Tuesday, November 4, 2014

Flash Giveaway - Bob Hope #InfluenceofHope



Tune in to Turner Classic Movies tonight at 8PM EST for their "Starring Bob Hope" 6 film tribute!


4:15 AM EST - Road to Bali (1953)


Thanks to the folks at TCM and Simon & Schuster, I am giving away two hardcover copies of the new biography Hope: Entertainer of the Century by Richard Zoglin. Stay tuned as I'll be sharing my review of the book later today.

UPDATED! To enter the contest you have to share one of three different Bob Hope related prompts on Twitter or Google+ using hashtag #InfluenceofHope. I'll be sharing my favorite Bob Hope jokes, video clips and other fun stuff on my Twitter @Quellelove as well as my blog's Google+ page +Out of the Past throughout the day.

Complete one of  the three prompts and fill out the form below before 6:00 AM EST tomorrow to enter. Good luck!

GIVEAWAY IS NOW OVER! Congrats to the winners Terry and Mike!

Saturday, November 1, 2014

Life Beyond Measure by Sidney Poitier

Life Beyond Measure: Letters to My Great-Grandaughter
by Sidney Poitier
April 2008
HarperOne
285 pages

Barnes and Noble
Powell's
IndieBound (your independent bookstore)

"All I know for sure is that "stories" are the bedrock on which each human life is built." - Sidney Poitier

Inspired by the birth of his great-granddaughter Ayele LaBarrie in 2005, legendary screen actor Sidney Poitier set out to write 23 letters, each on a different subject, passing down his wisdom and observations to a new generation. The letters are addressed to Ayele but his words are for all of us. Both young and old, everyone can learn a lot from Sidney Poitier.

“Those who stop their questioning... cut short their explorations and end up with permanently unfinished lives.” - Sidney Poitier

From the onset of the book, we come to understand that family is very important to Poitier. The book opens with a family tree mapping out the lineage of the Poitier family from Sidney Poitier's grandparents down to Ayele. He recounts Ayele's birth, his early encounters with her and how his own family grew over the years.  Poitier also goes back to his own childhood and shares many stories of his parents and his siblings.

Poitier was born in Miami, Florida in 1927, grew up in the Bahamas and came back to the United States when he was a teenager. His experiences living in Cat Island, Nassau, Miami and New York all became distinct phases in his life. And each set of experiences taught him many things.

The beginning of Poitier's life is much different than that of Ayele's or pretty much anyone else who reads this book. Some of the most stunning passages in the letters are Poitier's remembrances of his early life experiences. The first time he saw his own reflection in a mirror at the age ten, the first time he had ice cream, the first photograph ever taken of him at age 16 and the first time he ever auditioned for an acting role. Poitier's education came from life. He learned volumes from experiences both good and bad.

Poitier's writing is beautiful. I marveled at the passage where he describes eating ice cream for the first time. Having grown up in the Bahamas he didn't understand what it was like to feel cold. Not knowing how to eat the cold treat, he took one disastrous big bite. From reading Poitier's words I can just imagine the shock and pain of that innocent first experience.

The school of life taught Poitier very much. Although Poitier's education was little and he didn't even read an entire book until he was in his 20s, no one reading this work would think Poitier anything other than a wise and intellectual man. Poitier's writing is reflective and poetic.

“I vividly recall – crinkled with laughter, stung by embarrassment, frozen in shyness, darkened by disappointment, anger, or fear, lit by wonder and innocence, or mesmerized by the spell of the daydreams to which I surrendered so often during those years.” - Sidney Poitier

In Life Beyond Measure, Poitier is passing on his wisdom to Ayele and to us the reader. He discusses a variety of subjects including family, love, addiction, bravery, fear, doubt, shyness, his heroes, logic and reason, science, technology, climate change, war, faith and death. Even though Poitier is essentially teacher in this text, his writing never comes off as pedantic. The narrative voice is gentle and almost passive. There is a sweetness about his tone.

Passing down the wisdom of the ages is important. There are experiences new generations will never have because of advancements in technology and differences in circumstances. We can learn so much from other's lives and there are so many things we take for granted that a young Sidney Poitier grew up without.

“So I sit comfortable after all these years, and I am very protective of my aloneness. I am very protective of my shyness; it never triggers any displeasure in me, any resentment of itself. It’s a part of me.” – Sidney Poitier

I was particularly struck by Poitier's reflections on his own shyness. As an introvert, I very much appreciated his reflections and insights on his own struggles with being shy. Watching Poitier on screen, I've always noticed an intensity about him. His passion drove his actions. He was never held back by any limitations. Poitier says,  “... I rarely took the path of least resistance. Most of the time, in fact, I walked a proverbial razor-sharp edge.”

There isn't much about Sidney Poitier's acting career in the book. It's not the point of the text. We do get to hear some interesting stories from his acting days. These are mostly relegated to his near death experiences including a car accident during the filming of Edge of the City, his trip to the South with fellow actor Harry Belafonte during the Civil Rights Movement and a dramatic real-life car chase while filming Cry, the Beloved Country in South Africa during the apartheid era.

