Monday, April 12, 2010

It's a Veritable Robert Mitchum Explosion



So I've been preparing for months. And months. And months for a Robert Mitchum Week. A follow up on my highly successful Norma Shearer Week. It made sense. Norma Shearer is my favorite actress so why wouldn't I do a second themed week with my favorite actor Robert Mitchum.

I read the Robert Mitchum biography Baby I Don't Care by Lee Server and I watched various documentaries on Mitchum's life and work. I've been viewing Robert Mitchum movies from various sources: old videotapes, Netflix, YouTube, even Hulu. I've even been listening to his Calypso album! So why couldn't I pull off Robert Mitchum week?

First off, I wanted to write all the pieces together. In one fell swoop. Every time I came up with a brilliant idea for a post, I'd tuck back into the recesses of my brain for later use only to have said ideas lost in the void that is my mind. Plus I had way too many ideas to cram into just one week. I thought about doing a whole Robert Mitchum month but I didn't have enough content for that. And that was a lot of pressure to put on myself.

How about a Robert Mitchum 1 week and a half? Or two weeks and a third?

Did I mention I have to write a review on a Mitchum-related book for a publisher? Yeah. I better get on that.

Then there was the bio. Oh how I dreaded writing that bio. How am I going to cram Robert Mitchum's crazy life and prolific career into a few paragraphs?

So this morning I decided to toss Robert Mitchum Week out the window and just have what I call "A Veritable Robert Mitchum Explosion". I'm going to post lots of Mitchum stuff, willy-nilly, no form, no structure, just Mitchum stuff spewed onto this blog, in post form. And you know what, I feel liberated. I feel like a poet who was try to cram thoughts into a haiku but decided to use free-form poetry instead.

Watch this space as I proceed to post about Mitchum, in all his glory, with no schedule or structure at all.

Wednesday, April 7, 2010

Queen Norma Shearer ~ Their Own Desire (1929) now on DVD


I cannot tell you how happy I am that one of my top favorite Norma Shearer films is now out on DVD, thanks to the Warner Archive Collection. And now that they are doing nice original packaging for these DVD-Rs (instead of that boring navy blue swirly design they were previously using), Their Own Desire (1929) gets an awesome treatment with this funky contemporary colorized cover!

The movie itself is a feast for the eyes. Many scenes were shot at the Norconian Resort in Norco, California which was an Art Deco paradise. I secretly dream of breaking into the abandoned resort and looking for the lost and decaying Art Deco treasures. The resort boasted an amazing Art Deco swimming pool and Norma Shearer got to show off her diving skills in a great scene with Robert Montgomery. They both hit the water and share an underwater kiss which to me is an iconic representation of the film, the resort and the era.

There is lots more for the eye to feast on! A dancing scene with moving lights and shadows is the essence of cool Art Deco/1920s style. The rich soak up the sun and get some exercise with a nice game of polo. And the clothes. Oh the clothes. I want them all.

Believe it or not, there is a story too but this is where I separate from other folks. Most people do not like the story because they feel it's lacking in substance and is full of predictable cliches. However, I am very drawn to stories about rich jaded people who are so bored and numb that they manipulate lives to get themselves to feel something. Bonjour Tristesse (1958) anyone? And that's what this is. A story about rich people bored with life. To me that's fascinating. Norma Shearer stars as Lally, a young beautiful rich girl who escapes to a resort with her mother after they have found out that her father, Lewis Stone, is having an affair with another woman. At the resort, Lally meets Jack, Robert Montgomery, and they fall in love. Trouble is, Jack is the son of Beth, the woman who is having an affair with Lally's father. Oops! It's the type of soap opera that only a really excellent Pre-Code film can provide.

I wrote a short review back in 2008 when I first saw the film on TCM and I forsee writing more about this in the future. Now that this is on DVD, I hope to purchase it and make some lovely screen cap collections of all the Art Deco beauty of this film. Maybe I'll even make it a week long affair. Stay tuned... 

