with his wife Arlene, at a Barnes & Noble for the launch of his book Keep Moving (I've reviewed it here) and dancing around and being jovial out and about and in his home.

Carl Reiner and Betty White

Comic book creator Stan Lee shares his life's story as well as some insights on what his life his like at the age of 90. All of these figures are healthy and thriving. This gets Reiner thinking about people who are at an advanced age yet are suffering from poor health. He visits Kirk Douglas, 99 at the time of filming, who is still dealing with the aftermath of his stroke. They have a honest chat about death. Reiner shares the story of his wife Estelle's passing and Douglas relates the story of his mother's passing. Douglas' mother told him, "don't be scared. It happens to everyone."

Then there are the discoveries. Those wonderful figures who grace this documentary and charm us with their wit, wisdom and joie de vivre. Moments spent watching them were my favorites. There are a few you might of heard of including fashion icon Iris Apfel, 94 who is the figure of a fantastic documentary Iris (2014) directed by Albert Maysles. Then there is singer/actress Patricia Morison who at the age of 101 still enjoys singing, delights us with her joy and tantalizes us with a scandalous story about Yul Brynner. I fell head over heels for a few of these discoveries. There is Stan Harper, the world's greatest harmonica player. He was Reiner's old army buddy and can be seen at the age of 14 in One-Third a Nation (1939). Fyvush Finkel, 92 a Yiddish comedian and singer who lives to perform. He quipped "as soon as I get on that stage I have all the energy in the world." Lounge pianist and music composer Irving Fields, who wrote Latin infused songs including A Latin from Manhattan, won my heart. I feel head over heels for his passion for music and his drive to keep doing what he loves to do. Unfortunately all three of these have since passed away.

Irving Fields

Others who will inspire you include centenarian athlete Ida Keeling, pianist Harriet Thompson, 93, yogi and tango dancer Tao Porchon-Lynch, 97, portrait artist Ray Olivere, 91 and singer Alan Bergman, 90. I particularly loved the segment with Jim "Pee Wee" Martin, 95, who was in the 506th Parachute Infantry Regiment during WWII. We see footage of him sky diving at the age of 94. His interview was one of my favorites because of his frankness. He lived a life where he cherished simplicity and hard work. Martin reflects, "the age part is nothing. I don't feel any different today than when I was 25 years old."

There are lots of great bits of wisdom throughout the documentary. Here are some highlights:

"Life is the main gift that we have. And as long as you're here eat it up." 

Patricia Morrison

"There are two words we don't understand the importance of: over and next. When something is over its over. And then comes next." 

Norman Lear

"I do it my way. I'm not interested in being current."

Iris Apfel

"People are scared to death of age. Don't fear it. Meet it head on."

"New experiences are the only thing that you can collect in life that end up being worth it."

Dick Van Dyke

 "Don't lose your curiosity." 

Ray Olivere

"I go on and on because I love what I do."

Irving Fields 

"Being old is like a whole new adventure. You can't describe it to young people."

Stan Lee

"You gotta be the boss of your body."

Ida Keeling

So what is the secret of longevity? There are many answers that Reiner as well as longevity expert Dan Buettner share in the documentary. These include: Have a social life. Be optimistic about your future. Have a purpose for every day. Be physically fit and enjoy life. Then there are those elements that are genetic or pure luck like being cognitively aware at an advanced age, avoiding fatal accidents and overall good health.

If there's one thing I hope to get across to people, its that they absolutely need to watch If You're Not in the Obit, Eat Breakfast (2017). I could review it as a straight documentary and find its flaws. But the importance of its message and wonderful stories of beautiful lives that it shares overshadows everything else. I fell in love with this documentary and the people in it. I hope you do too.

If You're Not in the Obit, Eat Breakfast (2017) is currently available on HBO GO and HBO Now. I hope it gets a DVD/Blu-Ray release in the near future. I'll definitely be picking up a copy. And to my TCMFF friends, you'll delight in seeing our bud Jeff from Larry Edmunds Bookshop who makes a cameo in the documentary.

*All ages listed reflect the correct age at the time of filming.