Poitier discusses death at length. The death of family members, his experience with prostate cancer and leaves Ayele with some thoughts about mortality.

I read Life Beyond Measure as an ebook but I really wish I had a hardcover copy instead. Both are available. There are two inserts in the book (and in the ebook as well) with photos of Poitier with his family.

I thoroughly enjoyed reading Life Beyond Measure. I was so struck by Poitier's writing and I'm looking forward to reading his other books. I have so much admiration for Poitier and I value the wisdom our elders pass down to us that to me this book is truly a treasure.

Wednesday, October 29, 2014

Government Girl (1943)


Washington, D.C. during WWII was a hectic place. The new jobs created to support the war effort drove many to the nation’s capital. The influx of people caused a housing shortage that had workers and hotels scrambling. And with so many men away on duty, D.C. became a 10-women-to-every-man kind of a town leaving single gals with few options. The “government girls”, who took on a variety of important roles, were crucial to war effort’s success.

Add caption

What better way to examine chaos than with a screwball comedy? The film Government Girl (1943) is a humorous look at this moment in history. It was directed by Dudley Nichols, produced by RKO and adapted by Nichols and Budd Schulberg from a short story written by Adela Rogers St. John. Olivia de Havilland stars as Ms. Elizabeth Allard, AKA "Smokey", a “government girl” living and working in D.C. She’s booked a honeymoon suite at a hotel for her best friend May (Anne Shirley) and her soon-to-be-husband Sgt. Joe Blake (James Dunn). Joe only has 24 hours to get married, have quick honeymoon and be back on duty, so they are on a time crunch.

Anne Shirley and Olivia de Havilland in Government Girl (1943)

Unbeknownst to Smokey, the hotel gave their suite to Ed Browne (Sonny Tufts) a mechanic who has been hired by the government to do important work for the Air Force. When Smokey finds out the gentleman who lent her his ring so that her friend May could get married with one has the suite, they begin to butt heads.

Sonny Tufts in Government Girl (1943)
Sonny Tufts in Government Girl (1943)

And they keep butting heads when they eventually find out Smokey, or Ms. Allard, is really Ed Browne’s new secretary. He thinks she’s the one who was getting married. But really she’s a single government gal who already has two suitors, which is virtually a miracle in a town with an imbalanced ratio of men to women. Ms. Allard becomes Browne’s Girl Friday, helping him with important government work and championing for him when crooked government types try to screw him over.

Olivia de Havilland, Sonny Tufts and FDR.


This movie had a lot of potential but never quite realizes it. I read that Olivia de Havilland got stuck doing this film for RKO because of an arranged loan out from Warner Bros. What would follow was a difficult battle with Warner Bros. over her contract. Would the film have been better if circumstances for de Havilland were different? Male lead Sonny Tufts was being groomed during WWII to be a replacement star. With so many actors on duty and away from Hollywood, film studios needed more leading men. Tufts didn’t quite make the splash they were hoping for.

Government Girl is a quirky and funny movie but ultimately falls flat. The More the Merrier (1943), a Columbia picture starring Jean Arthur, Joel McCrea and Charles Coburn, is from the same year, deals with the same topic but is much more entertaining. If you are interested in the topic of American life during WWII, I suggest you watch Government Girl and then The More the Merrier to achieve a better experience. 

Agnes Moorehead and Jess Barker in Government Girl (1943)
Agnes Moorehead and Jess Barker in Government Girl (1943)


Notable appearances in the film include Agnes Moorehead as the villain Mrs. Right, Harry Davenport as Senator MacVickers and Una O'Connor as the honeymoon-wrecker-landlady. I love Anne Shirley but I thought her role as the daft but loveable May was a little too similar to Joan Fontaine’s portrayal of Peggy in The Women (1939). I’m not sure why I made that comparison while I was watching the film but perhaps it has something to do with Fontaine and de Havilland being sisters.

The main reason I watched the film is because I’m interested in the D.C. housing shortage during WWII. I’ve lived in cramped quarters all my life so I enjoy watching films about similar situations. The More the Merrier (1943), it’s remake Walk, Don’t Run (1966), Mr. Blandings Builds His Dream House (1948) and Buster Keaton’s Scarecrow (1920) are some of my top favorite movies partly for that reason.

One final note: fans of 1940s fashion will want to watch this for the excellent outfits worn by Olivia de Havilland, Anne Shirley and Agnes Moorehead.

Government Girl (1943) is available from Warner Archive on DVD-MOD.



Warner Archive Wednesday - On (random) Wednesdays, I review one title from the Warner Archive Collection. I received Government Girl (1943) from Warner Archive for review.

Friday, October 24, 2014

Missing Reels by Farran Smith Nehme


Missing Reels
by Farran Smith Nehme
The Overlook Press
352 pages - 9781468309270
November 2014


Barnes and Nobble
Powell's
IndieBound - Your local independent bookstore.