Sunday, April 4, 2010

Tony Rome (1967) is pretty darn cool

When Tony Rome is out and about, trouble is sure to follow. I really loved this movie, so much so that I watched it twice in a row. Once for the story and a second time for the atmosphere. I'm a gal who loves details and this film had a lot to savor. Here are some things I picked up on. Enjoy.



Flimsy nightgowns and balcony bar service


7-digit phone numbers without Area Codes




Old-fashioned product logos. In this case, beer cans.


Old-fashioned cars like this blue Ford.


Cocktail stirrers


Iconic shots such as this one.




Young Gena Rowlands




Old-fashioned hair clips




Jill St. John and her outfits




Going to bed with full make-up on




Ginormous pools in really fancy seaside hotels




Smaller Floridian seaside hotels. My dad used to own one back in the early 1970s.




Old-fashioned staplers.




Telephone Books/Yellow Pages




Typewriter-typed documents




Typewriters

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Do you like to look for certain details in movies? What do you look for? I particularly like searching for objects that today are obsolete. There is some charm in things we used to rely on but don't anymore. Or even things like staplers that we use today but older versions seem to be of higher quality.

Friday, April 2, 2010

Norma Shearer

This was a guest post on Silents and Talkies. Artwork is created by Kate Gabrielle. Go visit her new blog Scathingly Brilliant.
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Norma Shearer was a sight to behold. She was simply stunning and had an elegance and grace that translated well on film and in photographs. Shearer loved the camera and the camera loved her, but their courtship started off on very rocky footing. Over the years Shearer, along with the help of studio stylists and photographers, developed tricks and techniques for her so that the camera always captured her in the best light possible.

If Norma Shearer was so beautiful, what could she have had to hide? Shearer's biggest physical flaw was the slight cast in one of her eyes. Technically it was not a lazy eye but it was ever so off center, enough to make her look cross-eyed. At one point she had surgery to correct this, but it never did fully go away. So what did she do? She dealt with it. If you watch Norma Shearer's films or see any of her photographs, she'd always tilted her head and face at an angle. It created a dramatic look, showcased her spectacular profile and hid her major flaw. It took years of practice and it wasn't until well into her talkie career in which her crossed eyes are completely unnoticeable. She learned an effective trick from photographer George Hurrell that if she looked towards directly in the camera's direction she had to look past it, as though she was looking beyond at something very far away.

As I got to learn more and more about Norma, I discovered that she had even more physical flaws that she withheld from the camera. She had a short dumpy figure, a result of thick legs and arms on a petite body. She was also knock-kneed, something clearly visible when you see her silent film He Who Gets Slapped (1924). Shearer learned to hide her legs with long skirts and dresses and showcase her torso which was slender. She got very knowledgeable about lighting and refused to be shot at any unflattering angle. This oftentimes made her clash with her co-stars who also wanted to look their best on screen. The most notable one is Clark Gable, Shearer's co-star in A Free Soul (1931), Strange Interlude (1932) and Idiot's Delight (1939). Gable had huge ears which were very noticeable and everything possible was done to hide them. He was banned from wearing bowler hats, he had to always look away from the camera and oftentimes his ears were taped to his head so they would lay flat. You can imagine all the work it took to get the best lighting and positioning for when Gable and Shearer shared a scene. It must have been quite a battle!

Beyond the physical, Norma used her natural charisma to enhance her beauty. She always had lively expressions and elegant hand and arm movements. Her vibrancy was electric and seemed to light up the screen. Who would be searching for flaws when they would be too busy being entranced by her charm?

So why do Norma's flaws matter? Norma Shearer acknowledged what she had and what she didn't and worked very hard to be her best. It's something that made her notorious as a diva but to me it showed her admirable diligence to overcome obstacles in her path. I've learned from her and even I've developed tricks so I can look my best on camera.

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