You know her as the Self-Styled Siren and film critic extraordinaire. Now Farran Smith Nehme can add “published novelist” to her resume. Nehme’s debut novel Missing Reels goes on sale in a few weeks but I had the wonderful opportunity of meeting Nehme at Book Expo America earlier this year and received a signed advance readers copy of the book.


The story takes place in late 1980s New York. The heroine, 21-year-old Ceinwen (pronounced kine-wen), works at the vintage clothing shop Vintage Visions. She has two roommates Jim and Talmadge and her free time is consumed with all things classic film. Ceinwen is curious about Miriam, the elderly woman living in her apartment building on Avenue C in New York City. When Ceinwen finds out that Miriam is really actress Miriam Clare, the star of a long lost silent film adaptation of The Mysteries of Udolpho, she’s determined to find out more. She wants to learn everything about Miriam’s short-lived acting career and her tragic romance with director Emil Arnheim. Ceinwen gets an important clue about the existence of a director’s cut of The Mysteries of Udolpho and she becomes hell-bent on finding it. You’d think have the film’s leading lady in the same building would be an asset to Ceinwen. However, Miriam is very suspicious of Ceinwen’s motivations and offer her little help. But Miriam gives her enough information to lead Ceinwen on the chase for the lost film.

Missing Reels is a mystery and Ceinwen is the story’s detective. Her love interest, the brilliant yet romantically unavailable mathematician Matthew, is her sidekick and is integral in helping her solve the mystery of the lost film. The new-person-dynamic of Matthew coming into Ceinwen’s life is crucial to the story. He introduces her to the important people who will guide her in her quest. My favorite character is Harry, an older gentleman and mathematician at NYU where Matthew is doing his postdoc. Harry is the anti-thesis to Miriam, takes a liking to Ceinwen and opens up a lot of opportunities for her. Plus his passion for old movies will endear him to any classic film fan. I love this line from the book: “You had to find another love, if you were a mathematician, or you’d have nothing to talk about with regular people.”

There are two distinct audiences for this book: classic film enthusiasts who will understand Ceinwen’s motivations and get all the movie references and a general audience who will appreciate good story-telling and the mystery elements and might learn a few things about film history. There are a lot of movie references: titles, actors, actresses, directors, studios, etc. Folks not well-versed in film history might complain that they don't recognizes the names and titles that appear throughout the text. But I make the same case as I do with Junot Diaz and his usage of Spanish in his short stories and novels: look up what you don’t understand and maybe you'll learn something.

A note to fans of the Self-Styled Siren blog, look for the the Joan Fontaine reference towards the end of the book. Nehme is a big Fontaine fan and I knew there would be at least one reference to her in the novel.

While many of the movie references are real, the “missing reels” in question are fictional. The Brody Institute for Cinephilia and Preservation (archivists and preservationists), The Mysteries of Udolpho (film), Emil Arnheim (director), Miriam Clare/Gibson (actress), Civitas (film studio), etc. are straight from Nehme’s imagination. When you read the book though, they feel like real people and you’ll have to stop yourself from Googling the Brody Institute.

This novel really speaks to Nehme’s devotion to film preservation. When films become destroyed and lost, we lose part of our history along with them. It’s important to preserve them and to keep looking for the lost ones like Ceinwen did with The Mysteries of Udolpho. I love that nitrate is a plot device in the book. It’s flammability and the risk of deterioration adds an element of drama and urgency to the story.

True classic film enthusiasts will appreciate Ceinwen's obsession with finding the lost silent film. In a time before Turner Classic Movies, the internet, DVD, Blu-Ray, Netflix and pretty much everything else, Ceinwen indulges her passion for old movies by watching them on VHS, live broadcast TV and at repertory houses. Her research is done at universities, archives, institutes, by phone, by mail and in person. There is no IMDb, no Wikipedia, no blogs and no online archives.

One of the things I really love about the novel it demonstrates the way classic films infiltrate our lives. We compare real life events to scenes from movies. We spot resemblances between people in our lives and Hollywood stars of yesteryear or the characters they played. I also was intrigued by how many of the characters in the book pursued their interest in classic film outside of work. Ceinwen’s day job is in the realm of her interests but its in a toxic environment thanks to her horrible boss. Readers might wonder why Ceinwen devotes so much of her free time to finding the lost silent film. She devotes so much time to it it’s almost like a second job. Classic film fans, especially bloggers, will understand Ceinwen’s motivations. Very few of us make a living off of our interest in film history (in fact only a couple of the characters in the book actually do). In many cases, that’s a good thing. We are not bound by the regulations of a company and can pursue our hobby with complete independence. There is no one telling us what to watch or what to study or what to pursue. It’s the ultimate freedom.

Don’t mistake Missing Reels as just being a missive for the love cinema. It can be appreciated as a good work of straight storytelling and a fine mystery.

Kudos to Farran Smith Nehme for writing a wonderful novel that many of us classic film lovers will enjoy.


Popular Posts

 Twitter   Instagram   Facebook